Best movies like Rochefort, Marielle, Noiret: Les copains d'abord

A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist.

In the middle of a performance of the play "Le Cocu", a very bad boulevard, Yannick gets up and interrupts the show to take the evening back in hand.

A streetwise Paris policeman who takes kickbacks from the minor criminals on his beat to allow them to continue is assigned an idealistic new partner fresh from police academy. He sets out to corrupt him...

In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.

A serial-killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and he targets at first these ones. Commissaire Letellier is given the investigation and he has hard work with the maniac.

A look at 18th-century France, when the authorities depravity contributed to social oppression, and the uprisings flared up one after another.

A man, Milan (played by Johnny Hallyday) steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier (Jean Rochefort). The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.

Even among bombers and murderers, there is a social ladder, a hierarchy to climb. Jeremie is a mere bomber who blows up people and places for mobsters in Paris. He may not look it, scruffy lad that he is, but he is a sensitive fellow, and he feels his lowly status keenly. If only he could graduate to the ranks of hitmen, who are honored in his world, perhaps then he would feel more like somebody. He finally gets his chance when he receives instructions to kill the eminent hitman Max, who knows too much to be left alive. Instead of planning a cool and distant hit, Jeremie gets to know his quarry personally and thereby gets entangled in a mass of conflicting allegiances. Max has one more assignment and has asked Jeremie to help him with it. The hero-worshipping boy can't bring himself to knock of this classy guy. However, just having such an inept apprentice as Jeremie around is enormously dangerous for the soon-to-be-retired killer.

In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colourful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.

The partners are back and are in a tight spot! Francois is going through a moral crisis, and Rene is experiencing the same. But, honesty is not always the best policy. After being suspended for their actions, they return to face their far more crooked replacements.

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

Voilà dix ans que les chemins de René et de François se sont séparés. De l'époque glorieuse où, flics, ils écumaient le quartier Montmartre, il ne leur reste qu'une poignée de souvenirs, l'argent de leurs ripouseries s'étant évaporé avec le temps. Tout à une fin. Jusqu'à ce que ça recommence. René, à la limite de la clochardisation, survit avec pour domicile un bateau déglingué...

Charlotte (Catherine Deneuve) flies to East-Africa in order to build a touristic center near the Lake Williams where the pygmys live. Here she meets her husband Victor (Philippe Noiret), a devoted conservationist who left her three years ago to live in the jungle. Can you imagine his enthusiasm when she arrives at the conclusion that the ideal place to built this holiday resort is his kitchen garden?

The incredible story of the mythical Russian-American actor and filmmaker Yul Brynner (1920-85), the most exotic sex-symbol since Rudolph Valentino; the story of the atypical destiny of an international nomad: from the Parisian cabarets to the stages of Broadway and the Hollywood studios. The rise to fame of a multidisciplinary genius who became a king of the screen.

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

If Jean Rochefort remains so dear to our hearts, it is because this extraordinary actor alone embodies a cinema and a France imbued with freedom and carelessness. Through his films, archives and the testimony of those close to him, we discover a complex man, a sad clown saved by his taste for words and for fun.

Vincent, a stunt pilot, is acquitted of murdering his wife and her lover. However, a few years later, L'Elegant, the Judge in the case, comes to blackmail him. The Judge's nephew, Paul, is having trouble with his wife and they demand that Vincent kill her. The Judge, a confirmed bachelor, takes Paul and Vincent on the road to search for Paul's wife Marie. The three men get on well together, and spend their time discussing their relationship with women.

Tony Maréchal is a professional seducer. Having conquered countless women, proclaims that there is none that can resist his charm. To prove this makes a difficult challenge: to seduce baroness Minna von Strasshofer.

Originally titled Mademoiselle Striptease, this classic French sex comedy is a charming frolic through luscious Parisian cabarets with outstanding striptease performances. Agnes Laurent plays a spoiled young provincial girl.

Les Acteurs is the absurd story of Jean-Pierre Marielle desperately waiting for a cup of hot water, the story of a conspiracy against actors, the story of aging actors whose careers are slowly less active than they used to be, but a stunning tribute to French actors and their cinema.

Marie, a young provincial girl, is seduced by an American billionaire. She agrees to stay with him if he moves her village to New York.

Vincent is the victim of an assassination attempt carried out by a young woman who wants to avenge her sister. Albert, the childhood friend of Vincent, wants to help and begins to investigate the woman, but he realizes that Vincent is perhaps not the person he seems to be.

Having fortuitously discovered a photograph in which Marthe embraces someone unknown, Étienne Dorsay becomes jealous and imagines various stratagems to identify the lover. In the meantime, he and his friends acquire a weekend house for a very low price.

François, Cécilia and Isabelle are students of the drama class of the Conservatoire led by Professor Lambertin. François is in love with Isabelle who also loves him, but he is pursued by Cecilia, his former mistress. Cécilia commits suicide staging the suicide like a crime, so as to involve Francis. But a testimony restores the truth.

Three aging and failed comedians, Georges Cox, Victor Vialat and Eddie Carpentier, hit the road again with a lousy production of a lousy play, of course under the worst possible conditions.

Three childhood friends support each other through life's ups and downs in this comedy/drama. Each goes through a difficult time in their life, and is "helped" by the others - always well-intentioned, but not always with the intended results! Baptiste's (Kad Merad) wife leaves him and he becomes depressed then obsessive-compulsive. César (Pascal Elbé) has a secret affair with his boss's daughter - he's nervous about seeing her in case dad finds out, but if he stops seeing her she threatens to tell all anyway - either way his job is on the line. Claire (Mathilde Seigner), adopted as a baby, struggles to decide whether to try and find her birth-mother.The links between the three play a crucial part in each of their lives - a deep and supportive bond, but one which risks preventing them ever forming a relationship with someone else.

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.