Mozart Don Giovanni

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

Out of jail for a crime she did not commit, Madelon turns to prostitution and thievery to send her illegitimate son to medical school.

A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.

A British family is trapped between culture, tradition, and the colonial sins of the past.

Produced in Italy in breathtaking Technicolor, this biographical story of Puccini (played by L'avventura's Gabriele Ferzetti) spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including a sexy, beautiful singer (Two for the Road's Nadia Gray) whom he drops for a small town girl (Sirocco's Marta Toren), and a servant girl who commits suicide over him. Well-selected excerpts from Manon, La Boheme, Madama Butterfly and Turandot are featured along with other Puccini music, including the voice of Beniamino Gigli. Sets, costumes and production values are first class, all sumptuously filmed by Claude Renoir.

Emperor Philippa Georgiou joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.

The dangers of the dread venereal disease syphilis are depicted in this earnest drama from the 1940s. The story centers upon an intrepid health commissioner who is out to get rid of the tawdry hookers responsible for spreading the disease.

Toto, a former Italian military servant who works as a servant at the British Intelligence Service, is promoted to secret agent with the name of Agent 00Ø8 to convince the ruler of Shamara, Sheikh Ali El Buzur, to yield oil to UK.

The story is set in southern Italy and recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. Although Leoncavallo's opera was originally set in the late 1860's, Zeffirelli's production is updated to the period between World War I and World War II.

Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die Entführung aus dem Serail. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.

Determined to wed, a foolhardy old man is tricked by his friends into a sham wedding with an impish widow who turns into a harpy -- which subsequently cures his desire to marry in composer Gaetano Donizetti's famous opera buffa. Baritone Alessandro Corbelli plays the title character in this lush 2002 production also starring soprano Eva Mei and tenor Antonino Siragusa, with maestro Gérard Korsten leading the Chorus and Orchestra of Teatro Lirico.

Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.

A young woman born in a mafia-controlled town seeks revenge on those who wrongfully harmed and imprisoned her family.

Len Green is a former bank robber and getaway driver who has retired from the criminal life and joined the undertakers run by his uncle. However, his resolve to stay out of the criminal world is tested by temptations based on the seven deadly sins.

Over the course of eight episodes, the famed Norwegian musician and performer Kristopher Schau sets out to commit all the Seven Deadly Sins: Pride, Greed, Lust, Envy, Gluttony, Wrath, and Sloth. By using himself as his chief researcher’s tool, Schau holds a mirror to modern society and asks: What does the concept of religious dogma and the Seven Deadly Sins mean in a largely secularized world?

Filmmaker Morgan Spurlock presents an outrageous, modern day interpretation of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Each episode presents a story around one of the sins that is so extreme you won't believe it's non-fiction. It's humanity like you've never seen it, and you won't be able to look away.

The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers.

Esperanza Guerrero is a single mother working as a teacher at two schools, a state school and an elite school to provide for her two teenagers, Pedro and Patricia. Ricardo Alegría, a married father with two young children, works as an Interpol agent in Los Angeles. Seeking to capture a sleazy jewellery thief known as ‘La Sombra’, he infiltrates the private school where Esperanza is employed and masquerades as the teacher of the criminal’s son. Esperanza and Ricardo are reunited following a 20-year separation and fight to rekindle their love.

Martín (Iván Sánchez) hurries to Mina Escondida after getting an urgent letter from his brother begging to be rescued from the hell in which he's living. On arrival, Martin despairs upon finding out that Demetrio (Pablo Montero), his brother, has committed suicide. His sorrow is transformed into hatred and a thirst for vengeance against the woman who caused his brother suffering and brought him to death.

“La mexicana y el güero” is the story of some scammers who try to deceive a millionaire who is looking for his biological mother through a plan that is funny about what is complicated. Itatí Cantoral, Gala Montes, Juan Soler, Luis Roberto Guzmán, Montserrat Marañón, Jacqueline Andere, Rodrigo Abed and Laura Vignatti, among many other stars.

Shot in isolation, this tragicomic anthology series features both dark and funny takes on how people strive to stay connected while staying apart.

Lust, gluttony, greed, sloth, wrath, envy and pride -- the true stories of everyday individuals who are pushed beyond the limits of the law by seven deadly sins are explored. The twists and turns of two similarly sinful cases are revealed. Deadly Sins: No Forgiveness is a spin-off series of Deadly Sins, an American documentary television series. The series examines the true evils that push beyond the limits of the law and reveals crimes driven by the most basic of human instincts

Soap opera set in a big-city hospital where dedication and professionalism vie with jealousy, romance and rivalry among staff members, and the newly appointed Chief of Staff attempts to run the place despite her personal problems.