Best movies like San Antonio Rose

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Winfield College students rebel against a stodgy professor who won't permit "swing" music be played in their varsity show. They appeal to a big Broadway alumnus and have him direct their show. What they don't know is that this "star's" last three shows were flops.

Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley. It is considered to be a lost film.

Child star Jane Withers along with fellow kiddie favorites like Carl 'Alfalfa' Switzer and Jackie Searl (who gives Jane her first on screen kiss!) team up with character greats like Walter Brennan and Lon Chaney Jr. to help their hometown celebrate its golden anniversary. Not unexpectedly, things go astray when a bank robber hopes to cash in on the excitement, but fortunately his plans are thwarted by the towns newly elected sheriff (Brennan)...who's a reformed crook himself!

On the eve of WW-I the French Navy ship Lafayette returns to its Toulon base for one night. There is no shore leave, although wives are permitted to come to a party. The strain of command on the older captain and his new, young wife is very great.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

A down-on-her-luck San Francisco woman, turning in desperation to jewel robbery, barely escapes getting nabbed in a heist and moves to Los Angeles where she gets an honest job as a waitress. Her troubles start again, however, when she falls madly in love, blind to the fact that her boyfriend is a four-flushing, small-time con man.

Jeff Wilson, the owner of a small circus, owes his partner Carter $10,000. Before Jeff can pay, Carter lets his accomplices steal the money, so he can take over the circus. Antonio Pirelli and Punchy, who work at the circus, together with lawyer Loophole try to find the thief and get the money back.

A nightclub dancer makes it big in modeling, leaving her dancer boyfriend behind.

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.

Story of an inventor who, suffering betrayal in life, makes a career of it by becoming a clown whose act consists of getting slapped by all the other clowns. He falls in love with another circus performer, and those who betrayed him enter his life yet again.

The daughter of a circus owner fights to save her father from a takeover spearheaded by the man she loves.

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

Entertainers get stranded in a small boomtown, and open up a restaurant.

Foreign investors converge on a luxury hotel in China to bid on a new kind of radioscope. But, this is a hotel where Burns and Allen are the in-house medical staff, a measles risk sends the whole building into quarantine, and a madcap millionaire crashes dinner in his autogyro. Hotel and radioscope become a stage for an all-star cast of comedians and musicians, from vaudeville to the new generation.

The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.

Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor.

Carpathian Count Alucard is invited to the U.S. by a young heiress. Her boyfriend and local officials are suspicious of the newcomer, who is interested in the "virile" soil of the new world.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.

Elmer Whippet inherits the Whippet Pickles company and sets out to meet the two stars, Mary Reynolds and John Stowe, of the radio program sponsored by his company, as he thinks their on-air quarreling is real. Two former associates, Jules Kinsey and J.M. Snow cross him up by substituting Susan Blair, an office secretary, for Mary and Elmer thinks the show's writer Paul Stevens is John.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

An Arizona gas station owner faces comic adventures after traveling with an eccentric millionaire to New City, where he meets up with a small-time con woman and is repeatedly mistaken for a gangster.

Heavyweight boxing champion Jack Dempsey stars in this 15 chapter action serial, of which portions of reels 1, 2, and 4 survive. In the serial he plays the star fullback of his college's football team who gets drawn into an adventure when he stops to rescue a young woman from some thugs on a country road. It includes a gag featuring an exploding football. The rest of the cast includes Lon Chaney, Edgar Kennedy, Bull Montana, Josie Sedgwick and Herschel Mayall.

Lon Chaney, the silent movie star and makeup artist, renowned for his various characterizations and celebrated for his horror films, becomes the subject of this documentary.

By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.

A conceited college track star, used to being "big man on campus", gets a jolt when he loses an election to see who is the most popular man in the school.

Manicurists Sally, Irene and Mary hope to be Broadway entertainers. When Mary inherits an old ferry boat, they turn it into a successful supper club.

An orphan is provisionally adopted by the manager of a hotel populated by show business people. The hotel's owner doesn't like the entertainers and wants the girl returned to the orphanage.

A miner's happiness is destroyed when a rival steals his mine. He becomes obsessed with revenge, and plans a trap for the man who took his mine.

A group of cowboys ending their cattle drive in Abilene find that cattle prices are being kept artificially low, driving down the price they'll get for their beef. They set out to change the situation.

Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

A group of young thugs rides into the town of Dawson and take it over. When the cowardly sheriff is unable to restore control, the parents of the leader must take action. The leader's father is an infamous ex-gunfighter, and he straps his guns on one more time.

An honest rancher, after killing his best friend who's turned outlaw, takes his pal's orphaned younger brother into his own home. The boy, however, isn't aware he's now living with the man responsible for his brother's death. This 1933 RKO B-western, directed by Lloyd Nosler, stars Tom Keene, Lon Chaney Jr., David Durand, Julie Haydon, Edgar Kennedy, Charles King and Al Bridge.

The Secret Call is adapted from The Woman, a play by William C. DeMille (brother of Cecil B.) Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel. She also finds romance in the form of handsome Tom Blake (Richard Arlen). The huge cast of characters comes in handy for the film's multitude of subplots, none of which ever get their wires crossed. Peggy Shannon acquits herself nicely in her first major role, but by the end of the decade her career was in decline.