Best movies like Pasolini, The Hidden Truth

The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

Director Sidney Franklin's 1957 remake of his own 1934 film, about the romance of poets Elizabeth Barrett and Robert Browning.

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.

November 2, 1975: Pier Paolo Pasolini is grievously murdered in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads to have acted in self-defense, citing Pasolini's notorious sexual abits as proof. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?

On December 12th, 1969 a bomb went off at the Piazza Fontana in Milan that killed 16 people and injured 84. Railway worker and anarchist activist Giuseppe Pinelli was picked up, along with other anarchists, for questioning regarding the attack. He was held and interrogated for three days, longer than Italian law specified that people could be held without seeing a judge. Just before midnight on December 15, 1969 Pinelli was seen to fall to his death from a fourth floor window of the Milan police station. Although officially deemed a suicide, the reporter who watched the fall from the street maintained that he was pushed. Three police officers interrogating Pinelli were put under investigation in 1971 for murder but charges were dropped because of lack of evidence.

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition.

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

A Mexican community is slaughtered by Confederate troops; the lone survivor, a boy, is taken in by a preacher. Years later, the boy is now a soft-spoken, devout young man with perfect shooting skills (despite being a pacifist). On his journey to help his half-sister out of a complicated situation, he crosses paths with the men who killed his family, unbeknownst to him.

The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.

Four short films by four different directors dealing with the principles of modern life.

This is the story of the Charles Heidsieck who opened the market for Champagne sales in America just prior to the American Civil War. He is a reluctant French spy and is captured and spends time in a Union prison. There are two parallel love stories (he is French) and some battles with his uncle for control of the family vineyard (because his father married his mother who the uncle also loved).

In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.

1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.

Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. Starring Lou Castel, it portrays Francis of Assisi as a slightly depressed protestor and an avid, albeit mad, supporter of armed brotherhood. The ideal defender of the 1968 student movement. The film was a great success, but also triggered many negative reactions. It was called "heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reactions to Cavani's work.

Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.

Boccaccio (also known as The Nights of Boccaccio) is a 1972 Italian comedy film written and directed by Bruno Corbucci. It is loosely based on the Giovanni Boccaccio's novel Decameron, and it is part of a series of derivative comedies based on the success of Pier Paolo Pasolini's The Decameron.

It is a chronological compilation of film clips, awards ceremonies and brief period interviews gathered by journalist Sandro Lai.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

Alvaro Cosenza, also known as the Hunchback from Quarticciolo, during Rome's occupation by Nazis in 1943, decides to revolt.

The Canadian filmmaker’s latest project is a pornographic remake of Pier Paolo Pasolini’s 1968 film Teorema.

The film deals with the true events which happened in 1949 in Italy, when then-schoolteacher Pier Paolo Pasolini was accused of soliciting three underage boys.