Best movies like 'Master Harold'... and the Boys

A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.

A brilliant but clumsy high school senior vows to get into her late father's alma mater by transforming herself and a misfit squad into dance champions.

In the aftermath of the BP oil spill, an idealistic but imperfect New Orleans politician (Nicolas Cage) finds his plans of restoration unraveling as his own life becomes contaminated with corruption, scandal and deceit.

Jacqueline is the daughter of Belfast shipyard worker Mike McNeil. The worker's worth is compromised by his crippling fear of heights. Dismissed from his job, he finds solace in the bottle. All seems hopeless until Jacqueline breaks through her father's self-imposed gloom and helps him to regenerate. An adaptation of the novel 'A Grand Man', by Catherine Cookson.

A middle-aged married wealthy white corporate executive is surprised to discover that he has a working-class black teen-age son who wants to be adopted into the almost-exclusively-white upper-middle-class community of San Marino, California.

Mahree Bok lives on a farm in South Africa. Her father is a policeman who cannot hide his joy when activist Steve Biko is caught by the South African authorities. Piper Dellums is the daughter of a US congressman from California and who lives in a nice home in Washington DC. When Mahree is chosen to spend a semester at the Dellums' house, she doesn't expect that her host family would be black. Nor do her hosts suspect that she is not a black South African.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.

An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.

An army deserter and a black dock worker join forces against a corrupt manager.

A young conservative black man, minding his own business, rides a nearly empty subway car. The only other passenger, a blonde vixen looking for trouble, sizes him up. Sexual tension, racial bigotry and righteous fury collide in a razor's edge confrontation between this unlikely pair.

Their town always had two proms, one for the whites and one for the blacks. When both proms wanted the same DJ, Brianna McCallister suggested combining the proms, which would also mean more money for decorations. However, her idea shook the town up, especially after a white student was let off for the same offense that a black student was suspended for. Can the town overcome racial tensions and finally combine the two proms?

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

A young interracial couple has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their relationship. A tightly wound LAPD officer has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly aggressive to the newlyweds. These persistent intrusions into their lives cause the couple to fight back.

The Messenger is the story of Jack’s last melt down: a story of frustration and guilt, love and betrayal, family and blame. Unwillingly becoming embroiled in the unfinished business of Mark, a journalist brutally murdered in the local park and his television presenter wife, Sarah, to whom he’s desperate to say one last goodbye, Jack finds himself getting closer to Sarah, obsessed with passing on Mark’s message. Discovering hidden secrets and lies finally pushes the fragile Jack over the edge but there is hope when his estranged sister, Emma, gets in touch. Jack starts to remember the past they shared together and as the memories come flooding back, he confronts the truth about the death of his father.

A grieving widower is drawn into a custody battle over his granddaughter, whom he helped raise her entire life.

A black New York man returns to his southern hometown to investigate his father's lynching at the hands of a white mob.

In the aftermath of the terrible Civil War which has devastated the South, Amanda America Dixon returns home to find she has become the sole heir to a vast cotton plantation. But the dreadful secret which has blighted her life threatens to deprive her of the birthright which her beloved father David had struggled for so long to create. Raised by her father and grandmother to be the perfect white Southern Belle, Amanda's true mother was a black slave Julia. Confronted with the forces of greed and bigotry, Amanda has to face not only the hatred of a racist world, but the complex truth of a family whose lives have been built on a lie.

In this story of a black policeman during South African apartheid, Danny Glover plays the cop, who believes he's trying to help his people, even while serving as a pawn of the racist government. When his son gets involved in the anti-apartheid movement, he finds himself torn between his family and what he believes is his duty.

Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.

A caucasian prospective grad student's affluent family won't pay his way through law school, so he takes tanning pills to darken his skin in order to qualify for an African-American scholarship at Harvard. He soon gets more than he bargained for, as he begins to learn what life is really like for blacks in America.

In July 2005, black teenager Anthony Walker was murdered by two white men in an unprovoked racist attack in a Liverpool park. He was just 18 years old. This film tells the story of how this talented young man's life might have turned out.

Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets -- an escaped African-American convict named Charlene -- is not what he expected. Peter is freaked out, but Charlene tries to convinces him to take her case and prove her innocence. Along the way she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.

Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation.

The ruthless Flint, a disabled man, rules an isolated region of Kongo like an omnipotent god, through superstition and sadism, living only for the day when he can get revenge on the man who ruined his life.

Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.

Combining a new age black maid, blood-drinking zombie racists and a plot to poison the town with blood cakes, what ensues is a dark comedy that pits the forces of fascism against the redeeming power of true love and home cooking…

When his drinking problem takes control of his life, a father tries to leave the bottle behind while putting his and his family's lives back together.

A rape case opens racial divisions in a small town. A black sheriff and his white deputy investigate allegations that a wealthy white businessman raped a black college student.

Best – His Mother’s Son (BBC Two) was a gloomy drama about Ann Best, mother of George, who was strictly teetotal until her mid-40s, when she had her first sip of sherry to celebrate her son’s footballing success. Ten years later, she was dead from alcoholism-related heart disease. The recreation of late-Sixties Belfast was accurate and, thank goodness, intelligently subdued: no comedy Ulster accents and no point-scoring subplot about the Troubles.

After his daughter is killed by the KKK, a black man seeks revenge by passing as white and becoming a Klansman.

Dalibor K. is an industrial painter, amateur horror maker, the composer of angry songs, painter and a radical neo-Nazi. He is approaching 40, but he is still living with his mother Vera, Aged 63, and is yet to experience the real relationship with a woman. He hates his job, gypsies, Jews, refugees, homosexuals, Merkel, spiders and dentists. He hates his life, but he doesn’t know how to change it.

For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell's tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.

"Wigger" is a spellbinding urban drama, which chronicles the life of a young, White, male (Brandon) who totally emulates and immerses himself in African American life and culture. Brandon is an aspiring R&B singer struggling to overcome the confines of a White racist, impoverished family headed by a neo-Nazi father who is absolutely appalled by his son's total identification with Black culture. Additionally, he is oft times reminded of his position of privilege by virtue of being White in a White, racist society despite his adamant efforts to transcend "Whiteness", institutionalized racism, and find a place for himself in a world in which he rejects Whiteness but is not always fully embraced by African American culture. Ultimately, this is the story of a young White, inner-city, male caught up in an emotional, psychological, experiential, and racial "Catch 22" determined to be granted acceptance in the life and culture with which he chooses to identify.

A motel owner in Texas is accused of raping a civil-rights worker from Sweden.