Best movies like Maya Darpan

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.

Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.

The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

After running away from home in search of movie stardom, a village girl rises to become a prominent sex symbol.

The "Ladies Who Do" are office cleaners. One of them discovers some hot stock tips and they make a fortune. They then make good use of it to save their old neighbourhoods from the wicked developer.

The tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan. Neeta, the protagonist, sacrifices everything for her unappreciative family.

Poikkal Kudhirai is a 1983 Tamil-language Indian comedy feature film directed by K. Balachander and produced by Kalaivani. Starring Viji and Raveendran, the film had Ramakrishna and lyricist Vaali making their acting debuts. Kamal Haasan appeared in a guest role. Poikkal Kudhirai was based on Crazy Mohan's play Marriage Made in Saloon. Poikkal Kuthirai is an hilarious depiction of how Sambandam (Vaali) — who bets on each and every small thing and wins — and Indu (Ramakrishnan) enter into a bet at a saloon owned by Muthu (Ravindar). The bet is that Indu will win Sambadam's daughter Janaki's (Viji) heart and marry her. If Muthu is successful in his mission, Sambandam will shave half of his moustache for their marriage. If he fails, Muthu will shave his head. Who wins the bet is the film's narrative.

The documentary follows Annabel Chong, former record holder for the world's largest gang bang, which she set in 1995 by having sex with 70 men. It focuses on her reasons for working in porn, and her relationship with friends and family.

After a regrettable first sexual encounter, a straight-laced high school student and her slacker best friend have 24 hours to hunt down a Plan B pill in America's heartland.

The slimy underbelly of psychiatry is revealed in this nasty exploitation drama that centers on a female psychiatrist who talks about her tawdriest cases, examples of which, including incest, masochism, impotency and prostitution, are illustrated. When not talking, the doctor and her daughter get involved in a few wild adventures of their own including an orgy and a campus riot.

A small town in rural India gets to witness a confrontation between two fathers - one a rich, powerful, influential, and cruel Zamindar Thakur Avadh Narayan Singh - who wants the man who filed a police complaint against his two sons to be killed immediately. And the other is Rudra, a poor laborer employed by Avadh, who wants justice when he finds out that his nine year old daughter, Durga, has been beaten and brutally raped by Avadh's sons, Bachhu, and Bhola. Amidst this background we have a corrupt doctor, who is willing to change his medical report after he is bribed appropriately; and a Police Inspector, Ramnarayan Bhardwaj, who is willing to drop any charges against Avadh's sons provided he gets his "dues" from the Thakur.

Nick Anderson, Kevin Daniels, and Tracey Green do everything together. They are the best of friends, and yet they couldn't be more different. Neighbors from adolescence, they finish each other's thoughts and sentences, joys and pains, happiness and tears. Using Nick's house as their own members only clubhouse, they escape into their own world of contentment. Yet the inevitable intrusion of others tests their stability in ways never imagined.

Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.

Laxmi lives a poor lifestyle in a small village in India along with her husband, Kishtaya, who is a deaf-mute. Both husband and wife work for the wealthy landlord. The landlord's son, Surya, has to cancel his studies and return home to look after the estate, as well as formalize his marriage to Saroj, the girl he was compelled to get married to when he was very young. Shortly thereafter Kishtaya is apprehended stealing toddy from the fields, is severely beaten, left senseless, and when he recovers he absconds, leaving Laxmi alone to fend for herself.

A story about two young, impressionable kids whose ideas about faith are constantly questioned and changed as their little world expands and takes into its fold, their country's fast-changing socio-political landscape.

Documentary on psychedelic potash mines, expansive concrete seawalls, mammoth industrial machines, and other examples of humanity’s massive, destructive reengineering of the planet.

Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema's gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It's the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn't a 'bad' thing - and that it could rake in some dough.

A woman, attended by two midwives, is giving birth in a small village in India. When the child's cry rings, the father bangs on a steel plate to attract the attention of all the villagers, ...

The mother of the Indian female singer Pallavi (Kitu Gidwani) is at the end of her life. She was master and teacher for her daughter for the art of Indian singing. But she will not be able to complete her lessons. So Pallavi experiences the lack of the guru of her mother. Finally she finds him in a very young street-girl who is able to sing marvelously. But this girl keeps disappearing again and again...

A biographical account of the life of the Indian freedom fighter, Mahakavi Subramaniya Bharathiar, who defied conventional norms to bring equality in society.

A photographer invites her closest friends to vacation at her family's home in Goa in celebration of her upcoming marriage.

Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.

Gubbi Mele Brhmastra is a 2019 Indian Kannada romantic comedy film written and directed by Sujay Shastry making his debut[1] . The film is produced by T.R.Chandrashekhar under his banner Crystal Park Cinemas. A fun journey of software engineer Gubbi and his friend to release his kidnapped girlfriend.

The movie chronicles the life of Khadeeja, a married muslim woman confined within the four walls of the household, forced to conceal her desires in the name of religious and societal norms. When fate brings her to an abandoned life, she chooses a different way of financially and sexually liberating herself- to be a sex worker; soon to realize that her soul is still dissatisfied. Finding a new way of hope, she decides to give back to the forces that pushed her to live an orphaned life of humiliation and misery.

A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.

Filmed live in Trbovlje, Slovenia -- the town where they formed in 1980 -- industrial music group Laibach puts on a dynamic show at the tail end of the tour to promote their highly praised album "Volk." With their usual militaristic aesthetics, they perform most of the creative reinterpretations of national anthems included on "Volk." Music videos, animated screen projections from the show and other features are included.

Goadalli CID 999 is a 1968 Indian Kannada-language spy thriller film written, directed and produced by Dorai–Bhagavan duo. The film starred Rajkumar in the lead role as a detective. Popular Indian actress Lakshmi made her debut in Kannada cinema with this film. Sri Lankan based actress Sabeetha Perera also made her Indian movie debut with this film.[2] The film had musical score by G. K. Venkatesh with lyrics by R. N. Jayagopal.The film met with highly positive response upon release and paved the way for many more such Bond style of movies in the combination of the director duo with lead actor Rajkumar.

Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.

Bahaddur is a 2014 Indian Kannada language film directed by Chethan Kumar and produced by R. Srinivas. It stars Dhruva Sarja and Radhika Pandit in the lead roles. The supporting cast features P. Ravi Shankar, Achyuth Kumar, Jai Jagadish and Srinivasa Murthy. The film released on October 3, 2014, in 7.1 surround sound, the first in Kannada cinema.