Best movies like Mussum: O Filmis

Didi, Soró and Tatu in search food and water head for the town of Oróz. On their journey they find a Scarecrow, a man in a metal vat, and later are arrested by a Lion Sheriff.

The team of Galinheiro Futebol Clube, formed by emeritus fighters, has as technical Cardea, advised by three direct assistants: Elvis, former player as Cardinal and aspiring singer; Fumê, cook of Independência Futebol Clube, great team in which Cardeal also works as a wardrobe; and Lupine, samba and composer.

Coming from outer space, Prince Flick asks the Trapalhões to help him free his planet from the domain of evil Zuco and free Princess Myrna, who has been taken prisoner. He offers a reward, the four friends accept the mission and embark in a spaceship driven by a hairy monster called Bonzo. Once on the planet, they they defeat Zuco, but they fail to save Princess Myrna's life. Her place on the throne is then taken by Loya, the girlfriend Didi met on that planet. Back on Earth, os Trapalhões think their adventure was but a dream, but they are convinced otherwise when they find their reward.

The Bunglers do a show for the benefit of an orphanage run by Sister Maria (Xuxa Meneghel), facing financial difficulties. While performing the show, 'money is stolen tickets. Didi, and Sister Maria Dede pursue the bandits, while Mussum Zechariah and continue with the show. The three go at Beto Carrero World, where the scene is recreated from the old Western North America. The film also features a series of 20-minute cartoon of Bunglers.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Although Jo Jo Dancer has achieved success as a stand-up comedian, he hasn't found happiness. After receiving severe burns in a narcotics-related incident, Jo Jo remains in a coma, and, while in this state, he looks back on his life. Drifting off into memories of his troubled childhood, Jo Jo revisits his youth, recalling his eventual rise to fame and the decadence that followed. As he considers his existence, he must decide if he wants to go on living or not.

Orfeu is a popular composer from a samba school. He lives in the favela and falls madly in love when he meets Euridice, a newcomer to the neighborhood. But the local drug boss Lucinho stands between them and will drastically change both their lives.

Woman hires three clumsy adventurers to rescue her missing archaeologist father, who was trying to find the legendary King Solomon's mines.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

The lives of three teachers in the outskirts of São Paulo, their love lives, their interaction with the poor surroundings, their family problems.

Candid and poignant drama about the comedian Frankie Howerd and the relationship with his long-term, long-suffering manager, and gay partner, Dennis Heymer. Despite his overtly camp persona, Howerd kept his companionship with Heymer under wraps for 35 years, until his death in 1992. Yet through career disaster, social stigma, illegality, numerous infidelities and Howerd's own deep-seated issues about his homosexuality, their love endured.

This movie is a spoof of "Planet of the Apes" (1968) and follows the storyline of the original step by step - in spite of being a crazy parody of the original film. A group of men lands in a balloon on an area (it's not a planet, it's more like a hill) where talking apes rule and humans are slaves. The apes try to transform the guys in monkeys; a simian princess falls in love with one of them; and so on. This film is one of the several movies made for the popular Brazilian group "Os Trapalhões" - Didi (Renato Aragão), Dedé, Mussum and Zacarias (who at this point hadn't joined the troupe yet) -, many of them inspired by American blockbusters. It's a very fun entertainment, but the humor is very "local" to be understood in other countries. Oh, yeah, the ape "makeup" is terrible, but that's part of the fun. The movie doesn't take itself seriously.

The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.

Didi, Dedé, Mussum and Zacarias are sent in a rescue mission to the daughter of the Army's minister.

The Three Musketeers (Dede Santana, Mussum, Zachariah) work at home Sra.Ana Rocha (Rosita Tomáz) and has the difficult task of going in Foz do Iguaçu retrieve an emerald necklace, with which the plant is Mr. Louis at stake, and Chicken Joe (Renato Aragão) who lives in a poor chicken coop offers to help. Arriving in Foz do Iguaçu, find the bad guy, but he sells the paste to a villain in Manaus, in the Amazon already, Chicken Joe takes some stones, are the villain but he sold to another bandit in Rio de Janeiro, where they find the villain and finally retrieve the necklace, and the stones that Chicken Joe took were actually diamonds.

Humble officials, friends Didi, Dedé, Mussum and Zacarias become the great attraction of the circus Bartolo, thanks to its incredible ability to make the public laugh. But success has a price: the opposition of the magician Assis Satan and the greed of the Baron, the owner of the circus. Together, the four friends will have to fight them.

