Best movies like Queens of Jazz: The Joy and Pain of the Jazz Divas

For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

The story of the late jazz musician and classical pianist Nina Simone including her rise to fame and relationship with her manager Clifton Henderson.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

As Jerry Golding scales the heights of show business, he breaks the heart of his father, who'd hoped that Jerry would follow in his footsteps. Sorrowfully, Cantor Golding reads the Kaddish service, indicating that, so far as he is concerned, his son is dead. A tearful reconciliation occurs when Jerry dutifully returns to sing the "Kol Nidre" in his ailing father's absence.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Chronicles the rise and fall of legendary blues singer Billie Holiday. Her late childhood, stint as a prostitute, early tours, marriages and drug addiction are featured.

Billie Holiday spent much of her career being adored by fans. In the 1940s, the government targeted Holiday in a growing effort to racialize the war on drugs, ultimately aiming to stop her from singing her controversial ballad, "Strange Fruit."

This true story, which takes place in Fort Campbell, KY, tells the heart-wrenching story of the life and tragic death of soldier Barry Winchell. His love for Calpernia Addams, a transgender nightclub performer, was misunderstood by his fellow soldiers and eventually led to his murder.

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

With the help of her mother, family, friends, and fellow musicians, Aiyana Elliott reaches for her father, legendary cowboy troubadour, Ramblin' Jack Elliott. She explores who he is and how he got there, working back and forth between archival and contemporary footage. Born in 1932 in Brooklyn, busking through the South and West in the early 50s, a year with Woody Guthrie, six years flatpicking in Europe, a triumphant return to Greenwich Village in the early 60s, mentoring Bob Dylan, then life on the road, from gig to gig, singing and telling stories. A Grammy and the National Medal of Arts await Jack near the end of a long trail. What will Aiyana find for herself?

A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

The 60s equivalent of Reefer Madness and all those other 30s drug exploitation flicks. Apparently, dropping acid leads to stripteases, cat fights, promiscuous sex, playing with kittens, and being convinced your dinner is much larger than it actually is. This is all illustrated in a series of silent sketches accompanied by a droll narrator who seems positively doped out of his mind.

A gambling hall owner relocates from New Orleans to Chicago and entertains his patrons with hot jazz by Louis Armstrong, Billie Holiday, Woody Herman, and others.

In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.

NOIR transports you back to a time of black and white movies of the 30s, 40s and 50s. It's New York City, a single spotlight illuminates a detective sat at his desk, fog swirls around his feet as he lights his cigarette, jazz music echoes all around, Welcome to the world of NOIR. Veronica Smart is a beautiful 40-year-old woman married to her husband Cliff for 16 years, always wanting to be a star, she has now grown tired of the marriage and wants out. Meeting a group of teenagers at the local school she works, sets in motion a plan that will include seduction, passion, lies, manipulation and murder. Now available on Prime Video in the UK and USA.

Blue Jean Billie (Dean), a prosperous young woman crook who lives apart from the denizens of the underworld, has pulled off many robberies of the high society world with the help of her pal Shaver Michael (De Grasse). Billie gains admission to the Vanderhoof dinner at which the engagement of their daughter to Lord Chesterton (Hall) will be announced. While the dinner is in progress, Billie gags and handcuffs special officer Detective Wood (Ross), and proceeds to make a wholesale robbery of the guests. She flees in an automobile and none succeed in tracking her save Lord Chesterton. She makes a prisoner of him, but a police raid follows and she must flee. Once more Lord Chesterton succeeds in following her and again she makes him her prisoner, but she learns to trust and love him. The special agent and Shaver Michael arrive at the scene with resulting complications, but a happy end results for all.

Freddie Mercury (1946-91) was not just a man with one of the most pure and amazing voices the world has heard, but he was also the lead singer for Queen, the most enthusiastic rock band in history.

The painfully true story of welterweight boxing champion Barney Ross is detailed in Monkey on My Back. Cameron Mitchell stars as Ross, whose meteoric ring career is interrupted when he joins the Marines at the outset of WWII. A highly decorated hero, Ross contracts malaria oversees and is given morphine to assuage the pain. By the time he returns to the states, Ross is a confirmed drug addict. Before he can rise to the top again, he must hit rock bottom and his descent into the hell of narcotics dependency is graphically illustrated (so much so that the film was almost denied a Production Code seal). Though a cured Barney Ross served as technical advisor for Monkey on My Back, he ended up suing the producers for defamation of character -- and lost.

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

An opera diva sets her sights on a womanizing army officer.

In 1927, a Kansas City, Missouri cornet player and his band perform nightly at a seedy speakeasy until a racketeer tries to extort them in exchange for protection.

Lady Day: The Many Faces of Billie Holiday integrates film and video performances, recordings, words from her controversial autobiography (read by actress Ruby Dee) and interviews with artists who played with her (pianist Mal Waldron, trumpeter Buck Clayton and Harry "Sweets" Edison), Milt Gabler (owner of Commodore and a producer at Decca), author Albert Murray and vocalists Carmen McRae and Annie Ross.

On the 5th of March 1985, a crowd gathered in a South Yorkshire pit village to watch a sight none of them had seen in a year. The villagers, many of them in tears, cheered and clapped as the men of Grimethorpe Colliery marched back to work accompanied by the village’s world-famous brass band. The miners and their families had endured months of hardship. It had all been for nothing. The miners had lost the strike called on March 6th 1984. They would lose a lot more in the years to come. But was it a good thing for the country that the miners lost their last battle?

Featuring three bodyshockers as they prepare for difficult moments in their lives

Solène, a 40-year-old single mom, begins an unexpected romance with 24-year-old Hayes Campbell, the lead singer of August Moon, the hottest boy band on the planet. When Solène must step in to chaperone her teenage daughter's trip to the Coachella Music Festival after her ex bails at the last minute, she has a chance encounter with Hayes and there is an instant, undeniable spark. As they begin a whirlwind romance, it isn't long before Hayes' superstar status poses unavoidable challenges to their relationship, and Solène soon discovers that life in the glare of his spotlight might be more than she bargained for.

A troubled rockstar escapes mandated rehab in a desperate attempt to confront his deepest demons.

Finding herself in dire circumstances, the widowed Sylvia Darling determines that her son, Stephen, will complete his college education and develop his supposed literary talents; thus, she accepts a contract as singer in a Broadway nightclub, billed as "Dearie," and becomes an immediate sensation.

President Kennedy's birthday celebration was held at the third Madison Square Garden on May 19, 1962, and more than 15,000 people attended, including numerous celebrities. The event was a fundraising gala for the Democratic Party. Features Marilyn Monroe singing to JFK.

Live at Montreux 1986 is a concert video release by the British band Talk Talk of a concert at 1986 Montreux Jazz Festival. The show was part of a tour that started in April 1986 to promote the band's recent album The Colour of Spring, and was to be their only appearance at Montreux, from their last tour. The video captures Talk Talk at the peak of their career.

Improvisational jazz performance filmed in 1950 by Gjon Mili plus Duke Ellington Trio filmed in July 1966, Count Basie at the Montreux Jazz Festival 1977, Joe Pass 1979, Ella Fitzgerald 1979, and Oscar Peterson at the Montreux Jazz Festival 1977.

Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

The history of New York City's Apollo Theater in Harlem is given the full treatment.