As intimate as a lady's boudoir!
A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.
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Poisoned Paradise
Margot Le Blanc loses her small fortune at Monte Carlo and makes the acquaintance of Hugh Kildair, an artist, who hires her as a housekeeper. A gang of thieves set a trap for Kildair when they find that he knows a mathematical system guaranteed to win at the gambling table.
The King's Vacation
The king of an unnamed European country abdicates and tries to recapture the happiness with the wife he had to give up for the throne.
Charlie Chan at Monte Carlo
Although Charlie and Lee are in Monaco for an art exhibit, they become caught up in a feud between rival financiers which involves the Chan's in a web of blackmail and murder.
Let's Live Tonight
Nick Kerry (Tullio Carminati) is a rich rounder who holds tremendous fascination over women......mainly because he is rich and has his own yacht. At Monte Carlo one evening he romances Kay Routledge (Lilian Harvey), a romantic young and gullible American girl. She takes the dilettante seriously and when he sails away on his yacht, she is heartbroken. But the memory of her haunts him, and brings him back from India and the arms of another woman,Countess Margot de Legere (Tala Birell),only to find Kay now engaged to his friend. Oh, what's a rich guy to do?
Loser Takes All
Bertrand, an accountant employed by a large London firm, is called to the office of the Managing Director, Dreuther, to explain a mistake in the accounts. Dreuther is highly impressed by the young accountant's skilful explanation of the error and, hearing that Bertrand is soon to marry his spirited young fiancée, tells him to spend the honeymoon not in Bournemouth, but Monte Carlo at the company s expense! However, events in the fabulous Mediterranean paradise do not work out quite as Bertrand had envisaged...
Monte Carlo Nights
A man wrongfully convicted of murder escapes custody and goes in search of the real killer. The problem is that he only has one clue to go on.
A Ghost in Monte Carlo
A chance meeting between British nobleman and lovely young Mistral foils a plot by her manipulating Aunt Emilie to avenge the death of her sister, Mistral's mother, who died in childbirth. But when an unscrupulous blackmailer and a rapacious Rajah enter the plot, the growing attraction between Lord and convent girl becomes yet more fraught with Danger.
Enemies of Women
The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)
The Countess of Monte Cristo
A distraught movie extra flees a movie set with a fancy costume and car. Circumstances lead her to begin impersonating a Countess, while a fellow extra takes on the role of her servant.
The Tiger Woman
Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.
The Man Who Broke the Bank at Monte Carlo
A Russian prince goes to Monte Carlo just after World War I with money supplied to him by Parisian Russians. He wins but the casino operators want him to honor the tradition of returning to the tables.
Mozart: Le Nozze di Figaro
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Murder at Monte Carlo
A professor comes up with a system to win at roulette, and goes to the famous casino at Monte Carlo to try it out. When he turns up murdered and his "system" missing, a reporter sets out to find the killer--and the system.
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