Best movies like Marriage

A group of five rookie insurance salespersons, driven to desperation by the impossibility of their work in Japan's failing postwar economy, form a plan to rob a cash delivery truck in order to provide for their families.

Bob returns home for his mother’s funeral knowing that he must fulfill a promise made 30 years earlier—to care for his younger brother DJ, who is schizophrenic. When Bob eventually takes over responsibility for his younger brother’s well-being, he embarks upon the most difficult challenge of his life.

It has been a year since Paige and Nathan Petrovic tragically lost their teenage son Zach. Nathan and daughter Addie have slowly been putting their lives back together. Paige, however, remains consumed by grief and withdrawn, and is unable to work. In order to supplement Paige's lost income, the family decides to rent out their spare bedroom. Surprisingly, life starts to look up for Paige once their new tenant Brandon Wilson enters the picture.

A 28-year-old single woman is pressured to marry.

A woman from rural Japan marries a struggling cartoonist in Tokyo. Their life is difficult before he finds success, but at least they're together.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A documentary film showcasing life in postwar Japan as seen through the eyes of a bar hostess.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

A very dynamic young lady, Lin, has a thing for Japanese culture while living in Taiwan. Following the 2011 Tohoku earthquake, Lin got a Facebook message from a Japanese guy, Mogi who has been curious about the Japan-friendly country since then. The two start to interact through Facebook. During the golden week holiday, they finally met in person in Taiwan. Time passes quickly when they're together. After their first date, things seemed to move forward at the speed of light. They spent more time talking about their hopes, dreams, fears and finally came to a decision together to try and make things work, despite the circumstances.

The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.

A working class young man, Tetsuo, who distrusts all rich people, falls in love with a girl, Chika, from an affluent family. He has a difficult time, but love survives despite the problems.

Takamura, a poet and sculptor, marries a budding artist named Chieko who dreams of becoming an oil painter. When a series of hardships befall her family, she finds herself unable to confide in her husband, and the pain she carries within begins to weigh heavily on her sanity...

Abby Foster and Luke Walker were high school sweethearts who were married for a brief time. Many years later, Abby’s life seems perfect as she gets ready for a new life in Paris along with her soon-to-be husband, Edward. When an unexpected letter arrives throwing Abby off course, she must decide what her heart really wants.

Olivia Anderson is a successful young woman who met her childhood sweetheart during her family’s annual Christmas visit to Hawaii. After being separated by distance and years, the two reunite at the same Hawaiian resort years later, and the old chemistry between them flares up anew—but circumstances conspire to keep them apart.

Bill, a jet pilot hero from the Korean War, returns home with intentions of marrying his sweetheart, Doris. But Doris has inherited a million dollars and Bill won't marry her because he dreams of a home and babies, with himself as the sole source of income on his $65 a week. Doris has to find a way to make him change his mind.

Robert asks Jenny, a girl he found on Craigslist, to be his new roommate. Now after a year of living together, he finds himself falling in love with her, but his ability to keep afloat in San Francisco is coming to an end. With a lame job and not enough income, he has no choice but to move back with his parents in Rochester, NY. With only three days until his flight home, Robert struggles to tell Jenny his true feelings and to determine what direction his life is headed.

Twenty-five-year-old Momo has friends. Her parents live some distance away, but they sometimes get together to dine out. She dates an acceptable guy, and they share drinks at home. She apologizes to unreasonable clients over the phone at work and hones her ability to keep things civil with coworkers at drinks after work. This perfectly ordinary life means Momo doesn't immediately notice a nagging feeling: "I want to die." For her, it's a phrase she must never say aloud. One summer, unable to bear the thought of the coming Monday, Momo takes a day off from work. She begins to visit other people who struggle with thoughts of suicide, but have discovered alternatives and choose to live instead. She connects with these "Papagenos" through social media. Over the course of her difficult journey, Momo herself begins to discover other choices beyond death.

In the year 1716 a mysterious epidemic stickens men in the country of Japan, dropping the population of men to 1/4th of its prior state. With the drastic reduction of men, the gender roles have become reversed in Japan. Woman become the dominant members of society and males are sought out for the ability to produce children. A young man named Unoshin Mizuno hopes to marry childhood sweetheart Onobu, but due to class differences realizes this is almost impossible. To raise his social status and also save his poor family, Unoshin Mizuno enters the Ohoku (inner chambers of the Shugun's castle) and attempts to vie among 3,000 other men for the affection of the female shogun. What Unoshin Mizuno quickly learns about the Ohoku is that the men there are all beautiful, but highly ambitious and conniving. In this environment, the 7th shogun Tokugawa passes away and the new shogun Yoshimune Tokugawa takes the thrown and enters the Ohoku.

