Best movies like Neo-fascism in Italy

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

Follows the Fifth Nazi Party Rally (Nuremberg, 30 August–3 September 1933) and shows the then close relationship between Adolf Hitler and Ernest Rõhm.

Striking a zeitgeist nerve, Wild in the Streets stars Christopher Jones (Ryan's Daughter) as Max Frost, rock singer and poster boy for the counterculture revolution of the '60s. While performing with his band, The Troopers, at a political rally for Senate candidate Johnny Fergus (Hal Holbrook, Into the Wild), Max seizes the opportunity to spout his own political philosophies which include, among other things, that the voting age should be lowered to 14. And thus begins the tale of Max's meteoric rise. But as he moves further and further into uncharted waters, first as a voice for the youth movement (or is he just a mouthpiece for opportunist politicians?) and then as a nominee for President of the United States, Max will not bend to the will of the old guard. Instead he begins implementing his own ideas of what would make a better world, including re-education camps for those over the age of 35 along with a liberal dosing of LSD.

Germany's Adolf Hitler, with his Axis-stooges, Italy's Mussolini and Japan's Suki Yama, although he tried to avoid taking them, is on his way, via submarine, to a tropical country to negotiate a treaty with the High Chief Paj Mab. However, an American P.T-boat crew is already there and have some plans for schickenbit-grubber and his buddies.

Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.

The Bower Family Band petitions the Democratic National Committee to sing a Grover Cleveland rally song at the 1888 convention, but decide instead to move to the Dakota territory on the urging of a suitor to their eldest daughter. There, Grampa Bower causes trouble with his pro-Cleveland ideas, as Dakota residents are overwhelmingly Republican, and hope to get the territory admitted as two states (North and South Dakota) rather than one in order to send four Republican senators to Washington. Cleveland opposed this plan, refusing to refer to Congress the plan to organize the Dakotas this way. When Cleveland wins the popular vote, but Harrison the presidency due to the electoral college votes, the Dakotans (particularly the feuding young couple) resolve to live together in peace, and Cleveland grants statehood to the two Dakotas before he leaves office (along with two Democrat-voting states, evening the gains for both parties).

Harry Bannerman, a Connecticut suburbanite, becomes involved in various shenanigans when his wife Grace leads a protest movement against a secret army plan to set up a missile base in their community.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Now unconstrained by an official post, Steve Bannon is free to peddle influence as a perceived kingmaker, who some say still has a direct line to the White House. After anointing himself leader of the “populist movement,” he travels around the North America and Europe spreading his hard-line anti-immigration message.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Parallels are drawn between Abraham Lincoln's presidency and the presidency of Donald Trump. Not since 1860 have the Democrats so fanatically refused to accept the result of a free election. That year, their target was Lincoln. They smeared him. They went to war to defeat him. In the end, they assassinated him.

During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a circle of English and American women, before and during World War II.

War drama - Fitzmaurice was able to film King Victor Emmanuel III and Benito Mussolini reviewing Italian troops.

The hit musical based on the life of Evita Duarte, a B-movie Argentinian actress who eventually became the wife of Argentinian president and dictator Juan Perón, and the most beloved and hated woman in Argentina.

An underground revolutionary group struggles against internal strife to stage urban guerilla attacks against a fictionalized fascist regime in the United States. Interspersed throughout the narrative are rhetorical sequences that explain the philosophy of radical action and restrain the melodrama inherent in the thriller genre.

Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives -- their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. The film also included the overture to Verdi's opera La Forza del Destino.

During World War II, Italian villagers hide their wine from the German army.

In Rome, fascist supporter Emanuele attends a parade commemorating Adolf Hitler's historic meeting with Italian leader Benito Mussolini, leaving his apolitical wife, Antonietta, to tend to household duties. Antonietta encounters a man, Gabriele, who appears surprisingly nonplussed by the political event. Over the course of the day, the two forge a close friendship that will forever change their perceptions of life, love and politics.

A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.

In a futuristic society being decimated by plague, a fascist movement seizes power and quarantines not only the plague victims, but anyone related to them. Rebels trying to assassinate a particularly reactionary senator stumble onto a computer programmer trying to track and eradicate the disease.

The enthusiasms, fears, joys and disappointments of the (private and professional) life of a well-known group of boys fond of physics and mathematics, who just made history as the Via Panisperna boys.

In three programmes shown over consecutive weeks in BBC2's Timewatch strand, Allan Francovich interviewed key Gladio players such as Propaganda Due head, Licio Gelli, Italian neofascist and terrorist Vincenzo Vinciguerra, Venetian judge Felice Casson, Italian Gladio commander General Gerardo Serravale, Belgian Senator Roger Lallemand, Belgian gendarme Martial Lekue and former CIA director William Colby. Also included was "hoaxer" Oswald LeWinter.

In the not-so-distant future, all drinking and drugs have been made completely illegal by the government, except for one night a year. High school seniors Griffin, Hags, and Andrew make a pilgrimage to get to the best party in town where all their dreams will come true. They will have to avoid their crazed principal, violent siblings, and the wild animals roaming the streets.

Northern Italy, Autumn 1944, the last days of World War II. Germans and Italians try to defend the Gothic Line and fight the partisans who support the inexorable advance of the US Army.

Young, up-and-coming photographer, Lana, begrudgingly attends the party of a pretentious and cool gallery owner in the hopes of meeting a respected dealer who may hold the key to her success. Quickly finds that the attendees of the party are more style than substance and her friend, the host, isn't at all what she seems.

This remarkable trove of color footage, assembled from far-flung private and state collections, presents Hitler's Europe as never seen before. Amateur film enthusiasts - soldiers, tourists, Hitler's own pilot, even Hitler's mistress, Eva Braun - began experimenting with color film in the late 1930s, their camera eye recording the Third Reich from every angle. Some of this film was only recently uncovered in former Soviet-bloc archives, hidden for almost 60 years; all of it, thanks to digital technology, has been newly transferred to video with surprising clarity. (This documentary was produced with two different narratives, both an English and German language version.)

Documentary examining how the three most powerful fascist dictators of the 20th Century - Mussolini, Hitler and Franco - used football's popular appeal as vehicle of propaganda. Rare archive footage, combined with evidence from historians and contributions from former stars of the game, is used to expose the cases of corruption, sabotage, intimidation and even alleged murder that affected the lives of supporters and many high-profile players alike.

A guide to human history through its most audacious power grabs. From Julius Caesar to Napoleon; from Mussolini to the strongmen of the present day - we see how the world we know has been shaped by those who dream big.

Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn't dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini's love of a fancy uniform.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.