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A docudrama depicting a hypothetical nuclear attack on Britain. After backing the film's development, the BBC refused to air it, publicly stating "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting." It debuted in theaters in 1966 and went on to great acclaim, but remained unseen on British television until 1985.

We are in the year 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret characters of the Commune, especially the Popincourt neighbourhood in the XIth arrondissement. They voice their own thoughts and feelings concerning the social and political reforms. The scenes consist mainly of long camera takes.

Culloden, Scottish Highlands, April 16th, 1746. It was one of the most mishandled and brutal battles ever fought in Great Britain. Its aftermath was tragic. The men responsible for such a disaster must be exposed. The men, women and children who suffered because of it must be remembered.

In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

Denmark is in deep crisis: the country is hit by general strike, during the holding of a NATO summit in Copenhagen. Meanwhile, a minister is kidnapped by extremists, and state power cracks down against politically-active leftists.

Britain's biggest pop singer, Steven Shorter (Paul Jones), receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie (Jean Shrimpton), is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.

Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

In a late night bar, Henry is approached by a mysterious woman who offers to sell him the severed "manhood" of Wales' greatest vocal entertainer. Believing he can make a fortune selling the infamous appendage on to obsessive fans, Henry stumps up the cash. To help find the right buyer, Henry teams up with his slightly dodgy best friend Teddy and together the two head off on an insane journey that leads them deep into the secret world of celebrity body part trading.

Set in the underground living quarters of a scientist working at an international nuclear waste station near the west coast of Sweden. It is the end of 1999, and the TV in the oppressive living room inhabited by John (the scientist), his wife Margereta, and their son Peter, is proclaiming optimistic statements about the promise of the New Millennium.