In a city of the East, the throne of the young king Amad is usurped by the evil Vizir Jafar. The king is imprisoned, and in prison he meets the famous thieves of the kingdom: Abdul, Abel, Abol and Abil. With the help of these thieves, the king flees and, during the escape, knows the princess Alina, by which he falls passionately in love. The Vizir possesses magical powers, faced by the heroes with the help of the genie of a lamp found by Abdul. With the help of the genius, the four friends are transported to the twentieth century, where they cause much confusion and end up being arrested.

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

Spiraling into a mid-life crisis and feeling disconnected from his family, Ben Marcus, a reality-TV editor, thinks he can only be happy by fulfilling his dream of becoming a professional comedian. Ben posts his stand-up routines to YouTube, and the videos fall flat. Then his tweener son posts Ben miserably failing on a home improvement project, and much to his teenage daughter’s dismay, it goes viral, launching Ben's social-media career as Selfie Dad. Although he quickly becomes an award-winning phenom, no amount of success brings Ben satisfaction. Through his friendship with a young coworker, Mickey, Ben finds the secret to a happy family . . . with his Bible in one hand, and his phone in the other.

The diabolical Ratam (Paul Reis) takes over the planet Antar, after the death of the emperor, and orders that all children be enslaved. Always kept within the palace, Princess Xeron (Xuxa) believes that the people of her kingdom are happy. Meanwhile, outside, the princes Mussaim (Mussum) Dedeon (Dede Santana) and Zacaling (Zacarias) join the Nameless Knight (Renato Aragão), so that together they can defeat Ratam.

A misogynist and shabby farmer, brother of other three goofy hillbillies leaves to the big city searching for a wife and wins the heart of a hot tempered woman.

A documentary about the fathers of Bossa Nova: João Gilberto and Antonio Carlos Jobim.

Ary Barroso was one of the greatest composers of Brazilian music with his successes for the whole planet. Know its history, reconstructed through Ary's own audio files, interspersed with reports from friends and family.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

Shelly, a young dancer who dreams of becoming a singer, and Jaqueline, an experienced singer who has had some successes and bitter the decline of her career, are partners in a brash band in a scenario that It mixes the romanticism and the sensuality of the Brazilian periphery. Inserted in the universe of show business, between nightclubs and local TV shows, they discover that everything is disposable, like success, love and other human relations. Together, they seem to form a single trajectory of life, where Shelly represents the past of Jaqueline, while this figure like the probable future of the colleague.

A journey back in time in the form of a cartoon with characterizations of the Trapalhões, from the time of the Roman Empire to the present day, through the Middle Ages, the Old West and the First World War. They begin the film by doing a stand-up show at the Teatro Scala, in Rio de Janeiro, receiving on stage the designer Mauricio de Sousa. From then on, the story unfolds in a cartoon, in which Os Trapalhões is chased by an evil wizard whose aim is to try to hold Didi's (always unsuccessful) hand to rule the world during the passage of the famous Halley Comet.

In a television program Angelica (Angelica), the daughter of a businessman who aspires to be a singer, eventually earning his "crazy dream", which is recording a video clip at the top of Sugar Loaf in Rio de Janeiro, with the Domino Group . The father forbids it to go, so she runs away with her boyfriend to the Sugar Loaf. When her father learns commands Didi (Renato Aragão), Dede (Dede Santana), Mussum (Mussum) and Zechariah (Zechariah) to think in three days or call the police. Trying to find her, the quartet falls into a hole in the Sugar Loaf which is populated by strange creatures, some good, the Grunks, and some bad, the Barks.

Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.

Elis was complete, she had all the attributes which differentiated simple artists from stars. She could enchant crowds in her albums, concerts and in video. Her music was always associated to the stage, site she mastered with brilliance. Throughout her career, these stages would open to her, from the radio days to the Montreux Jazz Festival. This film shows her magic relationship with stage and audience. And also the Bandeirantes theatre, her last stronghold. There she shone in life with her greatest success in theater, the show 'Falso Brilhante', which is also presented and entitles this film. There her body was veiled and her audience went to meet her for the last time, now for a farewell.

Three young women sharing a room in a boarding house owned by a very strict matron dream of becoming famous in show busines

Somebody is selling songs for two recording companies, simultaneously. The owner of one of them hires a detective to find out the swindler's identity. But the private-eye is clumsy, and messes things up even more.