Best movies like Nargess

An enterprising Saudi girl signs on for her school's Quran recitation competition as a way to raise the remaining funds she needs in order to buy the green bicycle that has captured her interest.

After the divorce from Michael, Tessa raises her daughters Kate and Lara alone. None of them can stand Michael's new young wife Carolyn, a model. But when Tessa learns that she's suffering from cancer and soon will die, she tries to get her kids to accept Carolyn as new mother. She takes them on a trip across the country to her father Jacob's ranch in Wyoming. During this trip, Tessa tries to teach Carolyn about the responsibilities involved in raising kids.

Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois -- just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

The story revolves around a blind boy named Mohammed who is released from his special school in Tehran for summer vacation. His father, shamed and burdened by Mohammed's blindness, arrives late to pick him up and then tries to convince the headmaster to keep Mohammed over the summer. The headmaster refuses, so Mohammed's father eventually takes him home.

Chasing his wayward mother to Montana, fifteen year old Jake finds the picture perfect Tucker family instead who photoshop him into their lives, despite his questionable past. Too bad Jake can not stop himself from stealing, being seduced by the sexy next door neighbor, courting the mother of the house, encouraging the son in his first love affair, and leading the neighborhood boys in an ever escalating series of pranks. A drama about stealing radios, cars, and hearts

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Summer is a carefree teenage girl whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

When a drag-racing, hard-luck parolee moves in with his brother in hopes of that ever-elusive fresh start in life, he's sure to be warm for the form of his brother's bored young wife. Things only get worse when he tries to turn a quick buck in a one-time insurance fraud operation.

An Iranian-born teenager living in suburban New Jersey thinks of herself as simply an American until anti-Iranian sentiment erupts in her community after American hostages are held in Iran.

A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

In post-Taliban Kabul, two lost children, brother and sister whose parents are in prison, try to survive every day by scavenging for food. At night, they join their imprisoned mother.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

After their father dies, a family of five are forced to survive on their own in a Kurdish village on the border of Iran and Iraq. Matters are made worse when 12 year old Ayoub, the new head of the family, is told that his handicapped brother, Madi, needs an immediate operation in order to remain alive. This heartbreaking tale shows the lengths to which a family will go in order to survive in the harshest of conditions, where even the horses are fed liquor in order to work.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs & old generation. This is a failing battle because the man is not strong enough.

Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.

For the young and fearless Setareh, there are no walls or boundaries she cannot overcome. Determined to provide for her family, Setareh takes a job as a bike rider in a theme park, following the tracks of her late father. When she becomes the first female to ride around 'The Wall', a wooden cylinder-shaped structure, the authorities intervene to prevent her from taking her rightful place on the wall of fame. With the successful show on the verge of being cancelled, Setareh struggles for her voice to be heard. An adventurous philosophical debate into gender equality.

Blue Diner is a story of a Puerto Rican mother Meche (Miriam Colon) and daughter Elena (Lisa Vidal) living together in Boston and difficulties they face when Elena mysteriously loses her ability to speak Spanish, he first language. As Elena's language disappears, he boyfriend's (Jose Yenque) painting inexplicably appears at the museum where her mother Meche works.

A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.

The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.

Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.

New York is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends - Sam and Maya. It is the story of these three friends discovering a new world together.

Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.

Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.