Best movies like Roads of Kiarostami

A collection of 24 short four-and-a-half minutes films inspired by still images, including paintings and photographs. An experimental project made by filmmaker Abbas Kiarostami in the last three years of his life.

A look at the mystique of road movies, combining interviews, film clips, music, photography, literature and a narrative storyline featuring Paul Rudd and Tom McCarthy.

Naturalist Bill Mason on his journey by canoe into the Ontario wilderness. The filmmaker and artist begins on Lake Superior, then explores winding and sometimes tortuous river waters to the meadowlands of the river's source. Along the way, Mason paints scenes that capture his attention and muses about his love of the canoe, his artwork and his own sense of the land. Mason also uses the film as a commentary on the link between God and nature and the vast array of beautiful canvases God created for him to paint. Features breathtaking visuals and exciting whitewater footage, with a musical score by Bruce Cockburn.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

A vacationing family encounters an alien threat in this pulse-pounding thriller based on the real-life Brown Mountain Lights phenomenon in North Carolina.

After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Dany Longo is blonde, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

Young male students at a local Iranian school are asked about their feelings on homework.

Prophetic nightmares precede a family's confrontation with an evil, unseen force.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Several people try to take advantage of a little girl's innocence to hustle money her mom gave to her to buy a goldfish with.

In 1970, hundreds of hippies followed Stephen Gaskin on a journey from San Francisco to Tennessee, where they founded a legendary commune known as the Farm. Within this self-sustaining society based on non-violence, vegetarianism and respect for the earth, members willingly took a vow of poverty, lived in converted buses, grew their own food and home-delivered babies. Born and raised in this alternative community, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. American Commune finds inspiration in failure, humour in deprivation and, most surprisingly, that communal values are alive and well in the next generation.

Growing up in Granada, Spain, young David Fandila always dreamed of being a matador. This documentary captures the rise of "El Fandi," one of Spain's most renowned bullfighters, who first entered the ring at age 14. While it's never in doubt that Fandila is at the top of his game, filmmakers Stephen Higgins and Nina Gilden Seavey weigh the significance of bullfighting as a cultural tradition against its inherent danger and cruelty.

"Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran -he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim.

In February of 1959, nine Russian hikers ventured into a remote area of the Ural Mountains. Two weeks later, all of them were found dead. What happened is a mystery that has baffled investigators and researchers for decades. It has become known as the Dyatlov Pass Incident. When five ambitious American college students are issued a grant to return to the site of the original events, they gear up with the belief that they can uncover and document the truth of what happened to the supposedly experienced hikers. But what they find is more shocking than anything they could have imagined. Retracing the steps of the Russians' ill-fated journey, the students are plagued by strange and increasingly terrifying phenomena that suggest that in spite of the desolate surroundings, they are not alone. The forces at work in the Dyatlov Pass Incident have been waiting for them.

Secret video files just discovered on an FBI server prove that the government has been hiding unexplained disappearances and a dangerous presence in the Pacific Northwest wilderness.

A revelation about Oscar Torres, her unknown and once world-famous queer filmmaker cousin, sends Victoria down a path of self-discovery through reconstructions of his intimate memories living in the 1950's authoritarian Caribbean, as Victoria leads re-enactments of his unproduced screenplays with the family who erased him.

Seven entirely static shots make up James Benning's quiet reflection on existence in the Ruhr Valley.

Two estranged friends attempt to shoot a feature film on a cross-country road trip. Along the way, they are abducted by a mysterious creature in the Appalachian mountains. The two must work together, despite their fractured friendship, to traverse the forest labyrinth and escape from the clutches of the creature.

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

The hard daily life of a kid working in a photo shop while trying to get closer to the girl he likes.

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

The filmmaker Julián Pintos and his alter ego find themselves confined to their isolated home in the countryside during the pandemic ravaging Europe in the 21st century and embark on a strange journey of initiation, in which they will meet the mysterious Silver Mask (Myriam) and the two disturbing theatre masks, muses of comedy and tragedy, split into Esther and Diana. The characters are trapped in an enigmatic time tunnel and their only escape is to find the heart of Europe, recalling their respective pasts linked to the Old Continent and bringing to the surface the deepest ghosts and fears that each of them hides.

Travis Scott takes his audience on a mind-bending visual odyssey across the globe, woven together by the speaker rattling sounds of his highly anticipated upcoming album "UTOPIA". A surreal and psychedelic journey, uniting a collective of visionary filmmakers from around the world in a kaleidoscopic exploration of human experience and the power of soundscapes.

Say Something is a short experimental documentary where Katie Agustina Aranda explores her relationship with her father, Panfilo Aranda—a Paraguayan immigrant, workaholic, and amateur videographer. Using material that he shot throughout the last forty years, the story follows his journey from passionate filmmaker to distant father. With archival footage and interviews, the film is about family, immigration, and a strained father-daughter relationship.

Eastern Shoshone medical student Jenna Murray spent summers on the Wind River Indian Reservation helping her grandpa in any way she could. When he suddenly dies, she must find a way to heal before realizing her dream of a life in medicine.