Macbeth

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.

A Scottish warlord and his wife murder their way to a pair of crowns.

Shakespeare's tragedy of the Scots nobleman whose ambition leads him to betrayal, murder, and damnation.

Renowned Shakespearean actor Patrick Stewart features as the eponymous anti-hero in this Soviet-era adaptation of one of Shakespeare's darkest and most powerful tragedies.

This is a very theatrical version, full of sound & fury, histrionics and big arm movements. Cynical audiences might not buy into it, but if you were to go back to the early 1600s this is probably the way you'd see it. The plot of Macbeth, if you were snoozing during high school English class, is about an 11th century Scottish warrior who hatches a dubious plan to steal the throne. Spurred on by his wife Lady Macbeth, who wears the pants in the household, he finds himself swiftly slipping down the path of evil.

In eleventh century Scotland, three witches foretell that Macbeth will become King, while Banquo will beget Kings. Macbeth accordingly has King Duncan slain, and is duly crowned in his place. But that's where his problems really begin...

Macbeth and his wife murder Duncan in order to gain his crown, but the bloodbath doesn't stop there, and things supernatural combine to bring the Macbeths down.

Performing from within the walls of a deconsecrated Manchester church, Kenneth Branagh takes the lead role in this ambitious production of William Shakespeare's tragic tale of ambition and treachery.

Macbeth is a 1978 videotaped version of Trevor Nunn's Royal Shakespeare Company production of the play by William Shakespeare. Produced by Thames Television, it features Ian McKellen as Macbeth and Judi Dench as Lady Macbeth. The TV version was directed by Philip Casson. The original stage production was performed at The Other Place, the RSC's small studio theatre in Stratford-upon-Avon. It had been performed in the round before small audiences, with a bare stage and simple costuming. The recording preserves this style: the actors perform on a circular set and with a mostly black background changes of setting are indicated only by lighting changes.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

When three witches tell Macbeth that he is destined to occupy the throne of Scotland, he and his wife choose to become the instruments of their fate and to kill the first man standing in their path, the virtuous King Duncan. But to maintain his position, Macbeth must keep on killing – first Banquo, his old comrade-in-arms; then, as the atmosphere of guilt and paranoia thickens, anyone who seems to threaten his tyrant’s crown.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.

Antoni Cimolino’s chilling production of Macbeth takes you back to the stark reality of the 11th century, when the murderous king clawed his way to power. It has been praised as “a thrilling terror,” (Globe and Mail) “a bold and brutal take on the Scottish King’s tragic tale” (Toronto Star), and “a brilliant, terrifying show” that leaves people “gasping in the dark” (Chicago Tribune). Starring Ian Lake in “a galvanizing performance as an unusually young and sexually magnetic Macbeth” (New York Times) and Krystin Pellerin as “a standout Lady Macbeth … at once adorable yet devious” (Postmedia), this is a production that will haunt your dreams and leave you tingling. All hail Macbeth!

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

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An animated adaptation of twelve of Shakespeare's best-known plays. The series was produced by S4C for the BBC, but animated by some of the foremost artists of Soyuzmultfilm, the former Soviet Union's main animation studio. Each 26-minute play is directed by a different animator, in a wide variety of styles: cel animation for Macbeth, stop-motion puppets in Twelfth Night, and paint on glass for Hamlet.

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