Niji wo Oru

Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.

When Chihaya Ayase was in the 6th grade of elementary school, she met Arata Wataya. Arata Wataya transferred from Fukui Prefecture. Taichi Mashima was Chihaya Ayase's friend since they were little. Arata got close to Chihaya and Taichi from the card game karuta. Four years later, Chihaya is a high school student. Chihaya learns that Arata, who went back to Fukui Prefecture, doesn't play karuta anymore. Believing they will meet Arata again, Chihaya and Taichi starts a karuta club at their high school.

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.

The stage emulates life and compresses it, setting free skills learned over lifetimes in brief but dazzling displays for the amusement and judgment of others. For the performers, it is the ultimate risk, and some will rise while others must fall. Nowhere is this truer than at the Seisho Music Academy, where music, dance and real weapons all come into play in the creation of the next great Star. Karen and Hikari’s destinies have been linked since a childhood promise, but their journeys here have taken very different paths. Now, after Hikari leaves, Karen must discover who she is without her opposite, while Hikari must rediscover her own course. Nor are they the only girls who must reassess and change if they want to achieve their dreams, as the dance, magic, and swordplay continue!

The franchise centers on "Starlight," a dance and dance troupe beloved the world over. Karen and Hikari promised each other when they were little that one day they would perform together on that stage. Time passes and now they are both 16 years old. Karen is very excited about the dance lessons she takes every day, keeping her promise close to her heart. Hikari changed schools and now lives far away from Karen. But the gears of fate bring them together again, destined to meet again. The two, along with other hopefuls, will compete in a mysterious audition to become part of this great company.

This film is about Japanese women, escape, glamour and dreams. The Takarazuka Revue is an enormously successful spectacular where the all-women cast create fantasies of erotic love and sensitive men. It is also a world for young girls desperate to do something different with their lives. In return for living a highly disciplined and reclusive existence, they will be adored and envied by many thousands of Japanese women. They will look, act and behave like young men while having no real men in their lives. Dream Girls explores the nature of sexual identity and the contradictory tensions that face young women in Japan today.

The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Yuna and Akari are two high school girls with very different views on love: Yuna dreams about romance through rose-coloured glasses, while Akari is down-to-earth and practical. Meanwhile, high school boys Kazuomi and Rio also have different views on love: Kazuomi is an airhead who can't grasp the concept of love, while Rio grabs onto any confession as an opportunity—so long as the girl looks cute. Will these four classmates end up leading a youthful romance that meets their expectations?

Based on a popular manga series of the same name, this Japanese romantic comedy sequel continues the story of Kotoko, a bubbly and cheerful girl and her crush, the handsome and aloof Naoki, as they enter the same university. Although they are in separate majors, Kotoko is determined to spend as much time with Naoki as possible and joins the tennis club with him, but all that awaits her is severe training and a love rival.

Pinku comedy directed by Koyu Ohara and based on the manga by Sho Fumimura. Takarazuka is a gym teacher who wants to work in a girls high school in the worst way, and of course for the worst reasons. He's a lech, and when he finally lands his dream job, he's looking forward to being surrounded by beautiful and occasionally naked girls.

A Japanese TV documentary, NHK Tokushu Tezuka Osamu: Sosaku no Himitsu (Secrets of Creation.), was originally released as a book-mounted DVD, with cooperation from Tezuka Productions. Screened in Japan in 1986, it was filmed as Tezuka prepared for the Hiroshima International Animation Festival in 1985. It shows him working in his private studio and with his team, and gives glimpses of his wife, colleagues and old friends.

They'll take back your uncool heart to protect peace! One day cool director Piyoshi Kurosawa offers Phantomirage a sparkling big role! That's right, if this is the case, let's make everyone's heart flutter through the movie! However, Reverse Police's SakaSama found him! The director who is busy with the shoot is turned into an Ikenaier! With that, the movie will no longer be cool!

Based on the Japanese manga series "Ginga -Nagareboshi Gin-" by Takahashi Yoshihiro, this stage musicals follow the story of an Akita dog Gin, the son of the mighty hunting dog Riki. In order to take revenge on the ferocious killer bear Aka-Kabuto for his family, Gin joins the army of Ohu who also chases Aka-Kabuto. Together, they embark on an adventure to look for new comrades and fight against the killer.

Ohisama is a Japanese television drama that aired on NHK in 2011 in the Asadora time slot. Set in Nagano prefecture, "Ohisama" covers the life of Yoko Sudo (Mao Inoue) through World War II. Yoko Sudo with her smile is able to bring brightness to those around her & she follows her mother's motif to laugh through the hard times. During the onset of WW II, Yoko is a high school student and "Ohisama" follows her as she eventually becomes a teacher and then gets married and has a child. Yoko then opens a soba restaurant with her student. --asianwiki

The protagonist, Kouda Mikako, is a student of "Yaza Gaku". Specialising in fashion design, Mikako dreams of becoming a fashion designer with her own brand. Living next to her is her childhood friend, Yamaguchi Tsutomu. Even though they have been close since young, they share a platonic friendship. However, Tsutomu has been gaining popularity after he was recruited as the vocalist for a band and somehow, Mikako begins to see him in a different light. This is a story about how youths cope with dreams, love and friendship. (source: AnimeNewsNetwork)