Hanako Haibara was born and raised in the city of Tokyo. After she gets dumped by her boyfriend, while in her late 20's, she goes on blind dates to find a man to marry. Miki Tokioka was born in a province. She studied very hard and entered a prestigious university in Tokyo. She experienced difficult financial times, but she now works at an IT company. Due to a man, Hanako Haibara and Miki Tokioka meet each other.

Fusako, a drug dealer's young mistress in postwar Japan, loses her tenuous grasp on life upon learning about her lover's affair.

A young college student gets pregnant by the man she loves, but circumstances prevent their marrying, so she marries a classmate she doesn't love. Soon, however, her lover returns, and she finds herself in a dilemma as to who to choose.

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

It is difficult to stand out at a Ginza club where every hostess wants to be number one. It is competitive. One of them is a virgin and also just eighteen years old. She wants to become the number one hostess to help pay the bills for her family. She advertises herself as 'virginity for sale.' It is an auction and the prize goes to the highest bidder. She doesn't have hostess skills however. The club's manager was the number one hostess in all of Ginza and helps the younger woman.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

When business exec Kate returns home for the holidays, she doesn’t expect to bump into her childhood sweetheart Matt. When she agrees to help out at his ranch, sparks fly and she begins to fall in love all over again. When the holidays are over, she faces a difficult decision, whether to return to the city and her career or follow her heart.

Masako is a humble waitress who has a chance encounter with playboy Tamotsu. With the aid of his sister, Tamotsu seeks to win Masako's affection despite the disapproval of his wealthy parents and Masako's own feelings towards the working-class cabbie Noro.

Based on a novel of by Nukui Tokuro, Hohoemu Hito tells the story of Nito Toshimi who, after graduating from Japan’s most difficult university and founding a job at a major city bank, marries Shoko and have a daughter, Amina. Nito, while leading a life that looks like the picture of happiness and being the envy of everyone, is charged with the murder of his wife and young child. At his trial, he reveals a shocking motive for the crime: “I wanted space for books.”

Ren Takahashi and Aoi Sonoda were both born in 1989. They met for the first time at the age of 13 and became each other's first love, but they separated. At the age of 21, they met again. They were unable to undo their past. Now, they are 31 years old.

Shinichi and his younger wife, Saki (Marina Yuuri), are newly married, but Shinichi's thin salary makes life difficult and Saki is looking for a part. After that, Saki, who won the public corporation apartment that she applied for in commemoration of her engagement, becomes close to a woman named Mika who lives in the room next to her and lives with her unemployed husband. One day, Mika learned that Saki was looking for a part, and brought a bottle of umeshu, which her parents had made. And Saki knows that this plum wine is Mika's source of income that supports her husband who is unable to get a job...

By a certain circumstance, web magazine editor Mochizuki Nasa meets Yanase Sota who claims to be endowed with a "non-sexual relationship switch". Working as a "rent-a-friend", Sota is hired by Nasa who wants to test out a theory.

Island villagers find a young woman and young man swept ashore near their remote village in northeastern Japan. The two have tried to escape the girl's enforced marriage to another man, in order that they may marry themselves. The ancient custom of the village decrees that the angry sea gods must be calmed by throwing the pair back into the sea. The lovers face being sacrificed to the sea gods or perhaps something even more difficult to bear.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

A young man named Shamsadin (Mehdi Moradi) receives the title of Hafez, bestowed only on those who memorize the Koran, and is sent to teach it to Nabat (Aso), the overseas-raised daughter of a religious leader. Although they never see each other's faces, feelings of love grow between them as they read the holy book. Unable to contain his feelings for Nabat, Hafez breaks his vows as a holy man by composing a poem to her, and is thrown out of her father's house and forced to relinquish his title. Then Nabat is forced to marry another man. Will the two ever be able to meet again?

Young William Burroughs comes from wealth but not nobility, so despite his income he is not welcomed when he pursues Lady Elizabeth Galton, and indeed he is not only beaten by her cousin but thrown out by his own father for the disgrace he has caused. He travels to the United States where he becomes a champion prizefighter. Upon his return to England, he finds circumstances quite changed for Lady Galton and he sets out to change her circumstances further.