Rossini: Guillaume Tell

After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.

New production. Recorded live at Royal Opera House, July, 05, 2015.

From the boy who brought you Blow Up Guys, Khyler Vick gives you his 3rd shitty homegrown stunt movie, with content you'd never see on YouTube.

Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.

Live from La Scala Wednesday 10 December 2003

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus

This 2008 version of Puccini's LA RONDINE (The Swallow) features acclaimed conductor Carlo Rizzi and polished theatre-direction from Graham Vick, recorded at the Teatro La Fenice, in Venice.

Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

n his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Determined to wed, a foolhardy old man is tricked by his friends into a sham wedding with an impish widow who turns into a harpy -- which subsequently cures his desire to marry in composer Gaetano Donizetti's famous opera buffa. Baritone Alessandro Corbelli plays the title character in this lush 2002 production also starring soprano Eva Mei and tenor Antonino Siragusa, with maestro Gérard Korsten leading the Chorus and Orchestra of Teatro Lirico.

Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.

Follows two of America’s wealthiest families, the Carringtons and the Colbys, as they feud for control over their fortune and their children focusing on Fallon Carrington, the daughter of billionaire Blake Carrington, and her soon-to-be stepmother, Cristal, a Hispanic woman marrying into this WASP family and America’s most powerful class.

Follow the lives of a group of young adults living in a brownstone apartment complex on Melrose Place, in Los Angeles, California.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

Join seemingly ordinary people who discover they have extraordinary powers in a groundbreaking mythology about hope, greed, love and the force that moves us all.

The story of a love triangle between a conservative English aristocrat, his mean socialite wife and a young suffragette in the midst of World War I and a Europe on the brink of profound change.

Belfast, 1909. The Harland and Wolff shipyard has been handed the greatest project in its history. It will build a great, unsinkable ship. And it will be called the RMS Titanic.

Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.

Gentle drama series about the Warwickshire schoolteacher whose nature diary became a best seller.

Giuseppe Verdi was born in 1813 and lived until 1901, his life spanning nearly a century of political turmoil and considerable personal turmoil. This 1982 biographical television miniseries, as seen on PBS's Great Performances, dramatizes the life of this classic Italian composer known for operas including La Traviata, Rigoletto, and Aida and his Requiem.

Undercover cop Marco infiltrates the Corona crime family but finds he must blur legal and moral lines to maintain secrecy and complete the mission.

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

A tale of secrets and scandals set in 1840s London. When the Trenchards accept an invitation to the now legendary ball hosted by the Duchess of Richmond on the fateful evening of the Battle of Waterloo, it sets in motion a series of events that will have consequences for decades to come as secrets unravel behind the porticoed doors of London’s grandest postcode.

In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society. Based on the young adult novels by Richelle Mead.

A modern-day western drama that tells the story of an assassin (Kate Bosworth) who is out to complete her list of targets and exact her own brand of poetic justice.

Six extraordinary coaches will guide and mentor teams of everyday Canadians at site-specific physical challenges in a unique competition structure. Each episode will take place at an iconic Canadian location where the teams will compete in spectacular Solo, Tandem or Team challenges that test them physically and mentally. In the end, only one team will win CANADA'S ULTIMATE CHALLENGE.