Best movies like Peter Grimes on Aldeburgh Beach

Primo and Secondo, two immigrant brothers, pin their hopes on a banquet honoring Louis Prima to save their struggling restaurant.

Set in the early 1900s in the fictional Catfish Row section of Charleston, South Carolina, which serves as home to a black fishing community, the story focuses on the titular characters, crippled beggar Porgy, who travels about in a goat-drawn cart, and the drug-addicted Bess, who lives with stevedore Crown, the local bully.

Bernie is a silver tongued wanderer with a fondness for drink and no clear goal in life. What was supposed to be a day of fun at the seaside turns to dust as he drinks his way through a seaside resort community, trailing his little niece Winnie.

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.

Ten fishermen from Cornwall are signed by Universal Records and achieve a top ten hit with their debut album of Sea Shanties. Based on the true-life story of Cornish folk band, Fisherman's Friends.

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

A New England fisherman's second wife prefers his son.

Based on a True Story War Eagle, Arkansas is a character-driven drama about a young man’s choice of whether to leave his family and friends for a career in baseball or stay and redeem his struggling community. The story takes place over a few pivotal weeks in the summer after Enoch Cass’s senior year, and is set against the backdrop of Arkansas’ beautiful Ozark Mountains. War Eagle, Arkansas poses important questions that face all young people in rural America. The answers we find could touch us all.

Benjamin Britten's opera as performed by the English National Opera, with Philip Langridge in the title role.

It is the end of the 18th century and smuggling is considered to be a legitimate spare-time occupation for most fishermen around the British shores. But when a gang of cut-throats, led by the infamous Black John (Bernard Lee) begins to lure ships onto the rocks of Smugglers Bay, and murdering their crews for the sake of loot, the fishermen begin to fear for their livelihoods. In desperation, they appeal to the local magistrate Squire Trevenyan (Peter Cushing).

Mozart’s allegorical fairy tale has charmed audiences and inspired artists, for more than 200 years. A few weeks before this telecast, the Met unveiled a new production of the opera featuring the colorful designs of acclaimed artist David Hockney. His bold colors and vivid images enchanted audiences and seemed to inspire the striking cast, led by James Levine’s affectionate conducting. Francisco Araiza is the young prince Tamino, who finds himself in a strange land, forced to undergo mysterious tests so he can rescue, then marry, the woman he loves, Pamina, played by Kathleen Battle. Kurt Moll is the compassionate Sarastro and Luciana Serra is the Queen of the Night.

Subtitled, "A Life In Eight Albums", "Shania" is the story of the early years of struggle and triumph of music sensation Shania Twain.

A feature film about Benjamin Britten, released as part of the 100 year celebrations of his birth. Britten is the most performed British composer worldwide. This film premiered at Gresham's School, which he attended, and focuses on how his life-long pacifism influenced his life and music. Written and directed by Tony Britten (In Love With Alama Cogan), narrated by John Hurt and with a superb cast of young people, including many supporting roles taken by students of Gresham's School, the film weaves dramatisation with a documentary narrative.

Following the unexpected success of the band’s debut album “No Hopers, Jokers and Rogues”, we re-join them almost a year later, struggling with the pressures, pitfalls and temptations of their newfound fame, second album syndrome, and performing on the pyramid stage at Glastonbury.

The film revolves around, Norman, a world-weary manager of a pier theatre in a seaside resort. Norman has worked in the theatre for all of his life, but will not accept that the local council, which own the theatre are planning to install more commercial management in an attempt to boost audience numbers. As the story unfolds he realises it may be time to move on and put behind him the ghost of 50s & 60s singer Alma Cogan, who performed at the theatre many years ago. Sandra, his devoted long-suffering assistant and Norman decide to leave the theatre to fulfill her dream of being a professional singer and unexpectedly enjoying a late blossoming romance. From Wikipedia.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Comedian Jason Manford and singer-songwriter Chelcee Grimes present Eurovision Calling: Jason and Chelcee’s Ultimate Guide. This entertainment programme will see the pair explore why the Eurovision Song Contest is the greatest show on Earth. Using a mix of fascinating archive footage and revealing interviews with fans, experts and competitors, this one hour film will delve into the story of how the Contest has become the world’s largest live music event, creating global superstars and leaving an impact on the lives of many.