Amachan is the 88th 2013 NHK asadora written by Kankuro Kudo (Tiger and Dragon, Unobore Deka). It's about Amano Aki (Nounen Rena), a 16 year old girl from Tokyo who goes to her mother's former home in Sodegahama, a fishing village in Kitasanriku, Iwate prefecture for the summer break. She falls in love with the sea and its people, and decides to stay on to become an Ama (women divers who fetch clams and sea urchins for tourists) just like her grandmother, Natsu (Miyamoto Nobuko). Her decision is welcomed wholeheartedly by Natsu and the other locals. However, her mother Haruko (Koizumi Kyoko) does not like the idea at first. She has a strained relationship with Natsu, and her extreme dislike of the sea, diving and the countryside is one of the reasons why she left her hometown 24 years ago. Eventually, she decides to stay in Sodegahama with Aki, considering that she is contemplating on getting a divorce anyway and does not want to go back to her husband in Tokyo. She also notices that it might be good for Aki for she seems livelier and happier in Kitasanriku than in Tokyo. The road towards becoming a full-fledged Ama-san is tough for Aki as she encounters tests and hurdles. One day, a video of her as an Ama gets uploaded in the city's tourism website, transforming an ordinary high school girl into an overnight Internet sensation. Suddenly she is called upon to use this opportunity to attract tourists to a city suffering from depopulation.

Takeo Goda is a giant guy with a giant heart. Too bad the girls don't want him! (They always go for his good-looking best friend, Makoto Sunakawa.) Used to being on the sidelines, Takeo simply stands tall and accepts his fate. But one day when he saves a girl named Rinko Yamato from a harasser on the train, his (love!) life suddenly takes an incredible turn! Takeo can hardly believe it when he crosses paths with Rinko again, and he finds himself falling in love with her... But with handsome Suna around, does Takeo even stand a chance?

The 74th NHK Asadora Drama is Junjo Kirari, which means something along the lines of "pure-hearted Kirari." The story is set in Okazaki City, Aichi Prefecture in the era around the Second World War. When the story opens in 1928, the heroine, Sakurako, is a very active seven-year-old girl. Indeed, even in the first episode she exhibits her confidence and enthusiasm. But above all else, Sakurako is interested in becoming a jazz pianist, and music features extensively in the plot.

The 56th NHK Asadora Renzoku Drama is Agri. Story's settings include Okayama and Tokyo (Ichigaya). This renzoku chronicles the life of a Showa period hairdresser, and is based on a true life story of Moshizuki Agri. Agri has worked for over 70 years as a beautician. She is a successful business woman who survived the war by becoming a farmer. During the war, going to the beauty salon was considered a frivolity, so many such businesses went bankrupt as Japan suffered from the energy spent as all the yen was fueled into the war effort.

The 77th NHK Asadora is Chiritotechin. Location includes Fukui prefecture. This renzoku is about Wada Kiyomi (referred to as Kiyomi-B), a girl brought up in Fukui who moves to Osaka in search of her soul. In Osaka, Kiyomi-B becomes enchanted with rakugo, a Japanese traditional form of comic storytelling, and pursues a career in rakugo. In the summer of 1982, Kiyomi-B and her family move to Obama of Fukui, her father's hometown. Kiyomi-B's grandmother and uncle welcome the family, but Shotaro the grandfather does not allow Masanori to take over the Wakasa lacquer chopsticks making. One day, Kiyomi-B listens to rakugo at Shotaro's factory and becomes fond of it. Shotaro and Kiyomi-B become close through rakugo.

Starlight is a play loved throughout the world. Karen and Hikari make a promise with each other when they're young that one day they'll stand on that stage together. Time passes, and now the girls are 16 years old. Karen is very enthusiastic about the lessons she takes every day, holding her promise close to her heart. Hikari has transferred schools and is now away from Karen. But the cogs of fate turn, and the two are destined to meet again. The girls and other Stage Girls will compete in a mysterious audition process to gain acceptance into the revue.

Ten years after the demon war, the new Imperial Combat Revue’s Flower Division is assigned a new captain, Seijuro Kamiyama. Now, Sakura and the rest of the troupe must adjust to the change, face a demon invasion, and prepare for an upcoming tournament. They’ll have to juggle all this while keeping up with their training and continuing to put on shows at their home, the Imperial Theater.

In 2050 Riyadh, elder Asma's richly captivating storytelling transports her cherished grandchildren to fabled times where they learn that modern-day dilemmas are no match for the trials, tribulations and words of wisdom passed from generation to generation through their fascinating folktales.

The curtain rises on Sarasa Watanabe, a starry-eyed 5'10" student who hopes to perform as a male lead role in the all-female Kouka Acting Troupe. She forms a friendship with her new roommate, a former idol. Together, they’re in for the role of a lifetime.

The 12th NHK Asadora. Set in Amakusa, Kumamoto Prefecture, at the end of the Pacific War. Maki is the heroine, married to Shuichi who must go to war. She stays home and takes on the role of other war widows, managing business and a Chinese restaurant.

The 22nd NHK Asadora. Starring Tomoko Aihara. About a woman raising war orphans.

Starring Yōko Minamida as a woman who supported her family during and after World War II. All episodes are missing from the NHK archives, though a brief clip does survive as part of a contemporary news segment documenting the drama's production.

The story tells a romantic comedy between Tanaka, a high school teacher who loves otome games, and Murai, a high school boy who is in love with Tanaka. Tanaka, who has never been involved in a real-life romance, is confessed to by Murai but rejects his confession. On the next day, Murai transforms himself into the exact likeness of Tanaka's favorite character from her favorite otome game.