Best movies like My SO Has Got Depression

The marriage of an advertising man is jeopardized when he gets a chance to sell a novel he's been working on and quits his job to concentrate on writing. In order to support the family, the wife is forced to take a job as a dancer in a Broadway show. As the marriage begins to fall apart, complications ensue when she discovers that she's pregnant.

Life for a happy couple is turned upside down after their young son dies in an accident.

Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.

Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

After the birth of his first child, Roberto, a young Mexican man, slips across the border into the United States. Seeking work to support his family back home, he finds that working hard is not enough.

This hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.

A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

Lisa Conroy is general manager at a highway-side 'sports bar with curves', Double Whammies. She nurtures and protects her employees fiercely - but over the course of one trying day, her optimism is battered from every direction... Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?

David and Linda Howard are successful yuppies from LA. When he gets a job disappointment, David convinces Linda that they should quit their jobs, liquidate their assets, and emulate the movie Easy Rider, spending the rest of their lives traveling around America...in a Winnebago.

It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.

The schoolchildren lost their last teacher because she got married and quit her job. When the brother of their teacher Miss Crabtree comes to visit, the children mistake him for a suitor. The children tell abominable lies about Miss Crabtree to try to discourage the man. Meanwhile, one of the children is selling answers to the upcoming oral exam. Unfortunately for the students, the young entrepreneur used a book of minstrelsy and blackface as his source for the "answers".

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

Mr. Omura, a teacher, leads a group of male students in an outdoor drill. One slight, comic young man, Shinji Okajima, has no shirt under his jacket; he scratches at fleas and makes faces behind Omura's back. Jump ahead several years, Shinji is married with three children. He sells insurance, and on the company's annual bonus day, he protests when an older worker is fired. Shinji loses his own job as a result, and he and his wife must find ways to cope. Lassitude, pride, the demands and needs of young children, and relationships from bygone school days all play a part in the outcome of their struggle.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.

Middle-aged Riichi Takamiya drives the midnight bus between Tokyo and snow-swept Niigata, where he lives. Just as the relationship with his younger girlfriend is about to bloom, his emotionally desperate ex-wife suddenly reappears.

Ryosuke lives in a small house in Toshima, Tokyo. Since his wife died, he has adjusted to living alone. He used to teach at a university and he now works as a translator. Meanwhile, Ryosuke has one child, Yuriko. She is married to Shigeyuki, who works as a teacher. Yuriko and Shigeyuki live in Azumino, Nagano Prefecture. One day, Yuriko visits her father Ryosuke without advance notice. Ryosuke is surprised by her sudden visit. Yuriko doesn't give any reason for the visit. Ryosuke only learns that Yuriko isn't sure how long she will stay. They haven't talked as father and daughter in a long time. They begin to live together in a nervous, but warm atmosphere.

Terry hasn't seen or spoken with her family in 2 years. When she shows up unannounced on her father's doorstep - with her fiancé and a plan to get married in 5 days - she learns that she's not the only one with secrets.

Sato is an employee conducting a survey in front of Sendai Station. Saki takes the survey and the two ultimately become a couple. 10 years later, Sato proposes to Saki on the occasion of their 10th anniversary.

Married with children and living in downtown Manhattan, a woman decides to quit accommodating everyone around her and goes on a creative journey to bring meaning to her life.

Akiko is the heiress of a lumber business family that spans many generations. She married Hiroshi, a company man, and was leading a plain and happy life. But dark clouds overcast Akiko’s happy life when Hiroshi starts an affair with Michiyo, an underclassman from the school Akiko attended. Then Shinji, who used to work in the family lumber business, enters her life the turmoil of men-women relationships becomes tempestuous.

Longtime school sweethearts discover married life, thanks to a disagreeable live-in mother-in-law and pressing business obligations, is more rocky than idyllic.

The Postables, Oliver, Shane, Rita and Norman, explore the mystery of true love as they deliver divorce papers to one couple the same day Oliver's missing wife reappears.

Claire's number one priority is her family. When her husband Dennis loses his stockbroker job, the couple's traditional family roles switch. As Dennis takes on his new stay-at-home role, Claire's furniture design business takes off. Just as she's beginning to master the art of balancing her home and work life, Dennis serves her with divorce papers and charges her with being an unfit mother. Claire discovers that in a modern courtroom there are still traditional biases unsympathetic to the idea of a woman working three jobs, as a wife, an entrepreneur and a mother.

Ben Gold gets the break of his life as aspiring author, but must stay home with his kids, Luke and Madison, to make his 5 months deadline. His feminist wife, workaholic fashion executive Alex, selfishly decides to take in promising rebel designer Zoe Miller, who left her boyfriend Trey. The teenager soon wins the family's hearts. Written by KGF Vissers

A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.

The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.

Based on a true story about about a man who was told for many years that he was not employable, but threw all of his effort into working as a door-to-door salesman. Despite the pain attributed to his cerebral palsy, he walked eight to ten miles a day to meet his customers and achieved the highest sales for his company.

A successful engineer tires of his high-tension job and quits to start his own mail-order company, much to his mother's consternation.

Mary Linden is the secretary who is the unheralded power behind successful executive James Duneen. He takes her for granted until rival Wales tries to take her away from him.

Newlywed Janie's (Joan Leslie) World War II-veteran husband (Robert Hutton) goes to work at her father's (Edward Arnold) newspaper.

What happens when an innocent 18-year-old girl has to work in the adult video industry? Find out the hilarious results in Rinko Eighteen, based on the comic by Matsumoto Taka. In her first starring role, gravure model Tashiro Sayaka stars as Rinko, an aspiring doctor who returns home to find out that her father is bankrupt and has divorced her mother. With nowhere to go, Rinko signs up for the first job she finds, which turns out to be a production assistant at an adult video production company. Naturally, nothing can possibly prepare her for the work waiting for her at her new job…

Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.

When a young married professional quits his job to pursue a career in photography, he gradually reveals the emptiness of his relationship with his wife as he begins to deeply connect with a German student.

When Ayumi Mastuda (Eiko Koike) worked as a freelance writer she met Chinese cameraman Gyoukou (Kingone Wang), who worked at the same publishing company in Tokyo. They married 5 years ago. After his employer's went bankrupt, Gyoukou and Ayumi Matsuda moved to Ishigaki Island. Gyoukou also decided to apply for naturalization as a Japanese citizen. In order to prove they are real married couple they have an interview at a local Bureau of Judicial Affiars branch. As the interview goes along, they find it more difficult than expected ...