Best Reran Movies & TV Shows

The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series. Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.

USA High is an American teen sitcom which ran from August 1997 to June 1999, and ended after 95 episodes, and reran until August 4, 2001 on the USA Network.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons. In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats. Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.