Best movies like Marguerite as She Was

This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Arriving in IndoChina by parachute, Captain Guy Bertrand and his comrades make a courageous stand against the Communist forces. Jump into Hell is one of the first films to deal with the ongoing conflict in Vietnam or, as it was still known in 1955, French IndoChina.

In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.

Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border.

Anaïs is thirty and broke. She has a lover, but she’s not sure she loves him anymore. She meets Daniel, who immediately falls for her. But Daniel lives with Émilie – whom Anaïs also falls for.

Eliane Devries is the seemingly repressed owner of a prosperous rubber plantation in French Indochina, circa 1930. Her steely exterior, however, is only a mask intended to hide her torrid love affairs from upper class society

India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…

Therese, a café owner, mourns the mysterious disappearance of her husband sixteen years earlier. A tramp arrives in the town and she believes him to be her husband. But he is suffering from amnesia and she tries to bring back his memory of earlier times.

A film about the work of the artist most famous for her monuments such as the Vietnam Memorial Wall and the Civil Rights Fountain Memorial.

In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.

Drama of an unmarried mother who regrets having had her child fostered and fights its foster parents to have it restored to her.

Four young friends share the carefree, cheerfulness, laughter and dances of Bohemian life. Rodolphe the painter, Alexandre Chaunard the composer, Colline the philosopher, as well as Marcel and his friend Musette. Mimi, a romantic young girl, falls in love with Rodolphe.

The US writer Stephen King (Portland, Maine, 1947) has been one of the world's best-selling authors for decades. How can the overwhelming success of his numerous works be explained? Perhaps by the boundless inventiveness of his literature? And what else is behind the longevity of his astonishing career?

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

Her whole childhood, Marguerite Duras spent her time moving. Her house in Neauphle-le-Château is the one she has lived in the most, and the one she says: “All the women in my books have lived in this house. All ... ” Duras tells about her house and her garden closely linked to his work, remembers the forest of her childhood and evokes her fear of music.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

Thomas, a frustrated reporter who works for a local newspaper in North of France, is assigned to write a portrait of alternative musician and recent mayoral candidate Usé. After the interview, the two men happen upon the inanimate body of a man lying in a desolate alley. To their surprise, the man – Jojo – rises before them like a zombie. He appears to be fine, but has lost his memory. Some clues lead them to Jojo’s little sister Marilou. Through a series of unexpected events, the newfound friends forge bonds and embark upon a surreal journey.

Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

About the Gabriel Matzneff affair and pedophilia in French culture and society from the 1950s to the present day. "It was not very difficult to know who Matzneff was at the time." Vanessa Springora denounces thus, in an interview with the Parisian , the support which benefited the writer Gabriel Matzneff , in the years 1970 and 1980. The author fifties then maintains an affair with the young girl, aged 14 years. A relationship under control that the editor tells in Le Consentement (éd. Grasset), published Thursday. "After having analyzed the work " , the Paris public prosecutor's office announced Friday January 3 the opening of an investigation for "rapes committed on the person of a minor of 15 years".

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

40 years of "Apostrophes". Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

A man and his sister meet at a seaside village to discuss their relationship.

Accompanied by her lover, Suzanna, 40, views a Riviera beach house for her family's summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

Alan, after quarreling with his girlfriend Sheila, becomes intrigued by Anna, a mysterious widow who's searching for a sailor she had known many years before. Alan and Anna begin the search on board a yacht bound for Greece, but they don't find the sailor. After a stop in Africa, Louis de Mozambique joins the party and suggests that the sailor may never have existed other than in Anna's mind.

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.

In a secluded hotel circumscribed by a dense forest Max and Alissa Thor meet Stein and Elisabeth. Max, a professor of future history and an aspiring author, is immediately attracted to the brooding wife of industrialist Bernard Alione, Elisabeth, who is recovering from a miscarriage. Stein, a German Jew and potential writer, is infatuated by Alissa, Max's young wife and former student. During their sojourn the guests' identities gradually meld.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.