Best Reasonable Movies & TV Shows

A knife-scarred victim must identify her assailant beyond a reasonable doubt. Meanwhile the accused is offered a deal if he pleads guilty. Is he as innocent as the victim? Is the justice system guiltier than both?

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

During the trial of a man accused of his father's murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices.

Reasonable Doubts is a police drama broadcast in the United States by NBC that ran from 1991 to 1993.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

When a law-abiding woman gets indicted for murdering her husband, her lawyer soon realizes that a larger conspiracy may be at work.

Frederick Bolton has to solve two problems. First, his boss has instructed him to come up with a reasonable campaign to promote a new product, a stomach pill named "Aspercel" - by tomorrow. The second problem is Fred's daugther, Helen. She is absolutely fond of horses, takes riding classes and has already had decent success in some competitions. Her biggest wish is to own a horse herself, a dream her father cannot afford at all. Now Fred tries to solve both problems at once by simply combining them: A horse named "Aspercel", ridden by his daugther should bring the name of the pill into the papers and make Helen happy, too. But there's still one more obstacle: Helen and Aspercel of course have to win a few prices to make this idea work...

Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must reexamine his scruples after his shenanigans win him a promotion in his firm, and he must now defend a college professor who is appearantly guilty of murder.

Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief.

Tony Petrocelli, a bright young lawyer practicing in the rich cattle town of Baker, becomes embroiled in a murder case.

Nine people are stuck in an elevator. One of them has a ticking bomb that can't be defused. The other eight will do anything to survive. There is no escape and no promise of rescue. As the tension in the elevator mounts the unthinkable soon becomes the only reasonable solution.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like "Machete" and "Hobo with a Shotgun", HOLY HELL is a modern take on 60's and 70's B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

Inspired by the true story in the book by Linda Spaulding. Twenty years ago, Sally Linden sat on a jury in the trial of Theresa Nichol, a young woman accused of murder. They were close in age, and perhaps because of that, Sally saw the mistakes of her own life reflected in Theresa’s plight. She became convinced that the case against Theresa was not being proved beyond reasonable doubt. Twenty-some years later, Sally finds the notebook she kept throughout the trial. She's again at a crisis in her life where she feels she cannot keep running away: from herself, from her family, from her marriage, from her past. She searches for Theresa, and finds her still in prison. Seeking at first only to atone, Sally develops an intense bond with Theresa, writing about her and gradually becoming convinced that an outrageous miscarriage of justice has taken place.