Best movies like One Day Pina Asked...

Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver of the taxi, and soon Julie is spending her nights with Joseph and her days with Jack.

Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment.

In the wake of tragedy, a renowed New York dance company is on the brink of collapse. After leaving the dance world for good, Travis, Chrissa, and Max are pulled in to resurrect the dance that shattered their careers. They have one last chance to save the company, re-connect with the passion and magic, and prove that miracles really can happen.

In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer who's poised to become a principal performer.

Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft. Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.

Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.

Jacques Forestier, also a choreographer, an art decorator and a stage producer, is the very competent manager of "Tabarin", a renowned Parisian music-hall. A hard worker, he always wants the best for the public, at the expense of his health. He is assisted in his task by his wife Rosine and his lively secretary Mimi. Chance has it that one of the dancers he auditions for a new show is Florence, his former lover. He doesn't want her in the show but the spiteful belle has a rich influential protector who imposes her anyway. Some time later, Jacques falls victim of a heart attack.

Opera singer Prudence Budell, overhears truck driver Johnny Donnetti singing opera, and persuades her opera company to give him a chance in her new opera. They fall in love, but on meeting his colleague Mary while visiting Johnny's work, Prudence becomes convinced Johnny is in love with her.

When her mother moves in, the life of a writer gets crowded.

A documentary road-movie about 7 young women's artists on tour on a bus, all over Europe this summer, who create on stage a manifesto on feminism, sex, art and education.

Ariane lives in Simon's large Parisian apartment. He wants to know everything from her, follows her, has her accompanied for her trips and constantly interrogates her. Knowing her taste for women and her double life only exacerbates his suffering, his helplessness, and his desire for her.

A world first documentary film boasting unparalleled access to defending champion Welshman Geraint Thomas as he competes at the planet's toughest endurance race, the Tour de France.

In the late seventies director Wolfgang Büld hits the Screen with his historic documentary "Punk in London." The follow up of this rough document in the annals of the youth culture and it's first steps to become a worldwide phenomenon was the production of "Bored Teenagers" for German TV Station ZDF, which showed it in the frame of "Das kleine Fernsehspiel". Filmed at Locations around London, Cologne, Wuppertal and Büld's Hometown Lüdenscheid, it's parted into rare recordings of Adverts Live-Gigs mixed up with a little Storyline of a young couple that supports the Band around TV Smith and Gaye Advert on their Tour across Germany.

Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.

The life story of famous singer and actress of Egiptian and Italian ancestry Iolanda Gigliotti known by her stage name Dalida.

The young actress Käthe is not 18 when she conquered Berlin's theater stages. Privately she finds her luck alongside the famous artist Max Kruse, but the wild marriage is considered scandalous and has a negative effect on the sale of his art. Thus, Käthe moves without him into an artists' colony on Monte Verità on Lake Maggiore. Out of necessity, she creates a doll that has never been seen before: with a natural expression and vivid facial expressions. What follows is a blitz career. But the phenomenal success of their handmade dolls causes unpleasant imitations - their company is about to go out.

Leaving the studio to go out and capture real life: that was the impressionist aesthetic. Claude Monet was its most famous proponent and artist. This documentary reveals the places that inspired the painter during his lifetime.

Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.

Jamie owns a sightseeing and tour company in the small town of Cooperville, New York. Navigating the holidays with enthusiasm is trickier for Jamie since her husband Matt passed. Matt loved Christmas and found unparalleled joy in giving to others. While reminiscing with family, Jamie realizes the town desperately needs someone with Matt’s genius for thinking of the small gestures that bring genuine happiness to the holidays.

Evan Evans, the director of a ballet troupe, is rehearsing his next show in Monaco, in preparation for a worldwide tour. When one member of his troupe leaves to get married, Evans imposes a regime of strict discipline on his remaining dancers. The latter get their revenge by presenting Evans’ nephew Philippe, the only male member of the group, with a baby and a note claiming he is the father…

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

At the top of Mont Ventoux hangs a huge poster with the names of all the cyclists who won Tour de France stages to the summit of this legendary “Giant of Provence”. But which one of these winners is the greatest climber of them all? The documentary feature The King of Mont Ventoux puts five cycling heroes against each other in an unprecedented virtual race beyond the bounds of time: Belgian ‘Cannibal’ Eddy Merckx (1970), Frenchmen ‘Jeff’ Bernard (1987) and Richard ‘the Lionheart’ Virenque (2002), the Italian ‘Pirate’ Marco Pantani (2000) and Spanish climber ‘Juanma’ Gárate (2009). Starting together at the foot of the giant, they battle it out over the 21-km ascent along a winding forest road to the lunar-like summit of the ‘Bald Mountain’; a gruelling one-hour test of endurance and strength. The first to reach the summit is crowned King of Mont Ventoux.

On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.

A couple of choreographers tour between the frontiers of Argentina, Chile and Bolivia After 24 years sharing their professional and personal lives, the trip opens a crack in their routine and their lives begin to unravel.

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.

Live performance by Les Arts Florissants at the Théâtre de Caen, recorded on 18 Octorber 2011. "One of the earliest operas deserving of the name, Didone is our first surviving musical version of the famous episode in Virgil's Aeneid where the Trojan Hero loves and then cruelly leaves the noble Dido." — from the DVD back cover