Best movies like Sayılı Kabadayılar
A unique, carefully handpicked, selection of the best movies like Sayılı Kabadayılar Starring Yılmaz Güney, Gülsüm Kamu, Handan Adalı, Necdet Çağlar, and more. If you liked Sayılı Kabadayılar then you may also like: The Road, The Poor, Hope, The Racketeer, The Grey Fox and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.
A whole gang of racketeers in Istanbul share their interests in the next amnesty proclamation, for Osman (Yilmaz Güney), lying in prison for murder, belongs to those who are expected to benefit from this amnesty law...
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The Poor
The Poor Ones tells the semi-melodramatic story of three poor friends who met in prison where have been sent to on various offenses. These three friends do not want to get out when they are released. What are Abuzer, Haci and Arap going to do when they will be out? They have no one, no jobs... Apart from Haci and Arap, everything will be the same for Abuzer, who doesn't know where to go. He will still be alone, starving on the streets of the big city.
The Racketeer
A dapper gangster sponsors an alcoholic violinist in order to win the love of a glamorous divorced socialite.
The Grey Fox
Old West highwayman Bill Miner, known to Pinkertons as "The Gentleman Bandit," is released in 1901 after 33 years in prison, a genial and charming old man. Entering a world unfamiliar to him, he returns to the only thing that gives him purpose — robbery.
Istanbul Beneath My Wings
During the sea battle which took place between the Ottoman Empire and the Italians, a ship which had been seized in the Mediterranean Sea is brought to Istanbul, and a young wounded lady named Francesca, the daughter of the killed Captain, becomes a slave for Hezarfen Ahmet Celebi.
Law of the Border
In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border.
The Secret Policeman's Ball
Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.
The Secret Policeman's Other Ball
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
The Wall
Produced, written and directed by Yılmaz Güney within his own personal experiences of capital offense, he dedicates Duvar to male teenagers aged 13 to 19 living behind the bars under diabolical treatments. These teenagers get barbaric corporal punishments, injurious harrows, tortures and sexual abuses just for taking the responsibility of their destiny on a wrong turn.
Bride of the Earth
In this rural revenge drama, Güney plays Seyyit Han, a poor man in love with a woman from his Anatolian village who returns his affection. Seyyit Han postpones their marriage so that he can make his fortune elsewhere and return to the village to claim his "bride of the earth." During his prolonged absence, a rich landowner begins to woo the lonely woman, and her brother, intent upon making this propitious wedding happen, spreads the rumor that Seyyit Han has died.
Bitter Memories
Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.
Live Target
An old mafia leader tries to quit his old bloody past after getting out of jail but his rivals don't let him realize his plan. Asim Mavzer, played by Yilmaz Guney has to take the revenge for his daughter.
There's Still Room in Hell
American Dexter travels to Turkey on behalf of a US client in order to put an end to the drug gang leader Ismail. Dexter brings the beautiful blonde Janet as an erotic bait. Ismail shows great interest in Janet, but Dexter suspects he has been double crossed by his American client.
The Fallow Deer
During a day of deer hunting, Karaca Ali Aga (Talat Gözbak) finds a girl wandering around, and immediately falls in love with her. Some time later, when Aga goes back to marry her, he instructs his men to eliminate the obstacle, namely Halil (Yilmaz Güney)...
Girls in Chains
A fired teacher finds work at a girls reform school and helps a detective on a case.
Ben Topraktan Bir Canım
Orhan receives a telegram from the village Agha telling him to go to Istanbul and murder a business rival. Orhan follows orders and kill the industrialist Fazli Çetin. In prison he sent there's a plot against him.
Certainly One Day
Based on Yılmaz Güney's script and filmed in semi-documentary style, the movie provides a fresh perspective on the history of labor issues in 1970s.
The Father
"Baba" is a bitter melodrama set in Istambul. A father is not able to earn enough money to feed his family. He is waiting to emigrate to Germany. When his landlord's son kills a man while drunk, the father is prepared to answer for the deed himself, provided that the landlord supports his wife and children. As there is little difference for the father between ten years in prison or ten years in a foreign country, he regards this to be the best solution.
Under the Gun
A convicted racketeer becomes prison trustee when an inmate whom he persuaded to escape is killed.
Shadows of Sing Sing
Muriel Rossi (Mary Brian), the sister of a racketeer, Al Rossi (Harry Woods), falls in love with Bob Martel (Bruce Cabot), the son of a police detective, Joe Martel (Grant Mitchell). Their love affair causes bot families problems when Bob is framed, but saved as a result of his father's access to police department films.
Last House in Istanbul
Three criminals on the run, breaking into the house of a wealthy doctor and his hot wife ...
Istanbul Give Me Your Hand
Kemal and Cebbar, who dream of going to Istanbul, sell their shops in Adana. Kemal comes to Istanbul to get the shop money. Here she meets A Decel and there is a rapprochement between them. Meanwhile, he finds out that Cebbar has to come to get the money. Arriving in Istanbul the next day, Cebbar admits that the money is not for the shop, but because he is an informant. Kemal, who understands that they are in trouble, will try to get out of this situation while taking care of Aysel on the one hand.
I Live When I Die
Duygu Sagiroglu, known as an art director, depicts the class conflict and exposes the injustice and contradictions of the modern Turkish life. Yilmaz Güney confirms his acting qualities with a pathetic composition.
The Road
When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.