Otello

Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"

Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.

General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.

In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini’s masterpiece at Milan’s Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffireli himself directing for the cameras, this “Bohème” has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her carreer-making performance. – For the first time the full dimension of opera on film.

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

The legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by The New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assist Baron Ochs by delivering the Baron's proposal of marriage to the beautiful young Sophie, the messenger and bride-to-be fall in love with each other!

A fascinating exploration of the literary — The Tragedy of Othello, the Moor of Venice, by English playwright William Shakespeare (1604) — and lyrical — Othello, by Italian opera composer Giuseppe Verdi (1887) — myth of Othello, the desperately tragic story of a Moorish general in the army of the Venetian Republic whose absurd jealousy poisons his love for his wife Desdemona.

Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.

Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.

Live performance from Salzburger Festspiele in 1987. Herbert von Karajan conducting the Wiener Philharmoniker and Wiener Staatsopernchor. Stage director Michael Hampe. Starring Samuel Ramey and Anna Tomowa-Sintow.

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.

This 1978 studio production of the prologue to Wagner's masterpiece is the only segment of the famous Salzburg Festival/Metropolitan Opera productions, first seen in the 1960s, that made it to film. Based on one of those original productions, Georges Wakhevitch produced stage settings and transformations that supported Karajan's concept with every possible means. Herbert Von Karajan's staging is in the epic style of another age, emphasizing the dignity of the gods rather than their all too human failings. With the singers - foremost among them Peter Schreier - Karajan had an ensemble that fully conformed to his intentions.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Ripley Holden is a small-time entrepreneur desperate to make it big with his new state-of-the-art amusement arcade. The opening extravaganza is overshadowed by the find of a dead body on the premises. DI Carlisle is called in and quickly finds he has more on his mind than murder, when he falls in love with Ripley's long-suffering wife.

Dark Shadows is an American gothic soap opera that originally aired weekdays on the ABC television network, from June 27, 1966, to April 2, 1971. The show was created by Dan Curtis. The story bible, which was written by Art Wallace, does not mention any supernatural elements. It was unprecedented in daytime television when ghosts were introduced about six months after it began. The series became hugely popular when vampire Barnabas Collins appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; indeed, as actors came and went, some characters were played by more than one actor. Major writers besides Art Wallace included Malcolm Marmorstein, Sam Hall, Gordon Russell, and Violet Welles.

Jason of Star Command is a live action television series by Filmation which ran between 1978 and 1981. The show revolved around the exploits of space adventurer Jason and his colleagues, including Professor E.J. Parsafoot and the pocket robot "Wiki". The show also starred Sid Haig as the evil Dragos, and, in the first season, James Doohan of Star Trek fame. Jason was a spin-off of another Filmation live action show called Space Academy, which starred another sci-fi luminary, Jonathan Harris of Lost in Space fame.

An American sketch comedy television program hosted by comedians Dan Rowan and Dick Martin.

The State is a sketch-comedy television show combing bizarre characters and scenarios to present sketches that won the hearts of its target teenaged audience.

How Do You Solve a Problem Like Maria? is an English reality television talent show that documented the search for an undiscovered musical theatre performer to play the role of Maria von Trapp in the 2006 Andrew Lloyd Webber and David Ian stage production of The Sound of Music. The series was devised by executive producer Gigi Eligoloff, and was announced by the BBC in April 2006. BBC One broadcast the programme, which was hosted by Graham Norton, on Saturday evenings from 29 July through 16 September 2006. The title derives from the refrain of "Maria", a song from the first act of The Sound of Music.

Alan Bleasdale's five-part series relates the further experiences of unemployed Liverpudlian tarmac layers Dixie, Chrissie, Loggo and Yosser, and their revered older friend, retired longshoreman and union leader, George Malone. As they struggle to make ends meet in a depressed economy, and to hold together their financially battered families, they are harrassed by the petty bureaucrats of the DHSS. But the lumbering investigational juggernaut is, both comically and tragically, guided by drivers with only a provisional license.

Up on Cold Mountain, in the heart of the Appalachians, life isn't easy. Mountain folk have learned get by with little. But two men up in these hollers truly embody the Hillbilly lifestyle: inventor Eugene Runkis and his best friend Spencer Bolejack. Together, these two unlock the secrets of the mountain to help them put food on the table and support their families. And if that means concocting gadgets from what most people would consider trash, that's suits them just fine. With their innate Hillbilly skills, they can survive whatever Mother Nature throws in their path.

An anthology series of various plays and dramatic performances.

Dr Jago Cooper explores the rise and fall of the forgotten civilisations of Central America.

In the summer of 1891, Oscar Wilde first met Lord Alfred Douglas — an encounter that will dramatically and tragically change both of their lives.

A 1971 comedy and variety sketch show co-produced by ATV in the UK and ABC TV in America, filmed at Elstree Studios. It featured opening and closing credits by Terry Gilliam, guest appearances by Spike Milligan, Bob Todd, John Junkin and Frances de la Tour, and also material written by Barry Levinson and Larry Gelbart.

During a robbery at KaDeWe, of all places, a magical encounter occurs between Hedi, a saleswoman in the textile department, and Fritzi, the daughter of KaDeWe owner Adolf Jandorf. It is love at first sight: Against all social and family odds, the two disparate young women begin a passionate relationship. At the same time, Fritzi's older brother and war returnee Harry is fighting for his father's recognition as the new junior manager of KaDeWe - and against his own despair. At Harry's side is Georg, a general manager placed in front of him by his father, who has worked his way up from a poor background to the top echelons of KaDeWe. Georg, of all people, will play a decisive role in the future fate of the department store...

The Redd Foxx Comedy Hour was a ABC produced variety show hosted by Redd Foxx (John Elroy Sanford) following his hit sitcom Sanford and Son. It debuted on September 15, 1977 and last aired on January 26, 1978. Despite being rated by critics as entertaining and funny, the show was canceled due to low ratings at the end of it's first season.

In a Greek tragedy updated to the 1860s, young New Englanders exact vengeance after the murder of their father.