Love and Greed

A failed director is trying to get his next movie off the ground, while dealing with his cranky brother and his estranged wife.

Ryosuke lives in a small house in Toshima, Tokyo. Since his wife died, he has adjusted to living alone. He used to teach at a university and he now works as a translator. Meanwhile, Ryosuke has one child, Yuriko. She is married to Shigeyuki, who works as a teacher. Yuriko and Shigeyuki live in Azumino, Nagano Prefecture. One day, Yuriko visits her father Ryosuke without advance notice. Ryosuke is surprised by her sudden visit. Yuriko doesn't give any reason for the visit. Ryosuke only learns that Yuriko isn't sure how long she will stay. They haven't talked as father and daughter in a long time. They begin to live together in a nervous, but warm atmosphere.

Three girls - Miwa, an introvert who's best friend is her turtle, Saori, a rich girl from a celebrity family, and Koyuzu, a member of a revenge agency - wind up in a complex rivalry with one another.

Koji, a university student and budding photographer, is asked by a man to secretly take pictures of his wife Yurika. As a result, his relationships with a girl who visits his part-time workplace called Tominaga and his step-sister Misaki begin to change subtly.

Industrial Hitachi City is the location for this post-3.11 drama. Still recovering from the tsunami, Shiori receives news of her husband’s accidental death, which marks the start of a personal recovery that mirrors the town’s for Shiori as well as forgiveness of surviving coworker Takumi.

Taeko and her husband, Jiro, are living a peaceful existence with her young son Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife's behavior, but he begins to feel uneasy with her.

At the end of the TV series of the same name, it is revealed that the husband works for the Public Security Bureau, and their marriage is a cover to keep her under surveillance. In spite of his mission, he falls in love with Nami and tries to convince her not to get involved in other people’s affairs. She is being monitored as a state-level security risk, and the bureau is unwilling to tolerate any more trouble from her. However, to save a friend, Nami runs out of the house and risks everything she has to confront the enemy. When she comes home, she finds her husband pointing a gun at her! A gunshot echoes through the quiet, upscale neighborhood…The movie picks up where the controversial ending of the drama series left off!!

One snowy night, in a mountain hut, Minokichi, a hunter, sees a snow woman killing his mentor Mosaku. “Should you tell anyone, I will take your life” she says, then drifts off. A year later, Minokichi meets and marries a beauty named Yuki. She bears him a daughter, Ume. 14 years pass and Ume blossoms into a radiant lady who befriends the sickly Mikio, the village leader’s son and Mosaku’s distant relative. Mikio soon dies in the same hut as Mosaku, with his body showing the same frostbite scars. Minokichi is reminded of that horrid night, and wonders what it was that he saw, and who Yuki really is.

When there's a transfer flight delay, a put-upon ground staff worker at a small town airport has to deal with a family that has plenty of problems of their own. Shot in a single take, "Airport" focuses on familial and romantic relationships and the secrets that often hold them together.

The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the binds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

The young and beautiful Yuki decides to leave her husband. She goes back to the place where she grew up. There she is initiated to S&M & bondage. But is it really the perfect cure to forget all about her past and regain happiness?

A seemingly lazy salaryman is tasked with managing a company secret.

As her husband Eiichi becomes more entangled in his life as businessman, Naoko looks for ways to expand her own life even as her husband's life shrinks in scope and intimacy. She finds new interests, new love, and a greater sense of her place in the world.

An aspiring young chef named Chowder has adventures as an apprentice in Mung Daal's catering company. Although he means well, Chowder often finds himself in predicaments due to his perpetual appetite and his nature as a scatterbrain. He is also pestered by Panini, the apprentice of Mung's rival Endive, who wants Chowder to be her boyfriend, which he abhors.

Set on a peaceful island during a violent terrorist attack, a young boy is suddenly transformed into a metal-cased mercenary. But with this great power comes even greater danger. Aiyuki must discover how to master this remarkable new power-or risk having this mysterious fusion of rock, metal and magic destroy him!

The once famous and well respected scientist Zorndyke has bred a new genre of living being, one that thrives on the oceans and lives to destroy humans. Zorndyke believes it is time that the humans were relieved of their rule of the earth. It is up to Blue Submarine No. 6 and the rest of the Blue fleet to put an end to Zorndyke's madness and creations.

Setsuko Koda is a woman who is married to her mother's ex-lover. Events unfold as her husband Kiichiro is involved in a car accident as Setsuko revisits her past while trying to help a little girl facing abuse.

