Best movies like Redemption

Grazia de Plessans abandons her studies in a convent following a mystical crisis. In her paternal house, she studies music together with maestro Claudio Morillot with whom she ends up falling in love.

The painter Pierre Bernier becomes famous thanks to the portrait "The Naked Woman" which represents his model, the seductive Lolette. The very evening of his triumph at the Salon des Expositions, he decides to marry her. But, having become rich and famous, he soon falls in love with the Princess of Chaban and abandons the woman to whom he owes his success.

A taxi driver, with singing ambitions, finds an abandoned baby in his cab and begins to look for his mother. He doesn't find her but succeeds in finding two people who want to adopt the child.

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

A story, set in Rome of 44 A.D., concerning the amorous and political intrigues of the evil Empress Messalina, the wife of the Roman Emperor Claudius, and her eventual hounding to death.

New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

Japanese-Italian adaptation of Puccini's opera.

Mahalia, a timid 9-year-old black girl, feels different from the other girls in her ballet class. Hoping to boost her confidence, her mother brings her to the hair salon to get her hair straightened for the very first time.

In this espionage film, Mata Hari's daughter takes the mantle from her notorious mother and entangles her self in an Asian web of intrigue and war.

When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Produced in Italy in breathtaking Technicolor, this biographical story of Puccini (played by L'avventura's Gabriele Ferzetti) spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including a sexy, beautiful singer (Two for the Road's Nadia Gray) whom he drops for a small town girl (Sirocco's Marta Toren), and a servant girl who commits suicide over him. Well-selected excerpts from Manon, La Boheme, Madama Butterfly and Turandot are featured along with other Puccini music, including the voice of Beniamino Gigli. Sets, costumes and production values are first class, all sumptuously filmed by Claude Renoir.

As soon as he graduated from the Naples Conservatory, Vincenzo Bellini meets Maddalena Fumaroli and immediately falls in love with her.

Carmen, wife of a certain Vincenzo detained for theft, chooses Antonio as a friend. When the husband is released from prison, he accepts the relationship in progress and continues to use the woman in his shady businesses.

Historical drama depicting the last of the Punic Wars between the Roman Republic and Carthage.

Martha Eggerth heads the cast of Casta Diva, but the central character is famed Italian composer Vincenzo Bellini, here played by American actor Phillips Holmes. Paying but scant attention the facts, the film concentrates on Bellini's colorful love life. Evidently the film went through several rewriting processes, as witness the curious performances of Donald Calthrop and Arthur Margetson, whose characters do complete about-faces halfway through the story. Amidst so many British accents, Martha Eggerth's Polish intonations seem out of place, but she photographs beautifully and sings quite well. Casta Diva was attractively filmed on location in Naples. Not to be confused with the 1954 remake (by Gallone himself) or to the English language version "The Divine Spark" (also directed by Gallone and starred by Eggerth).

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

Virginia de Leyva, daughter of a Spanish Lord, becomes a nun in Monza, in 1600s. She becomes very strict with herself and the students until she's unable to resist a romance with the nobleman Gian Paolo Osio which will lead both to danger.

Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.

In Pietro Mascagni's tragic opera, a soldier returns home from war to reclaim his former fiancée, only to find that she's married someone else in his absence, leading to jealousy, betrayal, and murder.

This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.

Musical where two friends fall for the same lady and work to make her a star.

A tourist guide in Naples is taken on by an English woman impressed by his singing, and who regards him as her protege.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

Musical comedy. An opera singer falls for a stowaway on the way to Monte Carlo

An opera singer hides an American soldier in his house in Nazi-occupied Rome.

The occupation of Bessarabia by the Russians in 1940 separates an opera singer from her family, leaving her under Bolshevik rule until Romanian troops enter Odessa.

Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.

Pietro is a revered teacher, Teresa his brilliant and precocious student. Their affair is both illicit and tempestuous. After one fight, Teresa suggests that each tell the other a secret, one so shameful or shocking that were it to be made public, it would destroy that person’s life. Time passes, Pietro’s stature as a writer grows and his family settles into the comfort of a bourgeois life. But he is haunted by the possibility that Teresa may one day reappear and tear apart his world with the secret she knows.