Niji

In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi driver to take a risky journey around the scarred region in search of her sister and her son.

Asako, a former telephone operator once heard the voice of a murder suspect which has continued to haunt her. Years later her husband invites his boss, Hamazaki, over for dinner and she realises his voice is suspiciously like that of the killer. Before she can investigate further, Hamazaki is found dead and her husband becomes the prime suspect.

In Australia, four teenagers in a Sydney theater are astounded to hear the news that a nuclear war has broken out in Eastern Europe. They try to figure out the best way they can survive the coming conflagration.

Real-life letters written by American soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it.

Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.

Balthazar is a young African filmmaker on the brink of directing his first project, The Cycle of the Cockroach, a fictional story about a young woman who survived unspeakable atrocities only to find herself committed to the same mental institution as a man driven insane by the crimes he perpetrated during the war. Potential funders for the film insist the themes are too bleak and pessimistic-they encourage Balthazar to make a "message" film that raises awareness about gender-based violence or HIV/AIDS instead. But he refuses to give up. Instead of telling his production team the news, Balthazar continues preparations for the film without financing or equipment. After rehearsing a scene with each of the characters, reality blurs and scenes from the script materialize, provoking the question: Can a film like this exist only in the director's dreams? Armed with a daring and creative visual language...

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Using never-before-seen archival footage, personal photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the film traces Julia Child's surprising path, from her struggles to create and publish the revolutionary Mastering the Art of French Cooking (1961) which has sold more than 2.5 million copies to date, to her empowering story of a woman who found fame in her 50s, and her calling as an unlikely television sensation.

Joe Shishido is an ambitious bike racetrack tout who becomes inadvertently involved in a triangle with a vulnerable prostitute (Izumi Ashikawa) and her brutal yakuza pimp (George Ai).

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

Assassin Nanjo goes on a solitary mission to take revenge on the man who trapped him into a complicated drug deal.

This two-hour retrospective in which the entire cast will tell the stories of their characters from the moment they were introduced through to where they were left at the end of the last episode of season 7. Beautifully shot interviews of the cast and the EPs are punctuated by clips of the most crucial moments in the series. If someone has never seen a moment of The Walking Dead before, this special will catch them up on the plot, characters, locations, and unique terminology of the series leading up to season 8.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

A live-action and animated television special featuring clips from past episodes and spin-offs combined with new animation and musical segments.

Teppan is a Japanese television drama that aired on NHK in 2010–2011. It was the 83rd Asadora. It starred a new actress, Miori Takimoto, in the role of a young woman raised by an adopted family in Onomichi who learns of her real grandmother and decides to move to Osaka to start an okonomiyaki restaurant. The title word "teppan" refers to the metal surface on which okonomiyaki are cooked. The series, while interrupted by the Tohoku Earthquake, averaged a 17.2% rating, making it the fourth most popular of the Asadora dramas in the previous five years.

The 74th NHK Asadora Drama is Junjo Kirari, which means something along the lines of "pure-hearted Kirari." The story is set in Okazaki City, Aichi Prefecture in the era around the Second World War. When the story opens in 1928, the heroine, Sakurako, is a very active seven-year-old girl. Indeed, even in the first episode she exhibits her confidence and enthusiasm. But above all else, Sakurako is interested in becoming a jazz pianist, and music features extensively in the plot.

The 56th NHK Asadora Renzoku Drama is Agri. Story's settings include Okayama and Tokyo (Ichigaya). This renzoku chronicles the life of a Showa period hairdresser, and is based on a true life story of Moshizuki Agri. Agri has worked for over 70 years as a beautician. She is a successful business woman who survived the war by becoming a farmer. During the war, going to the beauty salon was considered a frivolity, so many such businesses went bankrupt as Japan suffered from the energy spent as all the yen was fueled into the war effort.

The 4th NHK Asadora. Starring Michiko Hayashi as a woman born in poverty who lives a brave life. She lost her husband in war and now must take care of their 5-year-old child alone. Adapted from the novel of the same name by Fumiko Hayashi.

The 57th NHK Asadora Renzoku Drama. Story's settings include Kobe and Sasayama. It is a story about the conflicts between generations and the relationships within families. A strong mother-daughter theme and a sister-brother theme exist.

Sakura is a Japanese serialized morning television drama that aired on NHK from April 1 to September 28 of 2002. The series totalled 156 episodes. It chronicles the life of Matsushita Sakura, a Sansei Japanese-American living in Hawaii. She moves to a small town in Japan to be an assistant language teacher for Japanese middle-school students. The show, lasting only 15 minutes long, is on every morning except Sunday, every week. Sakura first comes to Japan living with her grandparents; later, she moves because she has to teach English to the Japanese students. There she learns many valuable lessons and makes new friends.

The 22nd NHK Asadora. Starring Tomoko Aihara. About a woman raising war orphans.

The 8th NHK Asadora. Starring Yumiko Fujita in a family drama. The first Asadora filmed in color.

The 6th NHK Asadora. Starring Fumie Kashiyama as a woman, born in the Meiji era, who raises a family by herself.

The 78th NHK Asadora is Hitomi. The series takes place in the old shitamachi area of Tokyo, and in these most recent episodes, 20-year old heroine Hitomi becomes the force around which her divorced mother, long estranged from her own father, is forced to reconcile and renew a sense of family camaraderie. This is not particularly easy, given the trifling issues and problems of modern day life that beset each of the characters, and the drama unfolds with a light comedic touch. Hitomi's upbringing is the issue that is constantly brought into focus. The family reconciliation is made possible, ironically through the death of Hitomi's grandmother. Hitomi seizes the opportunity to travel to her funeral from Sapporo. Once there, she sets out to realize her dream of becoming a dancer, all the while interfering with and disrupting her grandfather's life.

A struggling Korean veteran comes to terms with the fact that he is actually a caterpillar. I just made this up.

The 9th NHK Asadora. Starring Naoko Otani as a young woman living with her grandmother.

The 24th NHK Asadora. Starring Senri Yamazaki as a woman who makes her life at a fishing port.

The 26th NHK Asadora. Shimazaki Kayo is a woman from Hagi, Yamaguchi, who joins the Takarazuka Revue, a Japanese all-female musical theater troupe based in Takarazuka, Hyougo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shoujo manga and Japanese folktales.

The 40th NHK Asadora starring Fujita Tomoko. It is about a woman who struggles to survive after World War II and starts a magazine.