Shun'ichi Minami possesses good looks and does well academically in high school. Chiyomi Horikiri is a bright girl who likes dancing. They were childhood friends and also their first loves, but after Shun'ichi Minami's father disappeared they hardly talk. On a storming night, Chiyomi Horikiri has an argument with her parents over her future course and leaves home. While trying to avoid the rain, Chiyomi Horikiri wishes that she go back to her childhood. Suddenly, Chiyomi becomes 15 cm tall. Shun'ichi Minami happens to see tiny Chiyomi Horikiri. She tells him that she doesn't want anyone else to see her, and Shun'ichi Minami takes her his home.

A rich, handsome businessman, Hokuto, proposes marriage to Chiwa, whose father has a large debt. Hokuto apparently has a secret reason for marrying Chiwa. Will this marriage work out?

Mayako, a married woman, finds her life of comfort and casual affairs thrown into disarray when she unexpectedly falls in love with a younger man. Here is a modern fable of the moral dilemmas facing today's women, in a time where the expectations of love, marriage, and divorce from earlier generations no longer seem true.

Kumiko and Kenichi meet in college and build a happy marriage together. But over time, an unusual problem threatens to destroy their relationship.

Freelance writer Harada Ririko and former lecturer on folklore Shimano Hitoshi go around to Tokyo’s hidden spots with horror stories. They encounter many apparitions in places that everyone knows about in the 23 wards. There is the office lady who wanders the subterranean drains of Shibuya ward in search of her missing mother. The mistress who hides a dead body in Koto ward’s Yume no Shima. The riddle of the Ikebukuro woman and romance in old age. The secret of the female CEO who encounter an apparition in a late night taxi plying Minato ward. The doctor’s wife whose fate is at the mercy of Itabashi ward’s tree which is supposed to severe ties between man and woman. The mystery of a woman and the Suzugamori execution grounds related to a crime scene in Shinagawa ward.

Shibasaki Kaori is a doctor. Her patient that she was having an affair with dies. Kaori is suspicious of the patient's son Kido Takashi about the death. Noguchi Tomomi is a single mother. She is excited in experiencing love for the first time in 7 years. Harada Saeko is in conflict with her husband Harada Satoshi about having a child. Mizushima Juri insists on having freewheeling romance. She feels excitement with meeting a woman. These four women's lives connect and an unexpected story begins.

Takashi Oshii is a detective with excellent reasoning power. Unfortunately, he usually misses the criminal in front of him and other detectives get recognition for the capture. He is transferred to the Utobashi Police Station. Takashi Oshii goes to a record company CEO's house. The CEO's third son was burned to death. The police are set to conclude that his death was an accident, but Takashi Oshii thinks otherwise. Takashi Oshii begins to investigate.

Harumi Morishita (Eiko Koike) lives with her husband Kyohei Amaya, but they have not officially registered their marriage. One day, she receives a phone call from that police that her husband has died. She goes to the hospital where her husband Kyohei Amaya was sent to. There, Harumi Morishita meets Kanako Ogura (Ryo) and Akane Fujimiya (Rei Okamoto), who both insist that Kyohei Amaya is their husband. Both Kanako Ogura and Akane Fujimiya have not registered their marriage like Harumi Morishita. A will was left behind by Kyohei Amaya. His will leads Harumi Morishita, Kanako Ogura and Akane Fujimiya to a single mother share house and states that he will leave 300 million yen to the only wife that he loved.

Sato Yui is a dispatched contract worker at Amagi Pharmaceutical Company. Her pet has died and she feels deep sorrow over its death. One day, she drinks alone at a bar and shouts, with tears running down her face, "Develop medicine to bring back someone to life!" At that time, a man walks towards her. He makes a spiteful remark that there is no such medicine that can bring someone back to life. He also tells her to stop barking and to go home. Yui feels anger within herself and she trips him. She then leaves the bar. Yui is unaware that the man she tripped is Amagi Kyoichi and he is the CEO of Amagi Pharmaceutical Company. The next day, Yui hears at work that the CEO is looking for her. When she gets to his office, she realizes the man she tripped in the bar is the CEO. She thinks that she might get fired, but he suddenly tells her to "Please treat me as a slave."

Keisuke Yoshimaru is a screenwriter, but instead of working, he is responsible for all household chores. On the other hand, Keisuke's wife, Nami, is a popular novel writer under the name "Ririko Kōsaka". Nami is the breadwinner with outstanding fame and income. Keisuke is somehow satisfied with his current life, but, one day, the main writer of a prime-time drama suddenly drops out, and Keisuke was given the opportunity to write again. Although Keisuke starts writing with full of expectations, he begins to be swayed by various problems.

After her mother took the blame for a tragic fire 13 years ago, Anzu plots revenge by working as a housekeeper under a pseudonym for her icy stepmother.