To mark the centenary of Benjamin Britten's birth, Britten’s Endgame explores the composer's creativity in the face of death. Those closest to him watched anxiously as he raced to complete his final opera, Death in Venice, in defiance of medical advice, tackling an edgy subject with many resonances in his own life. His eventual heart operation left him incapacitated and prematurely old and frail, yet somehow he rediscovered his creative urge to produce two late masterpieces. This is a rich and poignant film about Britten’s final years, and the impact of what Peter Pears called 'an evil opera'.

Today, we see a new style of feminism springing up everywhere - young, provocative and radical. To get their message across, these women have decided to rely on rock music! While the Pussy Riot shock Russia and fascinate the West, the concerts of Peaches or Grimes are sold out, while artists such as Kathleen Hanna make their comeback to remind us that it all began in 1990 in some backwater of the United States. The RIOT GRRRLS revolutionized rock and inspired entire generations of young artists around the world. This film will explore today s feminist scene while revisiting the little known history of this revolution that shook the early 90s.

Children and childhood fascinated Benjamin Britten throughout his life and inspired some of his greatest music. John Bridcut's compelling film sheds light on the composer's own inner child throiugh interviews with several of Britten's former companions and muses.

Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.

Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wright’s sensitive staging and John Macfarlane’s designs, which beautifully contrast the human and supernatural worlds – mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House

The Artist proposes to the distrustful and skeptical Producer the staging of a new ballet starring… swans? What is the story? That of Prince Siegfried and his love for the beautiful Odette, victim of the spell cast by the evil sorcerer Rothbart, an enchantment that turns her and her friends into swans when the light of day tears the dark shadows of night. (The Norwegian National Opera and Ballet, April 26th, 2014.)

Captain Vere, an old man, is haunted by a moment in his life when he was tested and found wanting. Based on Herman Melville's novella of naval life in the late 18th Century, Benjamin Britten's 'Billy Budd' is a gripping reflection on good and evil, innocence and corruption.

Margaret Williams directs this 2001 production of adaptation of Benjamin Britten's television opera based on a short story by Henry James. Performers featured include Gerald Finley, Peter Savidge and Josephine Barstow. The conductor is Kent Nagano. As pertinent now as then, OWEN WINGRAVE was composed by Benjamin Britten at the height of the Vietnam War. The opera poses the question: Is pacifism an act of cowardice? Or rather a desire to escape from the spiral of war and create world peace? To what extent do we determine our own futures? Should we let past events inform the decisions we make? Britten’s characters grapple with timeless issues in this gripping psychodrama.

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.

A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?

A family conflict ensues after Owen, the youngest of the proud military family Wingrave, expected to continue the family tradition and become a soldier, rejects violence and war and proclaims himself a pacifist.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

Recorded live at the Royal Opera House, December 2012. Daniel Oren conducting Royal Opera House Orchestra and Chorus. A grand opera that dominated the stages of Europe for most of the 19th century, Robert le diable is a masterpiece. Director Laurent Pelly breathes new life into Giacomo Meyerbeer's great spectacle and audaciously entertaining moral fable, in this colourful new staging for The Royal Opera.

Scattergood Baines, Coldriver's most popular citizen, neighborly counselor and sly old fox, entices a Broadway producer to Coldriver to see the gay musical extravaganza Baines is staging for the benefit of the U.S.O. He is also promoting the singing career of his latest local protégé, Betty Palmer. There are a few problems but the Sage of Coldriver manages to keep pulling the right strings.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Set in the Southwest of England, within a small, quaint fishing town. two fishermen, John Winter and his son Charlie, struggle to make a living on their small commercial fishing boat. Their relationship is tested and they must both overcome challenges in different ways.