Best movies like Sevil

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

The history, structures and rhythms of human history are seen through a glorious, massive pyramid.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

The incredible tale of Mozart's Prague years.

Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.

In this tale of the South in the mid-1800s, Annabel Lee and Warner Richmond get married, but they keep the wedding a secret so that Warner can inherit the fortune of his misogynist grandfather. But after the grandfather's death, Warner dumps Annabel for an opera singer. Warner destroys the evidence of his first marriage so he can wed the singer, who then takes his money and leaves him.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Polly Shannon takes a job as a maid to earn money to go to Paris and study opera. She becomes embroiled in a scheme by her two employers to help their friend in the love of a woman who does not fancy him: She will pretend to be interested in their friend instead. The film has been lost.

A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.

This pioneering film in the history of African-American cinema, released two years before "A Raisin In The Sun", is the coming-of-age story of a Black high-school student living in a middle-class white neighborhood in the late '50s.

After demobilization from the Red Army, the former “red devils” decide to settle in Baku. They go to work in the chemical laboratory of one of the oil industry enterprises. Here, young heroes come to grips with the fraudster Usseinov - and soon, as hostages, find themselves on the uninhabited island of Illan Dilly...

Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.

A female scientist and two children are accidentally transported into a future dominated by primates.

An epic silent space opera about a robot-based alien invasion, featuring unique visuals created by meticulously modifying and editing thousands of hours of silent and serial film footage. With an original story, musical score, and sound design, Time of the Robots creates a new experience highly reminiscent of early cinema.

Princess Shirvanskaya is from Baku. She lives in Paris and wants to get back her father’s property who before the revolution owned big oil fields.

A rare look at the the career of film director Pedro Almodóvar, especially his early works, with interviews with the director himself and his stars and admirers.

Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.

This down-to-earth story that takes place in the mountains of North Caucasus, between two adjacent villages – Ossetian Toli and Georgian Teli – tells us about simple and naïve people that governments try to divide today by an official state border. These people wish to live in peace and harmony, in spite of ethnic differences, as their ancestors lived for hundreds of years. They are accustomed to solve all the conflicts peacefully, following Caucasian customs – around a great table, with wine and songs…

A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.

A Night at the Movies, the ongoing TCM series of one-hour "Film Studies 101" specials, takes up the subject of "Fantasy" in its seventh and latest installment. Once again Laurent Bouzereau has created a documentary examining the many different ways that writers and directors have explored a particular genre--in this case, the limitless world of the imagination as portrayed in fantasy films.

A look at the history of British B-movies.

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking.

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

A recently outed soap opera actor crosses paths with a recently divorced gay marriage activist, forcing them to confront the price of fame and the fickle nature of celebrity within the gay community.

Theater manager James Guthrie's (Melvyn Douglas) career depends on famed soprano Elsa Terry (Grace Moore) singing in his Buenos Aires opera house, however, Elsa breaks the contract in favor of a more lucrative deal in Paris. Desperate, James begins showering her with flowers and candy in an attempt to woo her to the Argentinian opera house. When Elsa overhears James confess to his friend Pancho that he'd be willing to resort to kidnapping to get Elsa to Argentina, she mistakenly believes his motives to be solely romantic.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

The history of the gypsy Aleko who couldn't forgive the betrayal of his wife.

The film is about man and woman who remembered their childhood. The film reflects atmosphere of Baku. It is an adaptation of Anar Rzayev's "Georgian surname" novel.

After the novel "Sahil Amaliyyati" (The operation of "Side") of the same name of Jamshid Amirov. The film is about foreign secret service's operation and it's revelation by security organs.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Often called the worst director in the history of cinema, Ed Wood is nevertheless a beloved figure among cult-film aficionados for his oddball productions. This documentary takes a look back at Wood's unique career at the margins of 1950s Hollywood, speaking to those who loved him and hated him. Bela Lugosi Jr. discusses his father's work in the abysmal "Plan 9 From Outer Space," while a Baptist reverend recalls how he was tricked into financing the film.