Best movies like Love and Hisses

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A unique, carefully handpicked, selection of the best movies like Love and Hisses Starring Walter Winchell, Ben Bernie, Simone Simon, Bert Lahr, and more. If you liked Love and Hisses then you may also like: Wake Up and Live, Never a Dull Moment, Rio Rita, Bottoms Up, The Broadway Melody and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

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Wake Up and Live

Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.

Never a Dull Moment

Nightclub gangsters hire a vaudeville act called the Three Funny Bunnies (Ritz Brothers).

Rio Rita

Capt. James Stewart pursues the bandit "The Kinkajou" over the Mexican border and falls in love with Rita. He suspects, that her brother is the bandit.

Bottoms Up

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

The Broadway Melody

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

Crack-Up

Betrayal and espionage abound as an experimental aircraft is readied for its maiden voyage.

Sing and Be Happy

Rival advertising firms compete for a radio show's pickle manufacturing account.

I Love a Bandleader

A painter suffering from amnesia convinces himself that he's a famous bandleader and finds romance with a pretty singer. Comedy with music.

Playmates

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

Is My Face Red?

William Poster writes a gossip column for the Morning Gazette. He will write about anyone and everyone as long as he gets the credit. He gets most of his information from his showgirl gal-pal, Peggy. Eventually Bill's reckless tattling gets him in deep trouble with friends and enemies, putting his career and life in jeopardy.

Lights of New York

Eddie is conned into fronting a speakeasy for a local gangster who intends to frame him for the murder of a cop.

Mississippi Gambler

A journalist finds out, that a plantation owner he meets is a gangster the police is looking for, who has changed his face with plastic surgery.

The Stork Pays Off

Gangster Deak Foster and his three henchmen, Brains Moran, Ears-to-the-Ground Hinkle and Photofinish Farris, take over what they think is a night club run by a rival, Stud Rocco, only to discover it is a nursery run by Irene Perry. All fall under the benign influence to the point where the three henchmen go to night school to be educated and Deak falls in love with Julie.

Take Me Home

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

It Can't Last Forever

Russ Matthews, a theatrical agent who is not above pulling off a hoax or two or more to further the career of his clients (and himself), and a newspaper gossip-columnist, Carol Wilson, get involved with gangsters when one of Larry's radio-program future-predicting cons gets out of hand.

The Guilty Generation

The children of feuding gangsters fall in love and fight to escape their parents' notoriety.

Dark Manhattan

A low-level gangster determines to let nothing stand in the way of his gaining control of the numbers rackets in Harlem.

Step Lively

Fly-by-night producers dodge bill collectors while trying for one big hit.

Twenty Million Sweethearts

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

Skipalong Rosenbloom

Skipalong Rosenbloom is the star of a heavily commercialized TV kiddie show, presided over by a smarmy announcer. He is at odds with western bad guy Butcher Baer.

Cosmo Jones, Crime Smasher

Cosmo Jones, a correspondence-school detective from a small town, comes to the big city to offer his services to the police. He happens by where a gangster is killed by an opposing gang. Socialite Phyllis Blake is running around with gang member Tom and the opposing gang plan on kidnapping her. Cosmo is with Sergeant Flanagan when the attempt is made in front of a night club, where a bystander is seriously wounded in the gun-battle. Police Chief Murphy blames Flanagan for the shooting and demotes him. Cosmo, with the aid of a porter, Eustace and Flanagan's fiancée, Susan, tries to find the killer. Phyllis is finally kidnapped and Cosmo decides the act was committed by one of the two gangs. He has her father place an ad in the newspaper that contact has been made with the kidnappers. Each gang thinks the other is pulling a double cross, and one gang wipes out the other.

The Thrill of Brazil

Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.

Oh, Baby!

Billy, a diminutive manager of prizefighters, is priming Jim Stone for the heavyweight championship when Charley Burns (Arthur Graham?) discloses that for the past 8 years he has invented a mythical wife and daughter for the benefit of his Aunt Phoebe, who now requests a visit from them. He finally persuades Billy to pose as his daughter, Evangeline, while Miss Brennan, a magazine writer, consents to take the role of his wife.

Rainbow Over Broadway

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

Red Hot and Blue

A Broadway director rescues a starlet from mobsters who blame her for a shooting.

Star for a Night

Blind Mrs. Lind comes to American to visit her three children whom she thinks are successful.

Big Town Girl

When a department store songstress becomes a radio star she keeps her identity secret, as the "Masked Countess", because he estranged husband is a crook.

Here Comes Carter

A radio commentator avenges an old wrong by blowing the whistle on Hollywood scandals

Headline Shooter

A newsreel photographer neglects his love life to get the perfect shot.

The Corpse Came C.O.D.

Rival reporters (George Brent, Joan Blondell) investigate a Hollywood star (Adele Jergens) and the box she receives with a dead man inside.

Sing, Baby, Sing

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

Smarty

Vicki Wallace takes great pleasure in teasing her husband Tony who takes no pleasure at all in being teased and it isn't long before he ups and clips her on the chin. Vicki's friend and attorney Vernon Thorpe secures a divorce for her, and Vicki and Vernon are soon married. Vicki's yen for wearing revealing clothes and a penchant for inviting ex-husband to dinner soon provokes the easily-provoked Vernon into belting one on her himself. She goes to Tony's apartment, where Tony is entertaining Bonnie, who is not all that entertained by the presence of Vicki, especially after Vicki shows every intent of moving in and staying.

Stage Struck

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

Take It Big

Jack Haley plays Jack North, the nether end of a vaudeville horse act who inherits a western ranch. When he heads to the Great Outdoors to take possession, Jack winds up at the wrong place: a swanky dude ranch. He immediately begins running things, at it's quite a while before his error is discovered. By the time he shows up at his own ranch, he's up to his ears in unpaid debts-which naturally requires a fund-raising musical show as a bail-out. Harriet Hilliard handles the romantic portion of the proceedings, occasionally dueting with her real-life husband, bandleader Ozzie Nelson.

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