Best movies like Ram Rajya

Punithavadhi, a thirteen-year-old girl, is raped and impregnated by Sri Lankan military soldiers. The girl's mother tries to save her with the help of a professor.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

Nandha returns after serving his term for killing his father. Although he killed him to save his mother, she does not forgive him. He is then taken in by Periyavar, who shelters Sri Lankan refugees.

The film is a retelling of the story of Lord Rama, from his birth until his battle with Ravan at Sri Lanka.

In Ayodhya, the royal palace of Kosala Kingdom in Ancient India, four princes were born to three queens, each of whom grew to great stature. Banished for 14 years due to court intrigue, Prince Rama retreated to the forest with his beautiful wife Sita. When Rama vanquishes the demons of the forest, he invites the wrath of the demon king Ravana, who kidnaps Sita. Based on the Indian epic the Ramayana.

When Bhagwan Shri Jagannath and his brother, Bhagwan Shri Balabhadra, refuse to partake offerings from a lower-caste woman, Shriya. Devi Maa Lakshmi is offended and puts a curse on both of them. The duo, hungry and homeless, go from village to village, house to house in search of food. What they don't realize is that Devi Maa, in collusion with Vayu Dev, Agni Dev, and Pawan Dev is determined to teach both of them a lesson they will never forget.

A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.

7000 years ago, Ayodhya's Prince Raghava and Prince Sesh along with the Mighty Vanar Warriors travels to the island of Lanka with an aim to rescue Raghava's wife Janaki, who has been abducted by Lankesh, the king of Lanka.

The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.

Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

Surayavanshi Ram of Ayodhya, the greatest warrior king that ever lived, was forced to send his beloved wife Sita into exile, thus leading him and his kingdom to despair and towards an empty future. Unknown to Ram, far away in sage Valmiki's hermitage, Sita lives as Vandevi, raising their twin sons, Luv & Kush. Though not aware of their lineage, the twins imbibe wisdom, compassion & combat skills that would put any royal prince to shame. Sita teaches Luv -Kush to always work as a team, secretly hoping that her estranged family would find a way to come together one day.

A 16th century prince falls in love with a court dancer and battles with his emperor father.

When Leela is insulted by a group of space-rednecks (like regular rednecks, but in space) she enters the Planet Express ship in a demolition derby. She emerges victorious, but when she brings the damaged ship home and the Professor sees the fuel gauge, he's enraged by the hit he's going to take at the Dark Matter pump. Now the crew have to find a way to break Mom's stranglehold on starship fuel, even if they have to wade through a Lord of the Rings-inspired fantasy-land to do it!

Born without any knowledge of his parentage, Mahesh drives a bicycle rickshaw for a living in a town in India, prays to Bhagwan Shri Kishan, and lives in an unhealthy shanty hut. He is friendly with Sheela, who works as a maidservant, hopes to marry her someday, much to the chagrin of Kalu Dada, who lusts after Sheela. One night while returning home he comes across an abandoned male baby near Bhagwan Shri Ganesh's Mandir. He looks for the family of this child, asks for help from the Mandir's Poojary, as well as a Mullah and a Hawaldar, all in vain. When he tries to abandon the child, he is literally forced to adopt him, and when he does so, he faces considerable opposition from his neighbors, and ends up hating the child.

A student must navigate issues of sexuality, identity and family amid Sri Lanka's social turmoil of the 1970s and 1980s.

Sharda vows vengeance when her husband is murdered by his two evil cousins, Bhishamber and Bhanu, and she and her two young sons are thrown out on the street. Those sons grow into the upstanding police officer Ram and the easily tempted dreamer Lakhan. If the family is to be avenged, Ram will have to lead his brother away from the path of corruption he's strayed onto, and protect him from the influence of Bhanu and Bhishamber.

Living in a posh mansion named Swarg, this is the story of Sahabji, his wife sister Jyoti, two brothers, and a sister-in-law. Sahabji has a clash of wits with Dhanraj, who successfully schemes with Sahabji's two brothers, and takes over the prestigious mansion and vast business empire, leaving Sahabji virtually penniless, and devastated with the passing away of his wife. His brothers have now taken over the money, and his business. It is now up to a servant of the mansion, Krishna to set things right for Sahabji's household. How can a poor servant succeed against rich and powerful individuals?

Jeevan (Kunchacko Boban) and Salim (Biju Menon) are taxi drivers in Gulf.They live in a small apartment which they share with Kumar (Neeraj Madhav). A Sri Lanka Native Thamara Enters their life and they are forced to accommodate her in their apartment . The events happened in their life is the plot of Madhura Naranga.

