Best Rko Movies & TV Shows

An honest rancher, after killing his best friend who's turned outlaw, takes his pal's orphaned younger brother into his own home. The boy, however, isn't aware he's now living with the man responsible for his brother's death. This 1933 RKO B-western, directed by Lloyd Nosler, stars Tom Keene, Lon Chaney Jr., David Durand, Julie Haydon, Edgar Kennedy, Charles King and Al Bridge.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Ed Asner tells the story of RKO Pictures from the 1920s to the 1960s.

Lugosi: Hollywood's Dracula uncovers the life and career of legendary actor Bela Lugosi, examining his early life in Hungary and Germany through his Hollywood successes and eventual decline. The film features a vast array of never-before-seen footage of the actor, ranging from remains of his 1918 film Struggle for Life to behind-the-scenes home movies on the set of RKO Studios. Lugosi is peppered with dozens of rare films clips and photographs, with the story itself coming to life thanks to the vast array of on-camera interviewees.

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Lucille Ball and Desi Arnaz face a crisis that could end their careers and another that could end their marriage.

The Saint Takes Over, released in 1940 by RKO Pictures, was the fifth motion picture featuring the adventures of Simon Templar, a.k.a. "The Saint" the Robin Hood-inspired crimefighter created by Leslie Charteris. This film focuses on the character of Inspector Henry Farnack. When Farnack is framed by a gang he is investigating, it is up to The Saint to clear his name.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

A lost submarine discovers a secret island where dinosaurs still live. The film, 20 minutes long, was scrapped by RKO. Approximately 4 minutes survived.

Two vaudevillians on the run from crooks try to pass themselves off as cowboys.

A news reporter-commentator at a combined radio-television broadcasting station gives up his stand against the election of a corrupt mayoral candidate after a gangster threatens his family. Features tidal wave stock footage from RKO's "Deluge" (1933), q.v.

A shortage of zoo animals after World War II brings beautiful animal trainer Tanya, her financial backer and her cruel trail boss to the jungle. After negotiating a quota with the native king, they take more animals than allowed. Tarzan intervenes.

George Sanders makes his final appearance as crook-turned-detective Simon Templar, a.k.a. "The Saint," in The Saint in Palm Springs. The gimmick in this one is a set of rare stamps, smuggled from England. Wendy Barrie is the true heir to this treasure, and the Saint is engaged to protect her and the stamps. Our hero meets Barrie in a posh Palm Springs resort, where a gang of homicidal thieves have converged to relieve the girl of her inheritance. Three murders and one kidnapping attempt later, the villains are foiled by the Saint, with the aid of his onetime partner in crime Pearly Gates (Paul Guilfoyle). The Saint in Palm Springs is the sixth in RKO's series of films based on the character created by Leslie Charteris.

In 1940s Los Angeles, when womanizing composer Keith Vincent is found dead, the inquest concludes it was a suicide but police detective Joe Warne isn't so sure.

An outbreak of cholera threatens a luxury liner in this surprisingly low-budget melodrama from RKO. En route from Shanghai to San Francisco, chief engineer Crusher McKay (Victor McLaglen) and shipboard doctor Tony Craig (Chester Morris) become rivals for the attention of nurse Ann Grayson (Wendy Barrie). A Chinese stowaway, meanwhile, infects the stokehold with cholera and it is left to Crusher to keep the engines at full throttle until reaching harbor. But morale sinks to an all-time low when Crusher himself is stricken and the overworked men threaten with mutiny. Tony attempts to keep the stokers in check but the situation is growing more dangerous by the minute when a heroic Crusher rises from his sickbed. Leaving their previous petty squabbles behind, Tony and Crusher manage to guide the ship safely to harbor, where the doc and Ann rekindle their romance.

A kind of filmed vaudeville show, using old material from RKO films and some new.

This new reimagining will combine John W. Campbell's original story "Who Goes There?" (1938) with elements drawn from RKO’s "The Thing From Another World" (1951), John Carpenter’s classic "The Thing" (1982), and the long-lost additional chapters of Campbell's story, recently published as the novel "Frozen Hell" (2019).

Not quite a western, not quite a historical drama, Under Strange Flags is a little bit of both, and a lot of former RKO Radio cowboy hero Tom Keene. The star is cast as Tom Kenyon, a roving adventurer in Mexico during the Revolution. Hoping to protect the silver mine owned by heroine Dolores De Vargas (Luana Walters), Tom receives unexpected assistance from none other than rebel leader Pancho Villa (Maurice Black).

Documentary looking at Orson Welles and the production of the film CITIZEN KANE fifty years ago, considering the furore that accompanied it and the real life press baron William Randolph Hearst upon whom Kane is based, and his efforts to halt the film, destroy the negative and persecution of people involved with its production and showing. It includes BBC interviews with Welles made in 1960 and 1982, and film historian Robert Carringer looks at the scenes that never made it to the screen. American film critic Pauline Kael also analyses the film's enduring appeal. Extracts from "The RKO Story" (producer: Rosemary Wilton) and "Yesterday's Whitness" (producers: Christopher Cook and Stephen Peet).