Best movies like Room 666

The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquired and protected his power even when scandal threatened to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and also to inspire change.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

A woman becomes trapped in the middle of a feud between two men while attempting to free her younger brother from a life of petty crime.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.

A filmmaker examines the rise of right-wing media through the lens of her father, whose immersion in it radicalized him and rocked the foundation of their family. She discovers this political phenomenon recurring in living rooms everywhere, and reveals the consequences conservative media has had on families and a nation.

Inheriting a film collection of home movies after the death of a relative, a film director recounts his life and the women he loved while investigating some family secrets hidden in the recovered images.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

THE AUTEUR follows formerly renowned porn director Arturo Domingo (Five Easy Nieces, Requiem for a Wet Dream) through a bizarre weekend as he receives a lifetime achievement award at a film festival in Portland, OR. Encountering crazed fans, former collaborators, bitter enemies and free-loving hippies, Arturo attempts to put the pieces of his broken career and personal life back together.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

With her abusive husband in jail and a coveted divorce pending, hardworking Noura can almost grasp a happy, new life with lover Lassaad — but when the best-laid plans are upended, Noura must tap her unshakable will to fulfill her dream.

Emmanuelle, the sexiest woman in the world, endures a streak of bad luck that begins when she's stripped by a mob of adoring fans at an international film festival. Emmanuelle's lousy luck continues when she's abducted from her yacht off the South of France and forced to submit to the erotic desires of an Arab sheik.

Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. 'Based' on a song by Leonard Cohen.

Filmmakers at the Sundance Film Festival discuss what it is like to be an independent filmmaker, and what Sundance has done for them.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

A comedic murder mystery set in the middle of the Cannes Film Fest. Amidst the bumbling and drama, twists and turns emerge.

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film ’No Self' at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

An idealistic first-time director lives for his art — until he meets a wife of an Italian producer at the Cannes Film Festival. A passionate affair begins, but the couple's romance is tested as they face the temptations of fame and fortune.

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

Slow-burning and smart, French director Rémi Lange's The Road to Love is a romantic tale of self-discovery that also offers a fascinating historical take on homosexuality in northern Africa. French-Algerian sociology student Karim is having trouble finding interviewees for his term project, a video documentary on homosexual relationships in Islamic cultures. As his research progresses, he meets Farid, a handsome flight attendant. In Farid, Karim believes he has found an ideal subject for his film...but he soon begins to admire more than just Farid's insight. When Karim learns that some cultures have accepted and encouraged same-sex unions, he finally begins to face his own sexuality. Set in scenic locales from Paris to Marseilles to Amsterdam (with a brief detour to Jean Genet's grave in Larache, Morocco), The Road to Love is a shrewd and sensual tale of enchantment and desire

A hunt for a spy, in a hotel in the South of France just before World War Two.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”