Marguerite as She Was

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

Her whole childhood, Marguerite Duras spent her time moving. Her house in Neauphle-le-Château is the one she has lived in the most, and the one she says: “All the women in my books have lived in this house. All ... ” Duras tells about her house and her garden closely linked to his work, remembers the forest of her childhood and evokes her fear of music.

About the Gabriel Matzneff affair and pedophilia in French culture and society from the 1950s to the present day. "It was not very difficult to know who Matzneff was at the time." Vanessa Springora denounces thus, in an interview with the Parisian , the support which benefited the writer Gabriel Matzneff , in the years 1970 and 1980. The author fifties then maintains an affair with the young girl, aged 14 years. A relationship under control that the editor tells in Le Consentement (éd. Grasset), published Thursday. "After having analyzed the work " , the Paris public prosecutor's office announced Friday January 3 the opening of an investigation for "rapes committed on the person of a minor of 15 years".

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

A man and his sister meet at a seaside village to discuss their relationship.

Accompanied by her lover, Suzanna, 40, views a Riviera beach house for her family's summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.

In a secluded hotel circumscribed by a dense forest Max and Alissa Thor meet Stein and Elisabeth. Max, a professor of future history and an aspiring author, is immediately attracted to the brooding wife of industrialist Bernard Alione, Elisabeth, who is recovering from a miscarriage. Stein, a German Jew and potential writer, is infatuated by Alissa, Max's young wife and former student. During their sojourn the guests' identities gradually meld.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

An enterprising cupcake and his cheerful dinosaur brother take on jobs of all sorts as they work to help friends and strangers in their eccentric city.

Dinner: Impossible is an American television program broadcast by the Food Network. The first episode aired on January 24, 2007 and the last episode aired in 2010. Food Network began airing the eighth season on March 3, 2010. Each episode, the host is given a challenge that must be completed within a given time. Challenges have included preparing a large dinner aboard a luxury train, an "authentic" 18th-century American colonial dinner, and a luxury meal on a small, isolated, New England island.

Probe is a 1988 American television pilot and subsequent TV series, created by television mystery writer William Link and noted science fiction author Isaac Asimov. It aired on ABC. Michael B. Wagner, a veteran television writer, wrote the two-hour pilot, and became Executive Producer for the series. The pilot and series starred Parker Stevenson as Austin James, a misanthropic genius who solved high tech crimes, and Ashley Crow as James' new secretary Mickey Castle. The show began as a mid-season replacement and was canceled after a two-month run of the pilot and six episodes. Entire episodes have made their way on the internet through video-sharing sites such as YouTube. Some episodes of the show revolved around Serendip, a company founded by Austin that he has no interest in running. Mickey, his Serendip-appointed secretary, plays Watson to Austin's Holmes.

Mr. & Mrs. North is an American comedy/mystery television series that aired on CBS from October 3, 1952 to May 25, 1954. The series centers on Jerry North, a mystery magazine publisher who thinks he is a good amateur detective, and his wife, Pamela, as they solve crimes in New York City.

Lizard Lick Towing is an American TV series that is filmed in the style of cinema verité. The show is a spin-off of the truTV series All Worked Up, and follows Ron, Amy, Bobby and their team of repossession agents in Wendell, North Carolina. The show is known for the large amount of fights and brawls that take place during the repossessions.

Chef Jamie Oliver travels across Europe and North Africa to find authentic ingredients to prepare recipes.

Explores the role of American journalists in the pivotal conflicts of the 20th century and beyond. From San Juan Hill to the beaches of Normandy, from the jungles of Vietnam to the Persian Gulf, reporters who witnessed and wrote the news from the battlefield share dramatic and surprising stories. Examines the challenges of frontline reporting and illuminates the role of the correspondent in shaping the way wars have been remembered and understood.

Count Arthur Strong is a faded star from the golden days of variety, prone to delusions of grandeur, selective memory loss and the blurting out of malapropisms. He was never as famous as he thinks he was... or still thinks he is. Believing that another great entertainment triumph is only a phone call away, Arthur spends his day making the most of any opportunity that comes along - gaining a free lunch or selling a dodgy foot-spa he doesn't want - creating chaos and confusion wherever he goes, blissfully unaware that he has done so.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Fifteen-year-old Skye moves with her father from the big city to rural Northern Ireland, where they take over a local family owned  hotel called North Star, previously managed by Skye's grandfather. Skye tries to build a new life, but this new life is not free from complications as Skye must navigate through the everyday stresses of life as a teenager and tries to integrate into a group of teenagers who live and work in the hotel.

Queer as Folk meets Skins in this explosive new 3 part British drama, focussing on a group of gay 20-Somethings trying to work it all out – from writers Rob Ward (co-writer of critically acclaimed play Away from Home) and Lloyd Eyre-Morgan (Iris Prize winner for Closets).

Mathieu is a public writer in a poor neighbourhood of Montreal. In the past years, he discovered that his job is more about people than literature. He must first listen and then finds the right words for those who can’t write. Feeling the need to tell what his story, he wrote a first novel inspired by his experiences. The critics love it, but the book bothers his employer who immediately fires him. Mathieu wants to continue to help, but he feels more and more divided between the two worlds.

A provocative journey into the extraordinary lives of women from the Old and New Testament. The series explores women who rose from obscurity, slavery and prejudice to become prophets, lovers, judges, and queens who left their mark on history.