Sanshodhan

Dr. Bhaskar, a Magsaysay Award winner, returns to his native village after forty years accompanied by his doctor son and American daughter-in-law. While watching the ruins of his ancestral manor, Dr. Bhaskar remembers the critical year before his joining medical college. It was not his Gandhian freedom fighter father nor his feudal uncle or romantic elder brother, but his mother who motivated him to be a doctor for the service of the poor. She believed that is the only way to appease the Guardian Spirit of the house. Bhaskar is indebted to another woman, Krishnatai, his brother's lower caste lover, who was enlightened enough to support his mother's dream. Bhaskar is now back home to fulfill the wish of his mother

Chandan lives with his elder brother and uncle. One day while going across the river to get some medications for his uncle, he meets with Gunja, and both eventually fall in love. Fate makes Gunja's sister, Roopa, get married to Chandan's brother. Roopa dies in a freak accident. The family decides that Chandan's brother should get married again, and they propose marriage to Gunja. Will Chandan sacrifice his love for his nephew, and brother? Will Gunja accept her brother-in-law as her husband?

Operating a Television Network from Vancouver, Sardar Jasbir Singh Grewal, arranges the marriage of his only child, Simar, with Mulhapur-based, Inder Veer Singh, the son of his friend, Arjun, much to the chagrin of his snobbish wife, Kuldip. Simar and Inder find themselves compatible, and an engagement ceremony is arranged. It is during this event that they find out that Inder has no intention of re-locating to Canada, and the ceremony is canceled. After sometime, Inder decides to visit the Grewals in order to try and convince Simar to return to India, and also visit his married sister, who he has not seen for over 7 years, as well as a former girlfriend, Jaspreet, who also live in Vancouver. Once there, he witnesses the plight of his sister, Jaspreet, and other Punjabis, making him question whether Canada is really the perceived 'heaven on Earth'; what C.B.C.D. really means; little knowing Simar has no intention of ever settling down in India.

Widower Ram Kapoor lives a very wealthy lifestyle in Bombay, but is very lonely, as his only child, a son named Rajesh, lives abroad, and his aged dad, Diwan Bahadur, lives in the village. Ram frequently throws lavish parties to overcome this loneliness. This changes when Rajesh returns home, and he is able to convince Diwan also to return so that the three could live together. Shortly thereafter differences crop up between Rajesh and Diwan - initially on love and marriage; then on Caste issues; then the marriage of Rajesh, which is arranged with Diwan's friend, Thakur Janak Singh's daughter, Rukmani, while Rajesh wants to marry Monica. Things come to such a pass that Ram decides to leave, takes to women and alcohol in a big way, and becomes the subject of a big scandal.

A young IPS officer’s new posting in rural India has him confronting caste disparities and uncomfortable truths in the face of a gruesome crime. When three girls go missing in the fictional village of Lalgaon, two of them are found dead and there is no trace of the third one. Where is she and who is responsible for this heinous act?

Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.

A man's (Abhishek Bachchan) innocent gift to his grandfather sparks a power struggle in a village that recently received electricity.

Laxmi lives a poor lifestyle in a small village in India along with her husband, Kishtaya, who is a deaf-mute. Both husband and wife work for the wealthy landlord. The landlord's son, Surya, has to cancel his studies and return home to look after the estate, as well as formalize his marriage to Saroj, the girl he was compelled to get married to when he was very young. Shortly thereafter Kishtaya is apprehended stealing toddy from the fields, is severely beaten, left senseless, and when he recovers he absconds, leaving Laxmi alone to fend for herself.

Banke wants to marry the daughter of the village sarpanch, Parvati, but is turned down because he is an illiterate person. Thereafter, Banke vows to marry a woman who is more educated than Parvati.

Near India and Pakistan's border-town of Fatehpur, lives Ranjit Singh Choudhary who has been labeled as a rebel by his schoolmaster and his dad, Makhan's employer, Bade Thakur, as he could not stand the injustice that was meted to farmers like his dad, and his ancestors who had become economic slaves to the upper-caste Thakurs, who loaned them some money, ...

After the murder of his wife, and his son's kidnapping, Dr. Vidya Bhushan decides to devote the rest of his life as a Poojary, living on the premises of a princely-donated temple, hoping ...

Two brothers, Thakur Vikram Singh (Kulbhushan Kharbanda), and Baseera Singh (Amjad Khan) live in the same village. Baseera is resentful that Vikram has got all he ever wanted, the estate, the wealth, the title, and lovely wife Kaushalya (Tanuja). Baseera unable to control his anger kills one of Vikram's men, and is sentenced to be hanged until death. Baseera leaves the legacy of revenge and hatred with his son, Jageera. Vikram undertakes to look after his nephew as his own, and he already has a son. Additionally, Vikram also adopts a boy as his son. Jageera, now grown up, leases his anger against the family, Vikram's son get's killed, and the adopted son is acused of having sexual relationship with Vikram's daughter-in-law. And the person to pronounce the sentence is non other than fair-minded and generous Thakur Vikram Singh.

Two crazy, jobless, horror-film addicts Major and Gullu, under immense family pressure to find work, hit upon the idea to float a unique ghost-capturing service when they meet a spirit, Ragini, who makes their business a success but in return asks them for a favour which they are compelled to honour.

The film is based on story of folklorist Vijadan Detha. Kishnu got married with immensely beautiful women Kajri. Thakur of the village had bad intentions towards Kajri so he asked his special man Bhoja to get Kajri for him but Kajri was very loyal towards her husband and one day she attacked Thakur in her defence. Rather than praising her, Kishnu warns Kajri to not to behave like this with Thakur ever again and this was the heartbreak for Kajri as she never imagined a husband who will leave her alone to fight with the world. Sad Kajri was trying to convince herself that if her husband will see him with any other man he will definitely react. Here Bhoja fell in love with Kajri and this gave her idea to test her husband by using Bhoja to see her husband's reaction.

Urmi, a newly married young bride is left behind in the village with her in-laws, while her husband Arvind goes off to a job in the big city. Inder, her husband's cousin falls in love with her and proposes to her. Unable to deal with her husband's neglect and her in-laws nagging her for a child, Urmi escapes into a relationship with Inder. When the relationship comes out in the open, Urmi has to deal with not only the family's accusations but also her lover's cowardice. Declared guilty by the local village court, Urmi demands justice from a court made of all the village heads, where her husband's neglect and her lover's cowardice are revealed.

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Panchayat is a comedy-drama, which captures the journey of an engineering graduate Abhishek, who for lack of a better job option joins as secretary of a panchayat office in a remote village of Uttar Pradesh. Stuck between crazy villagers and a difficult village lifestyle Abhishek starts his job with the sole motivation of getting out of there as soon as possible, for which he even prepares for CAT.

A woman willingly chooses a path of compromise on her own will.She goes ahead and makes a family among four husbands and one child. The fifth brother is a city educated person and refuses to follow this tradition. The story unfolds her trying to win over this fifth brother through greed, jealousy and manipulation.

A political drama set in Bihar of 1990's, this story shows how an illiterate woman handles the state as Chief Minister. Rani Bharti's life takes an interesting turn when her husband Bheem Singh Bharti, announces her as the next chief minister of Bihar. With casteism and traditional satraps in the background, will Rani survive this turn of events?

What's in a name? Amidst the arid landscape of Rajasthan, a young woman with dreamy eyes struggles to prove her worth.

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Set in the land of Begusarai, Bihar, the story revolves around the members of the Thakur family, who get fragmented and even come together when several problems arise to eradicate their existence forever.

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