Best movies like Love Blooms

After a freak accident changes his perspective on life, a Parisian filmmaker meets a stranger who brings him to a commune that's populated by free-spirited women.

With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.

In the near future emotions have become a threat. Gabrielle decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. But then she meets Louis, and although he seems dangerous, she feels a powerful connection to him as if she has known him forever.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.

1917. Bakary Diallo enlists in the French army to join his 17-year-old son, Thierno, who has been forcibly recruited. Sent to the front, they will have to face the war together. While Thierno learns to become a man, Bakary will do everything to bring him back safely.

1967 film student George Lucas has writer's block trying to finish his "Space Wheat" script, until a beautiful fellow student with a familiar hairstyle teaches him that the best stories are in plain sight.

The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past.

A filmmaker introduces us to the subject of his documentary—the beautiful Jacqueline Dumont, a young Frenchwoman who claims to have uncovered a covert assassination conspiracy. While unsure of the eccentric Jacqueline’s veracity, the filmmaker nonetheless enlists a couple of interns and heads to the holistic retreat in Argentina where she’s hiding out, to explore her claims and film her story. Upon arrival, the filmmaker begins to doubt the worthwhileness of his venture, but finds reasons to hope that he might actually be capturing something big, something real, with his increasingly makeshift film.

Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.

A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Anne, a brilliant lawyer, lives in perfect harmony with her husband Pierre and their six and eight-year-old daughters, in a house on the heights of Paris. One day, Theo, 17, Pierre’s son from a previous marriage, moves in with them. Anne is troubled by Theo and gradually engages in a passionate relationship with him, putting her career and family life in danger.

Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America's border with Mexico and known both to those who live on the "line" (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker's art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.

A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

Leon de Severac is fed up with his daughter Jacqueline, who is constantly seducing men. Hoping to discourage her from her flirtatious behavior, he tells her the story of Zareda, an attractive fortune teller who is having an affair with Ivan de Maupin.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

When a San Francisco exec wins a New Zealand inn, she ditches city life to remodel and flip the rustic property with help from a handsome contractor.

An Indian student in Prague and a lonely New Yorker correspond online through video letters. A voyeuristic love story about aching for human connection in a hyper-connected world.

Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.

There's nothing to keep Yvan in Paris any longer. His wife has left him to live in Thailand. His teenage daughters have chosen to live with his sister Ariane, who is as anxious as she is admirable. Yvan is ready to leave... when beautiful Emmanuelle enters his life. She makes babies as easily as she falls in love, and she's accompanied by Léo, the little boy who Yvan's wife had with another man. Yvan is going to have to change his plans.

Arnaud nicknamed "Cui Cui" no longer knows which way to look. He is about to marry Anna but he is not sure he really loves her. To make matters worse, he falls in love during the stag party he has with his friends. And Léa, a nightclub singer, is obviously the woman of his dreams. What to do? Cancel the wedding and create a scandal but be able to live with a woman he loves truly and loves him in return? Or be a good boy and not disappoint the company but say farewell to happiness. For four days, Arnaud goes to and fro aimlessly between Anna and Léa, between his eccentric sister and his self-centered mother, between hope and depression.

A weekend in the green with your best friends. Those who really love you. Those in whom you have absolute confidence. Those who understand you and always tell you the truth. And above all, those who rot you without knowing that they pressed the callback key of their phone.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.

Luc travels to Paris for the first time to sit the entrance exam for a carpentry school. There he meets Djemila, a young worker with whom he enjoys a short romance, before returning to his home town and beginning a relationship with Geneviève, whom he has known since childhood. Caught between two passions, Luc runs, resolving to fulfil his father's dreams by devoting himself to his future... until finally, he experiences true love.

The nuns of a musical convent work hard in order to prevent the religious school from closing.

Nowadays, in Paris, a student who occasionally prostitutes, a freshman drug dealer, a trader who makes a ton of money... Money, pleasure and ambition are the cement of their relationship. In today’s world, they love and hurt each other.

Etienne comes to Paris to study filmmaking at the Sorbonne. He meets Mathias and Jean-Noël who share his passion for films. But as they spend the year studying, they have to face friendship and love challenges as well as choosing their artistic battles.

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.

"In the stillness and the dark before time ever began," opens this faux-trailer for the 1992 film APPLE, "there was a different incantation." Maverick filmmaker Damon Packard, self-described herein as "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. Packard evokes a low-budget LEGEND with retro-looking filmmaking techniques and sword-and-sorcery imagery. A twenty-seven minute rough-cut of APPLE exists but the film, made during Packard's time in Hawaii, was never completed.

The fight for kids begins now. Inspired by the powerful true story, Sound of Hope: The Story of Possum Trot, follows Donna and Reverend Martin as they ignite a fire in the hearts of their rural church to embrace kids in the foster system that nobody else would take. By doing the impossible–adopting 77 children–this East Texas community proved that, with real, determined love, the battle for America’s most vulnerable can be won.