Best movies like Revue um Mitternacht

Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Warren Nefron is a hopeless klutz who has some of the worst luck in the world: when he tries to end it all with a foolproof suicide plan, he still manages to mess it up. In desperation, he goes to a psychiatrist to see if there is some way for him to end his troubles.

Film adaptation of the George Abbott Broadway musical about a Washington Senators fan who makes a pact with the Devil to help his baseball team win the league pennant.

Two members of a crew of "sandhogs", men who work on an underwater tunnel project, battle each other over the same woman and a rival team of sandhogs to see who will finish their half of the tunnel first, with the winning team getting more money and guaranteed future work.

Balthazar is a young African filmmaker on the brink of directing his first project, The Cycle of the Cockroach, a fictional story about a young woman who survived unspeakable atrocities only to find herself committed to the same mental institution as a man driven insane by the crimes he perpetrated during the war. Potential funders for the film insist the themes are too bleak and pessimistic-they encourage Balthazar to make a "message" film that raises awareness about gender-based violence or HIV/AIDS instead. But he refuses to give up. Instead of telling his production team the news, Balthazar continues preparations for the film without financing or equipment. After rehearsing a scene with each of the characters, reality blurs and scenes from the script materialize, provoking the question: Can a film like this exist only in the director's dreams? Armed with a daring and creative visual language...

A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.

Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

While vacationing at a boys' camp, the rambunctious Chip Winters befriends a famed composer Johnny Selden. Stuck for an inspiration for his latest operetta, Selden at last finds it when he meets Chip's gorgeous mother Irene Winters, a popular singer. Alas, her stiff-necked fiancé Walter Mays refuses to allow her to return to the stage, whereupon Rathbone spirals into a depression -- and even worse, a profound case of writers' block.

A theatrical producer puts aside his own success to boost the career of a talented singer.

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.

Coach George Copper's college football team is losing game after game, much to the dismay of stiff-and-stuffy but influential alumni Roger Jessup, and also having trouble at home with his oldest daughter, Connie. The team keeps losing and Coach Cooper is about to lose his job as his efforts to win the last game of the season, against the team's Big Rival, end in disaster. But, unknown to he and his wife, Elizabeth, Connie has sold an article, called "I Was a Bubble Dancer" to a 'True-Confession" magazine, and the girl-who-couldn't-get-a-date becomes suddenly popular and, because of her, the high-school football star from another town decides to play his college-ball for Coach Cooper. Jessup is forced to keep Cooper on as the school's football coach.

Heironymus Merkin is an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers and aged mother. Merkin's promiscuous relationships with women are explored, particularly Polyester Poontang and the adolescent Mercy Humppe. Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth, and an angelic 'Presence' who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director, two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.

Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.

A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.

Several partners turn an idea for a male strip revue catering to ladies into a wildly successful venture and deal with the crazy consequences of it all.

From Moscow to Mexico City, Eisenstein was privileged enough to met the cultural heroes of the era and embrace them as compatriots, with a handshake. Such was his reputation as the wunderkind of the new art of cinema, everybody wanted to meet him; there were writers, painters, critics, theorists and philosophers, as well as composers, architects, and artists from all branches of the cultural life that was shaping minds and civilizations. Our project would follow Eisenstein's journey and note the significant characters he encountered on his travels, with a focus on Switzerland.

Twenty-three years after scoring the winning touchdown for his college football team mild-mannered Harold Diddlebock, who has been stuck in a dull, dead-end book-keeping job for years, is let go by his pompous boss, advertising tycoon J.E. Wagglebury, with nothing but a tiny pension. Harold, who never touches the stuff, takes a stiff drink with his new pal... and another, and another. What happened Wednesday?

In 1922, a would-be classical composer gets involved with people putting on a musical revue.

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

Two couples work through their issues in this backstage Broadway musical.

Led by Matty, a naive idealist, a group of writers in the "Alternative Content Department" of WYTE ("Whitey") Productions have 24 hours to come up with project ideas to submit for consideration by studio management.

Mantan takes a job as office boy at a new TV station and gets to watch several pre-recorded musical numbers.

One day in the life of television is a documentary that was broadcast on ITV on 1 November 1989. Filmed by over fifty crews exactly one year earlier, it was a huge behind-the-scenes look at a wide range of activities involved in the production, reception and marketing of British television. The project was organised by the British Film Institute and produced and directed for television by Peter Kosminsky.

Kyle Peoples never wanted to be the man he has become in his 30s, an accountant stuck in a dead end job, with a lover who is more successful than he and a family that doesn't get him at all. So when a night of partying leads to a new family of friends and fun, Kyle sees an opportunity for escape from reality. But Kyle's new friendship with Maia and Dusty and the trio's love of crystal meth eventually cost Kyle his job, his companion, his home and his family. Kyle's escape becomes his trap, the party is an illusion and the crystal is slowly killing him, physically and psychologically. When he finally bottoms out and is no longer the young man his father once boasted about with pride, Kyle must choose: life or meth.

In a high-rise apartment young parents Alex and Mahsa live with their seven-year-old daughter Mina. Everything about the family is completely normal, uncomfortably real: Their home, their jobs, her school, the way they hold and love each other. The line between fact and fiction is blurred because THEY ARE A REAL family. Until completely normal turns into what they fear the most. Alex's injury opens the door to a malevolent force that attacks and dismantles the family one person at a time: A violent aggressor determined to prove that possession is real, unconscionably disturbing and very different from how it's depicted in the movies.

An all-star cast performs the music of one of the greatest composers of our time... Stephen Sondheim. Anxiously anticipated by the myriad fans of the legendary composer, Putting It Together marked the return of Carol Burnett to the Broadway musical stage for the first time in over 35 years. Stephen Sondheim has won a record seven Tony Awards for his songwriting, and the Pulitzer Prize for Sunday in the Park with George. His Broadway smash shows and movies include Gypsy, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Dick Tracy, and West Side Story. This Cameron Mackintosh stage production was captured live in performance during its Broadway run and recorded in high definition with a widescreen format using ten cameras and over 40 microphones.

Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

The former members of a vaudeville team meet up again in a defense plant during WW II.

Showtime presented this pro-shot musical revue of the songs & lyrics of legendary film and Broadway composer Frank Loesser.

An impoverished team of composer and songwriter try to secure financial backing for their new musical, with the assistance of a struggling actress working as a housemaid.