Krish is a happy-go-lucky guy who lives with his brother and sister-in-law. He woos a girl named Manju. Manju happens to be the daughter of a Mla Simhachalam. Krish's only intention is to become rich by marrying her and doesn't have any feelings whatsoever toward her. He also meets a girl called Meenakshi, aka Meenu ; he starts to like her for real and falls in love with her. Meanwhile, Simhachalam and Shinde run against each other in a presidential election in Delhi. Shinde is a man of misdeeds. Shinde tries to find faults in Simhachalam's personal life so that he can expose him in front of the high command of the party, so that his route will be clear to get the party ticket. Shinde comes to learn that Simhachalam has another wife (Sita) and a daughter who live in Hyderabad. He sends his men to find them. .

The heroic tale of young Mathayus and his relentless quest for justice against an evil and powerful villain, King Sargon. Mathayus faces heart-stopping tribulations during his adventurous, odds-defying trajectory toward his ultimate destiny: becoming the formidable warrior king of an ancient desert empire.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

When Merlin cast a positive spell to protect the knights of the Round Table, he used ancient magic drawing on the power of Stonehenge, and the knights were put into a sort of suspended animation. The evil Morgana and her son Mordred were banished into another world for 1500 years, but a 20th-century scientist finds a gateway, and the dark lord has a vicious scheme to enslave King Arthur's world.

Dr. Dharmesh (Rajendra Kumar) and Sita (Meena Kumari) are in love, and hope to marry on Dharmesh's return from abroad. When Dharmesh returns, he is devastated to find that Sita has married someone else. He then decides to devote the rest of his life at a cancer clinic. One of his patients is Ram (Raaj Kumar), who is critically ill, and has to be operated upon. Things progress well, until Dharmesh meets Ram's wife - none other than Sita. Dharmesh now has to battle with his conscience, and his medical ethics to save Ram or to let him pass away, so that he can marry Sita.

Ram Kumar (Kader Khan) is the eldest of four sons in his family. He has brought up his three younger brothers, Shyam (Kanu Chauhan), Sohan (Jeetendra), and Mohan (Rishi Kapoor), with love and fatherly care, together with his wife, Sita (Asha Parekh). Sita has a younger sister, Gita (Juhi Chawla), who also lives with them. Gita is a child-widow. Ram does not approve of anyone referring to Gita as such. Ram decides that it is time for Shyam and Sohan to get married, and he picks their brides for them. Shyam marries Mona, and Sohan marries Sheela (Anita Raj). With the entry of these two new wives, the equilibrium of love and respect is disrupted, as both want more control and demand more respect, which leads to clashes and quarrels all round, and changes in the lives of all the inhabitants. Eventually, in the end, everyone lives happily together and Mohan and Gita get married.

Sivaji and his family are uprooted from their community in Sri Lanka and wind up as bonded labourers in Vishakhapatnam. Like his legendary namesake, he rises up to become the saviour of the oppressed.

Shri Bhramma is unhappy with Yamraj and his assistant, Chitragupt, as they have misplaced a book or prophecy called "Bhavishya Vani", and asks them to go down to Earth and find the book within 30 days or else they will lose their status in heaven and will be forced to live as mortals on Earth. The two descend to Earth, and find out that the book is in the possession of a man named Suraj, who is unwilling to give up the book as he has read the prophecy about his mother's dying. This refusal is catastrophic as Yamraj cannot plan anyone's death, and no one will be permitted to die unless and until the book comes in his possession. At the same time there is an evil man named Chota Ravan who is trying to possess the book in order to spread his control over Bombay.

Afreen, a rebellious Pakistani student sets ablaze the car of an Indian in London. Angered Afreen returns to Pakistan to ask for money from her grandfather that she has to pay in a month's time as damages. However, she gets to know that he is no more and the only thing he has left for her is a letter-delivering task, written by Ram to Sita. As Afreen sets out to find Ram, there begins her journey of discovering the secret behind the 20-year-old letter.

A terrorist plants several bombs throughout the city of Colombo, Sri Lanka and threatens to detonate them unless prisoners are released.

Sita is a materialistic woman who only cares about materialistic gains and nothing else. MLA Basava Raju lusts for her and wants her to give him what she promised him for helping her. The villain of their tale is Ram, a man who’s way too innocent for his own good. How does Ram help Sita out of the fix she’s in forms the crux of the story.

Sri Krishnarjuna Vijayam is a 1996 Telugu mythological film, produced by B. Venkatarama Reddy under the Chandamama Vijaya Combines banner and directed by Singeetam Srinivasa Rao. It stars Nandamuri Balakrishna, Roja in the lead roles and music composed by Madhavapeddi Suresh. The film is based on a small portion from the epic Mahabharata; 'Vidya Pradarsanam' to 'Panchali Parinayam'.

