Movie Comedy
Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
Fiona Gordon Dominique Abel Emmanuelle Riva Pierre Richard Emmy Boissard Paumelle Céline Laurentie Charlotte Dubery David Palatino Frédéric Meert Guillaume Delvingt Philippe Martz Olivier Parenty Fabrice Milich Jean Loison Annabelle Cocollos Bruno Romy Mika Romy Cocollos Ivan Le Goff Jessica Hinds Isabelle De Hertogh Dominique Pozzetto Michel Vivier Alice Véret Balla Gagny Diop Brigitte Lucas Grégory Legeai Salifou Bangoura Sarah Bensoussan Françoise Lauwerie Roberta Casa Nova Dominique Prie Marc Le Gall Valérie Thoumire Niryis Pouscoulous
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Night and Day
Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver of the taxi, and soon Julie is spending her nights with Joseph and her days with Jack.
Lulu in the Nude
After a job interview gone wrong, Lulu sets sail leaving her husband and three children behind. But being an adventurer is easier said than done.
My Man
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
Emma Peeters
After 10 years of struggle in Paris, Emma Peeters has to face the facts: she will never be an actress. She decides to commit suicide on her 35th birthday. That is when she meets Alex, a funeral home employee.
On the Edge
A man. A woman. A single night in Paris. Such is the basic framework of this French romance that begins when middle-aged middle-class housewife Clara, happily drives to the airport to meet her husband who was supposed to come in on the evening flight and is devastated to learn that he has remained at his hotel and is having an affair. Clara sees a younger man eating a sandwich and asks him to have a drink. Later, she and he, an amiable baggage handler, spend the evening talking and exploring the nightlife on the outskirts of Paris. There they meet many people from other countries who come to Paris and work as laborers.
I'm Dead But I Have Friends
Four bearded, hairy rock musicians - and Belgians - bury the singer of their group. Out of friendship and to prove to itself that nothing can stop them, they decide to leave on tour to Los Angeles with its ashes. The day before the departure, a serviceman with a moustache appears as the lover of their friend. Their journey takes an at least unexpected tour ...
When Margaux Meets Margaux
20-year-old Margaux makes the acquaintance of 45-year-old Margaux: they have a lot in common – so much so that it turns out they are one and the same person, at two different ages and stages of their life…
Don't Tell Me the Boy Was Mad
Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.
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Nicolas Le Floch
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Legendary Sin Cities
Of all the remarkable events of this century perhaps the most fascinating has been the spontaneous growth, flowering and then decay of a handful of great cities. These cities were places where art, culture and political liberties co-mingled with corruption, brutality and decadence. Everything and just about anyone could be bought and sold. The immigrant would struggle beside the artist. Gamblers, thieves and prostitutes co-habited with soul-savers, the rich and the powerful. The exhilarating combination of the seamy with the sublime made these places a magnet for all the lost souls and refugees of the world. Pushing the limits of tolerance and freedom, they defined the social, political and sexual culture of the 20th century. Their names ring out: Paris of the '20s, Berlin of the '20s and '30s and Shanghai of the '30s.
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