Louis Lumière

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

Soon after the death of his first wife (whose dowry was inadequate), Charles Bovary, a country doctor in Normandy, marries Emma Rouault. In her new home, Emma finds conflict with her mother-in-law, a husband uninterested in the social whirl, and general discontentment; thereby proving an easy conquest for philanderer Rodolphe. Other lovers follow. Does tragedy await?

Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.

This French documentary pays homage to a young man whose passion left a rich and valuable legacy to the world of cinema. Henri Langlois was one of the co-founders of the Cinematheque Francaise, a museum which contains many rare artifacts from early cinema as well as one of the most extensive film archives in the world. This documentary will be most meaningful for those already familiar with Langlois' story. Through old film clips and interviews, Langlois is seen as an eccentric but charismatic young visionary obsessed with preserving and locating old films. Filmmaker Edgardo Cozarinsky uses scenes from Citizen Kane to compare the portly iconoclast to Charles Foster Kane, in that both Langlois and Welle's fictional newspaper magnate where avid collectors, and both were men of mystery.

The house he lived In: A conversation with Fred Baker (1932-2011) filmmaker , director , screenwriter , film producer, actor and jazz musician. A shining example of America's bohemian underground that has been around since the days of Walt Whitman. A sensualist. His favorite topics are sex, art, food and politics. To the rhythm of New York and Lenny Bruce.

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.

Part one of a BBC documentary about Jean Renoir.

The second part of a BBC documentary on the latter half of the career of French director Jean Renoir.

Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.

A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.

Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…

A person who had usurped the identity of a famous writer of detective stories was killed in the train. Why and by whom?

A six-part French documentary about the Second World War composed exclusively of actual footage of the war as filmed by war correspondents, soldiers, resistance fighters and private citizens. The series is shown in color, with the black and white footage being fully colorized, save for some original color footage. The only exception to the treatment are most Holocaust scenes, which are presented in the original black and white.

Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she feels a bit “rusty”. Despite the obvious defiance of her unit and a cynical superior who doesn’t make her job any easier, she is determined to turn her so-called weaknesses into strengths, solving the most complex cases with her common sense, her acute observation and her practical nature seasoned by a busy daily routine. Only Candice can catch a killer because she knows the chemical composition of a window-cleaning product or determine the hour of a murder from the cooking-time of kebabs… Candice is only naive on the outside, and nobody can resist her!

Created by French surrealist artist Roland Topor and director Henri Xhonneux, Telecat is a news show parody hosted by a tomcat named Groucha (who always had his arm in plaster) and an ostrich named Lola. It featured a variety of sentient objects and revolved around the idea that the real-life elementary particles known as gluons were “the souls of objects”.

Agnès Varda takes us on a journey of discovery as she travels the globe—from Stockholm to St. Petersburg, Lisbon to Rio de Janeiro, Mexico City to Los Angeles—meeting with friends, artists, and fellow filmmakers.

My Journey Through French Cinema (2017), Bertrand Tavernier’s César-nominated three-and-a-half-hour tour through French film history, was too short to introduce audiences to all that he wanted to share. In this new eight-part series (8x55min), the acclaimed director of such films as Coup de Torchon and ‘Round Midnight guides us through a roster of filmmakers both influential and forgotten, explores how his country’s cinema was shaped by the German occupation and changed again through the New Wave, spotlights little-known female filmmakers, and more. Subjects include: René Clément, Henri-Georges Clouzot, Julien Duvivier, Henri Decoin, Claude Autant-Lara, as well as composers who made movie music an art in and of itself, far from the Hollywood spotlight.

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.