Best movies like Mama, Papa, Zombie

Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

American judge in Germany must decide if the hijacking of an East German plane into West Berlin was justified.

When ruthless terrorists threaten to bring down the United Nations, they frame the one man they believe can stop them: an international security expert named Shaw. Now he must run from his own allies and become a solitary force for good, as he tries to stop what could become World War III.

An FBI free-lancer stashes a stolen Las Vegas-crime tape in a high-tech car stolen by someone else.

A married couple is terrorized by a series of videotapes planted on their front porch.

A con man who is on the run from law enforcement in the U.S. travels to Cambodia to collect his share in an insurance scam but discovers more than he bargained for.

When a man's wife and family are murdered, he plots revenge only to find out that the killer is under Federal protection and he must exact his own form of justice.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Dolph Lundgren is Christian Erickson, a leading demolition expert trained to disarm mine fields in a humanitarian minesweeping operation in Angola. His son is killed and he discovers that mines are being planted during the war to kill people in the area.

In the future, national boundaries have been broken down and two giant super-states remain—the bleak, oppressive, and totalitarian "Hemisphere," and the sprawling and futuristic "Megaville." Megaville has an elected president, but the entire system is rife with corruption. All forms of media are encouraged in Megaville, but this freedom has aided moral decay with the distribution of pornography and violent movies. Outside Megaville lies the Hemisphere; whereas Megaville is clean and ordered, the Hemisphere is in a state of decay. Travel from the Hemisphere to Megaville is restricted with few exceptions to the powerful. An outwardly totalitarian regime governs the daily life of civilians in the Hemisphere and the people live in fear of the "CKS" (the secret police). All forms of media are illegal in the Hemisphere. CC wikipedia.org

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Pinhead is trapped in the Pillar of Souls. Fortunately for him it is bought by a young playboy who owns his own nightclub. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle box so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.

A former US Operative, who lived in Russia in his earlier years and had been married there with a child, comes out of retirement to face down a former enemy, now running as a candidate for President in modern Russia. Working with a Russian policewoman, they work to uncover a plot to use biological weapons against certain factions of the Russian people to commit genocide. The virus would also be released in other populations, but would be treated making the candidate a hero. A side plot has the agent being reunited with his long lost daughter.

Set against Sin City, Las Vegas, "Murder-Set-Pieces" tells the story of a fashion photographer whose vocation is murder—a voyeuristic nightmare of blood, sex, and brutality.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.

Politicians go after a small-town librarian when she refuses to ban a book. She's quickly labeled a Communist.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

When the boss of Boston's Irish mob abruptly skips town to escape a federal indictment, a low-level gangster gathers a group of petty crooks to seize control of the streets.

Fuad Ramses and his family have moved from the United States to France, where they run a American diner. Since business is not going too well, Fuad also works night shifts in a museum of Egyptian culture. During these long lonely nights he is repeatedly drawn to a statue representing the seductive ancient goddess ISHTAR. He becomes more and more allured by the goddess as she speaks to him in visions. Eventually he succumbs to her deadly charms.

"Bullets Over Hollywood" delves into America's fascination with gangsters and features historical perspective, analysis, behind-the-scenes anecdotes, and details about the connection between real-life hoods and their cinematic alter egos. The documentary chronicles films such as the _American Mutoscope & Biograph [us]_ film _Musketeers of Pig Alley, The (1912)_ (the 1912 film directed by D.W. Griffith that began it all), 1930's and '40s classics including "Little Caesar," "The Public Enemy," "The Roaring Twenties," "The Petrified Forest" and "High Sierra," to such modern tales as "The Godfather," "Scarface," "Goodfellas," "Donnie Brasco," "Casino," "A Bronx Tale," "Carlito's Way," "Once Upon a Time in America" and many more. The special takes a look at television with shows such as "The Sopranos" and "Growing Up Gotti," all part of America's parallel fascination with fictional and real-life gangsters.

A fantastical re-imagining of the events of 1979, when Monty Python made Life of Brian and the debate about what is an acceptable subject for comedy was blown wide open.

Former Loaded magazine editor Martin Daubney looks at how pornography has changed in recent decades and considers whether today's pornography may be having a detrimental effect on the brains of its young users.

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

A documentary about the making of the controversial Life of Brian and the surrounding accusations of blasphemy.

Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.

A polemical report. "Way to the neighbors" is the motto of the Oberhausen Short Film Festival. In their "Remarks on the Oberhausen 66 Film Festival," the GDR documentarians Gerhard Scheumann and Walter Heynowski take the competition selection to task: They see formal experiments as "excesses on the big screen" and instead of political themes, they discover a "surge of perversity." After her own film "Kommando 52" was rejected by the festival, a criminal complaint by the GDR lawyer Friedrich-Karl Kaul against the mercenary and commander "Kongo-Müller" is the focus of a press conference. The refusal of a cinema owner to show the film was a "hint from the neighbors", the neighboring public order office, and therefore state censorship in the Federal Republic of Germany.

In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?

The 1930 Hollywood-produced anti-war film "Nothing New in the West" is one of the great works in film history. But like hardly any other cinema classic, it was ostracized, shortened, censored, altered in image and sound and banned. The documentary deals with the eventful fate and especially the censorship history of the film classic.

A dark secret connects two middle aged men. One has the clue that his end is near. The two friends meet again after years to share their last days in the old house where everything happened a long time ago. With three women they met on their way, the atmosphere begins to recur a second time. When an old artist, decides to attend after all, the friends have their last chance to renew and cut with the history and to settle an old score.

A Sunday walk through the late summer landscape leads not only to a small lake, but also to the abyss of human existence. Dominance and oppression, superiority and humiliation serve for an alleged "incarnation".

On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness.

A private TV station sends its employees out to capture the dark side of Berlin. With the help of police radio, they are drawn to murders, rapes and other crimes which they then film in gory detail.