The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
France France
Charlotte Rampling Michel Piccoli Jean-Louis Trintignant Évelyne Bouix Charles Aznavour Laurent Malet Tanya Lopert Raymond Pellegrin Charles Gérard Anouk Aimée Myriam Boyer Patrick Depeyrrat Maryline Even Philippe Laudenbach Denis Lavant Martin Lamotte Ged Marlon Mado Maurin Jacques Nolot Pascale Pellegrin
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Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.
Visions of Eight
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.
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The movie follows the lives of a woman and a man starting from several generations earlier. The story spans a whole century and several continents.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled movies she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.
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Twisted Obsession
An American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
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In the Affirmative
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
The Beautiful Story
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Men, Women: A User's Manual
Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.
Simenon et l'affaire du cinéma
Why did Simenon, a novelist who contributed so much to the seventh art, like to say that he hated the cinema? Because he could never become a director? Because, claustrophobic, he was unable to lock himself in a projection room? Clearly, there is an affair between the writer and the cinema and Georges Simenon is the main protagonist. An investigation that is more than ever topical as Patrice Leconte has announced his plan to adapt an investigation by the famous Inspector Maigret.
The Measure of a Man
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