Best movies like Pittsburgh

Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth?

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

Follows a struggling movie studio that's willing to do anything to make some money - even if it means ruining their reputation, and running the movie industry into the ground.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

A Hollywood tour bus driver poses as a screenwriter to romance an up-and-coming young actress.

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.

A story which centers around Dave Katz, a journalist at a hip-hop magazine who is sent on assignment to uncover the often comedic underworld of Roc-a-Fella Records run by Damon Dash and Jay-Z.

Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

When the industry's two biggest stuntmen are nominated for Stuntman of the Year, an over-ambitious documentarian reignites a dormant rivalry between the two men that results in an all out press war.

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film "Jivetime Jimmy's Revenge." When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.

This is the story of Spalding Gray and his attempt to write a novel. It is a first person account about writing and living, and dealing with success while trying to be successful.

Celeste Talbert is the star of the long-running soap opera "The Sun Also Sets." With the show's ratings down, Celeste's ruthlessly ambitious co-star, Montana Moorehead, and the show's arrogant producer, David Seton Barnes, plot to aggravate her into leaving the show by bringing back her old flame, Jeffrey Anderson, and hiring her beautiful young niece, Lori Craven.

Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, directors want to re-stage battles, and he becomes very infatuated with Faith who will play the female lead in the movie. At the same time, he is fighting with his crazy mother who thinks the Devil lives in her kitchen, and his girlfriend who is talking about commitment.

After being fired as a manager, a music mogul decides to start a boyband of his own in this spoof of popular boybands like *NSYNC and Backstreet Boys.

Roger Deacon, a down-and-out record producer, is given the job of making a singing star out of an industry mogul's girlfriend, an attractive but talentless starlet. He discovers a housewife with a powerful singing voice and decides to secretly use her to lip sync the other woman's voice for record recordings as a path to fame for her and him.

The hardest group you've never heard of is back. Gangsta Rap is a mockumentary based on a group of over the hill gangster rappers (circa NWA), trying to make a comeback. Its a hilarious look at the soft underbelly of hard core hip hop.

Actor Michael Madsen turns the tables on notorious paparazzo, Billy Dant, by hiring a trio of documentary filmmakers to chronicle Dant's life, loves, and troubles.

My Breakfast with Blassie is a movie starring Andy Kaufman and professional wrestler "Classy" Freddie Blassie. It is a mostly improvised parody of the popular art film My Dinner with Andre and is set in a restaurant where Kaufman and Blassie have a discussion over breakfast. Also featured is Kaufman's partner Bob Zmuda, who plays a nosy fan. Lynne Margulies, who would later become Kaufman's girlfriend, also plays a role; in fact, she and Kaufman met for the first time on camera.

A documentary team gets a grant to do a film on a rare fatal disease that is attacking homeless people. However, they quickly find the film too depressing. Ducking into a nightclub, they discover a young Manhattan comedienne and decide instead to follow her as she makes the circuit of auditions in L.A. as she tries to get a TV pilot. Unfortunately, she has failed to tell her boyfriend of this move. He decides he will trail her out west. There, the boyfriend runs into an old friend who has already made a break on a TV pilot. Seizing the opportunity, the actress turns her attentions to the established actor. However, the actress goes nowhere in auditions, but her ex-boyfriend is suddenly noticed and becomes the next hot prospect.

I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

In 1973, martial arts great Bruce Lee died, his final film, Game of Death, left unfinished. With the public hungry for more Lee, movie execs decide to find a replacement. This outrageous satire looks at the entire process, from the oddball candidates to the greed and racial motivations that drive the final decision. There's big business in the movies, and Finishing the Game skewers it with an eye for '70s detail.

A year after the collapse of a low-budget British rom-com, documentary maker Andy Wiseman sets out to find out what went wrong. He speaks to the producer, Nicholas Johnson, an alcoholic whose office is a lap-dancing club, the writer, Flynn Beatty, living in a suburban semi, and the deluded 'visionary' director, Harlan Noble, dwelling in deserved obscurity. But as the cast and crew tell their tale, will Andy ever get to the bottom of the farrago that was 'Just for the Record'?

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

After having a nervous breakdown, a popular talk-show host confronts his ex-girlfriend who is dating a cross-dresser.

Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of a best-selling sex manual "Love in Sex". Enlisting the help of depressed screenwriter Herb Derman and rather off-centre director Sid Spokane to try and come up with an idea or two, Joe soon wishes he was not one of those people who always try to keep their promises.

Network television executive Gavin hopes to reunite celebrated Hollywood stars Piper Grayson, Kate Westbourne, and Addie Holden in a TV special after their 1960s movie musical Boy Crazy is re-released. Though the three women share the same agent, Gavin's seemingly insurmountable obstacle is that they all cannot stand each other.

A female singing group from the '60s reunites for a TV special.

Broadcast of a live performance of the Roundabout Theater Company's 2000 New York revival of the classic Kaufman-Hart comedy, about a famous (and famously acid-tongued) theater critic who is forced to stay in a Midwestern couple's home and the havoc that ensues.

Julia Sweeney tells the viewers the monologue about the hard time in her life when her brother fought with cancer and she was also diagnosed with a rare form of cancer.