The story of Radha and Krishna is the epitome of eternal love, which transcends eras and emotions.
India India
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Radha and Krishna have been sharing a strong bond during their childhood. Even after Radha marries someone else, her unconditional love for Krishna makes her a soft target in the society.
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Peshwa Bajirao married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.
Taqdeerwala
Shri Bhramma is unhappy with Yamraj and his assistant, Chitragupt, as they have misplaced a book or prophecy called "Bhavishya Vani", and asks them to go down to Earth and find the book within 30 days or else they will lose their status in heaven and will be forced to live as mortals on Earth. The two descend to Earth, and find out that the book is in the possession of a man named Suraj, who is unwilling to give up the book as he has read the prophecy about his mother's dying. This refusal is catastrophic as Yamraj cannot plan anyone's death, and no one will be permitted to die unless and until the book comes in his possession. At the same time there is an evil man named Chota Ravan who is trying to possess the book in order to spread his control over Bombay.
Arjun: The Warrior Prince
Legend knows him as an archer of unwavering focus, the soldier who fought a battle in his own heart before taking up arms against his enemy. This is the untold story of Arjun, hero of the Mahabharata. A precocious talent plunged from boyhood and innocence into a murky world of deceit and betrayal, coming of age to become the most powerful warrior of his time. From the dusty plains of Hastinapur to the icy peaks of the Himalayas, Arjun: The Warrior Prince is the story of a man discovering what it takes to be a hero.
Jil
Jai (Gopichand) is a fire officer. He happens to help a stranger Ranganath (Brahmaji), who is the right man of Mumbai don Chota Naik (Kabir Duhan Singh). Ranganath turns informer and runs away with the Chota Naik"s money. Chota Nayak suspects Jai to be an accomplice of Ranganath and starts troubling him. The rest of the story is all about how Jai teaches a lesson to Chota Nayak for messing up with him.
Daana Veera Soora Karna
A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.
Gajendra
Gajendra is the remake of Telugu film Simhadri and was later dubbed in Hindi as Return of Khuda Gawah. Gajendra (Vijayakanth), an orphan, is adopted and grows up under Azhagarsamy's (Sarath Babu) family care. Azhagarsamy considers him like his own son. Kasthuri (Flora), Azhagarsamy's granddaughter, falls in love with Gajendra. Gajendra takes of a mentally ill girl called Indhu (Laya). The rest of the story is about why he took care of her.
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Vikramaditya, a world-renowned palmist, believes love does not exist in his stars, until he meets Prerana. But when destiny tries to pull them apart, will love prevail?
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The story revolves around the portrayal of the ten different avatars of Lord Vishnu namely Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Balarama and Kalki.
Heer Ranjha - A True Love Story
You mention any good usual love story and it will have all the usual emotions of love, longing, pain, quest and sacrifice. But the moment you mention Heer Ranjha, the word 'eternal' is pre fixed to all these emotions eternal love, eternal longing, eternal quest and eternal sacrifice. Time is perhaps the ultimate test of greatness and it is a testimony to the enduring appeal of the story of Heer Ranjha that it continues to be a dearly loved part of the collective and individual memory of millions across the world even after almost 300 years. Even today, people across cultures and languages read and sing about the love story of these two star crossed souls. Many a lover has invoked the names of Heer Ranjha to sanctify his love and to express the immeasurable depth of his feelings for his beloved. Such is the reverence and affection that this story has earned from the people that it is no longer a story but has become a metaphor
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Ramayan
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