Daredevil Circus trapeze artistes, Vijay and Radha, who also goes by the name of Lisa, are in love with each other. The circus is run by Radha's dad, G.D. Sapru. One day they decide to do another daredevil act without any safety net support to break their fall. As a result, Radha misses Vijay and falls down to the ground, is seriously wounded, and hospitalized. After she recovers, she is told that her face has been completely disfigured. She decides not to show her face to Vijay and goes abroad forever. Then Vijay is approached by a group of Hindu priests who want him to locate two statues of Bhagwan Shri Kishan and Devi Maa Radha through the treacherous and mountainous region between India and Burma. Vijay agrees to do so and accompanied by Mangu, Changu, Sandoz, they set out on their journey.

When Laali, who loves Shyamu, refuses to marry Kalidas, recommended by her aunt, her naive brother, Dhanna, and Bhabhi, Bhagwanti, are asked to leave and till a barren piece of land. When Dhanna is unable to grow anything, he decides to take the assistance of Thakara, none other than Bhagwan Shri Vishnu. He approaches Pandit Tirlochan in order to take the Diety to his residence. Tirlochan cons him by giving him a rock instead, and he brings it home, refuses to feed himself until and unless the Thakara shares his humble offerings. As a result, the entire community, including Laali and Bhagwanti, think Dhanna has lost his mind.

'Okkadu Migiladu' is the story of displaced Sri Lankan Tamilians who find themselves stuck with the tag of 'refugees' all their lives. The mistreatment they face both in India and Sri Lanka, with either country refusing to accept them as their own, forms the crux of the story.

Abinash, a smuggler, murders his wife when she learns about his profession. Later, he ruins Ram's life but things take a turn when Sita, Ram's wife, learns about his deeds.

Based in Mumbai, Raja (Arjun) lives a violent yet poor lifestyle along with his father, Banwarilal. He meets with and comes to the rescue of Madurai/Mahendrapur-based belle, Mahalakshmi/Madhumita (Jyotika), and both fall in love with each other. When she returns home, her dad (Ashish Vidyarthi) finds that she is in love with Raja, instantly approves of him, and asks her to invite him, which she does. Raja accordingly arrives to meet her family - and it is this arrival that will pit him against goons dispatched by none other than Mahalakshmi's dad, who wants him dead - at any and all costs.

Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. (Wikipedia)

After giving birth to Bhagwan Shri Kartiyeke, Devi Maa Parvati forms a child-human image from clay, adopts him, and asks him to guard the house and not let anyone in while she bathes. The child refuses to let anyone in, including Bhagwan Shivji himself, who beheads him. When a tearful Parvatiji pleads, Shivji brings the child back to life with the head of an elephant, and names him Gajanand, and assures him that no one will make fun of him.

India, 1918. On the outskirts of Tumbbad, a cursed village where it always rains, Vinayak, along with his mother and his brother, care of a mysterious old woman who keeps the secret of an ancestral treasure that Vinayak gets obsessed with.

The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”.

In 1814, a nobleman from the Kandian Kingdom of Sri Lanka helped the British army to revolt against the king of Southern India, but was driven to a traitor. His wives have to choose between committing suicide or marrying outcasts. Instead of suicide, young and beautiful Tikiri chooses to marry an untouchable, named Vijaya.

Manjunatha, an atheist, fights against social evils. He marries Kathyayini, a staunch devotee of Lord Shiva. As the days go by, Manjunatha realizes the existence of God.

Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.

Made in the budget of Rs. 85,000, this is the debut film of Sarat Pujari. The tale of Goddess Lakshmi leaving the temple to teach brothers Lord Jagannath and Lord Balabhadra a lesson was presented in the movie. This movie later remade in Hindi as "Jai Jagannath". Prashant Nanda acted as child Shri Krushna. Geeta Dutt was in the Hindi version. Famous singer Hemant Kumar also given voice in this film.

Devrishi Narad informs Bhagwan Shri Vishnu of atrocities committed by Mahaant on low caste untouchables. Narad is told that a devotee by the name of Eknath has already been born in Paithan, the grandson of Chakrapani, who will ensure equality for all. Eknath turns out to be precocious and is sent out to Janardhan Swami's Ashram. Years later he returns, weds his childhood sweetheart, Girija; visits the Char Dhams (Dwarka, Badrinath, Jaggannath Puri, & Rameshwaram) and sets out to do his fated task much to Mahaant and the Jagirdar Amar's chagrin - who arrest and put him behind bars.

Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.

Brendan and Darryl have both moved on with their lives following the events at the cabin in the woods; not unscathed however. Coming up on the anniversary, Brendan is still having nightmares that he feels will come true at any moment. His worse fears come to life when his wife and niece don't return home one night

Best friends attempt to escape quarantine.

Indian film producer Kesab and blogger Samita arrive in Sri Lanka to tour the ruins of the ancient Hindu epic Ramayana. Kesab, who heard about Netflix's investment during his first day of travel, wants to return to India as soon as possible, but that night, assailants attack the hotel and steal everything, including mobile phones, laptops, and cameras. The next day, the couple goes to the police station and are asked to point out which of the village's unemployed young people was the culprit.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.