Movie Documentary
![Pachamama: Our Land (1997)](/media/img/movie/poster/m/65/12b89e78cd2eab372bead73c.jpg)
“This film is about the indigenous cultures of Ecuador, of what is past and what is preserved, of destruction and resistance, of persisting in new ways, of music in the villages high up in the Andes, of music in the cities and in a tropical climate among descendants of African slaves. The film is about Earth, about working with Earth, sacred to the indigenous people. An account of beauty that silences, of friendliness, also grief.” (Nestler)
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Of Time and the City
A heart-stirring meditation on time, memory and mortality, “Of Time and the City” is Terence Davies’ poetic, conflicted ode to his birthplace of Liverpool, England. The visual content of the film consists largely of archival clips of the city from the 1940s to the 1960s, their nostalgic charm darkened by accompanying music and the counterpoint of Davies’ dry, at times dyspeptic, voice-over narration. His voice thickens with emotion as he recalls the delights of juvenile movie-going or the ritual of a holiday trip to New Brighton, across the River Mersey, and hardens with contempt when he turns his gaze on the hoopla surrounding Queen Elizabeth’s coronation in 1953. The film is a powerful evocation of the director's youth in post-war Britain and a reflection on how his home city has changed over the years.
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Aguirre, the Wrath of God
A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.
Beans
Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.
The Mission
When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.
Keep the River on Your Right: A Modern Cannibal Tale
In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.
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The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
Dreams Don't Die
Two young kids in love, one young graffiti artist and the other a foster-child, find trouble on the mean streets on the other side of the river in New York City. Officer Charles Banks finds young Danny tagging subway cars and then catches Teiresa selling drugs for another mislead teen, Kirk. The officer, instead of turning both of them in, gives both teens a chance to make more of their lives together. Changing their ways turns out to be more challenging than first thought.
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“Broken Silence” is composed of five hourlong shorts from a quintet of international directors: Hungary’s Janos Szasz (“Eyes of the Holocaust”), Argentina’s Luis Puenzo (“Some Who Lived”), Russia’s Pavel Chukhraj (“Children From the Abyss”), the Czech Republic’s Vojtech Jasny (“Hell on Earth”) and Poland’s Andrzej Wajda (“I Remember”). The helmers, some descendants of Holocaust survivors, focus on the atrocities within their particular parts of the world, with testimonials, pictures and an overall tone as they pertain to each region’s culture and history.
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