Orgy of the Devil and Other Forbidden Tapes of Ivan Cardoso

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.

An eight-hour contemplative epic, entirely starring sheep.

One of the great mavericks of cinema, John Cassavetes has earned a reputation as the godfather of American independent movies. The actor-turned-filmmaker invented a realist style of unadorned narrative films heavily influenced by documentaries. This in-depth analysis of Cassavetes' life and work features interviews with key collaborators and ensemble regulars, and explores the making of classics like "The Killing of a Chinese Bookie," "Opening Night" and "A Woman Under the Influence."

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Franjinha, the inventor kid in Monica's gang, tired of reading the comics, invents a new device to read the stories: a kind of a story-processor, that swallows the printed pages and projects the scenes in movement, on the wall.

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, which, despite the prohibitive conditions it was created in, won the admiration of many of cinema's greatest artists, including Francis Ford Coppola and Martin Scorsese.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Laughed at when he announced the discovery of the elixer of life, Brazilian scientist Expedito Vitus ends up making the most important archaeological discovery of the century: the tomb of Runamb, the Mummy, in the sands of Egypt. Back in Brazil, he brings the Mummy back to life.

During the seventies, the massive arrival of television in the Brazilian countryside puts in jeopardy the business of running small movie theaters. Francisgleydisson is the owner of Cine Holliudy, and he must be extremely creative to keep his passion for cinema alive.

A clumsy detective and his secretary are hired to solve the mysterious deaths happening in a nightclub show.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

After falling for someone too quickly, a hopeless romantic unknowingly sets out to discover the true meaning of "letting go" through the trials and errors of different love interests.

Experimental take on Bram Stoker's Dracula, set against a warm South American landscape, wherein the vampire Count preys on a number of young lovers, men and women alike.

Showcasing the best in international documentaries, Storyville has developed an enviable reputation since its inception more than a decade ago. Screening over 340 films, from some 70 different countries, the strand has garnered a staggering array of awards: five Oscars, 15 Griersons, three Peabodys and two International Emmys. In true, unique, Storyville style, the new series promises to deliver the strand's usual eclectic mix of compelling stories from across the globe.

The Great American Dream Machine was a weekly satirical variety television series, produced in New York City by WNET and broadcast on PBS from 1971 to 1973. The program was hosted by humorist and commentator Marshall Efron. The show centered around skits and satirical political commentary. The hour and a half long show usually contained at least seven different current event topics. In the second season, the show was trimmed down to an hour. Other notable cast members included Chevy Chase. Contributors included Albert Brooks and Andy Rooney. Some of the skits would later be revamped for the movie The Groove Tube. There were also occasional short films presented on the show, most of them "experimental" or documentaries about artistic endeavours. Some of these were subtitled.

If you could tell any story with the team of talented artists at Walt Disney Animation Studios, what would you create? Welcome to Short Circuit, an experimental, innovative program where anyone at the Studio can pitch an idea and get selected to create their own short film.

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

The team behind Frozen II open their doors to cameras for a six-part documentary series to reveal the hard work, heart, and collaboration it takes to create one of the most highly-anticipated films in Walt Disney Animation Studios’ near-century of moviemaking. Cameras were there to capture an eye-opening - and at times jaw-dropping - view of the challenges and the breakthroughs, the artistry, creativity and the complexity of creating the #1 animated feature of all time.

A resident of the Rio de Janeiro suburb, Jefinho works in a van and dreams of being famous. He is passionate about pagode music and sees his life changing when his video clip hits the internet.

Explode Coração is a Brazilian telenovela that was produced by Rede Globo and aired between November 6, 1995 and May 4, 1996, with a total of 155 chapters. Written entirely by Glória Perez and directed by Ary Coslov, Gracie and Carlos Araújo Júnior, production had general direction and core Dennis Carvalho, and was the 51st "of eight novel" the state broadcaster. Ricardo Macchi, Edson Celulari and Teresa Seiblitz play the leading roles in a plot centered on the love triangle formed by the protagonists and addressing the culture of the gypsies in Brazil.

Turner Classic Movies host Robert Osborne interviews noted personalities from the Golden Age of Hollywood.

Mini series about the 1960s in Rio de Janeiro, when a politically engaged student falls in love with a left wing journalist's daughter who doesn't care for politics. The romance follows 15 years of Brazilian history, since President João Goulart deposition by military reactionary forces, until the first signs of restoration of democracy, in the 1980s.