Best movies like Sex, Love, and Hate

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

The corruption in the Sung Dynasty of 11th century China is so rampant that it inspires a band of Oriental Robin Hoods - the Honorable 108. Mountain bandits who nevertheless live by a scrupulous code of conduct, the Honorable 108 pledge to end the repression of the brutal overlords.

Raised to be a righteous martial artist, Yuan kicks off the story proper by finding a cave containing a skeleton, a treasure map, and a manual teaching him the Golden Snake style. Obeying a request hidden in the manual to give a portion of the treasure to the Golden Snake's old girlfriend, Yuan begins to seek the woman out - on the way solving the riddle of the Golden Snake, and how he came to his end.

Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.

Leaving the poverty of his life in Shantung to seek fortune in Shanghai, The Boxer is instead drawn into a world of corruption, gang warfare and evil... Where his only protection is his famed fighting technique.

Ying Ke-Feng, head of Peerless Manor, is an expert swordsman whose escort business transports 200,000 taels of silver to the capital each year. This year, however, he is afflicted with an infirmity that renders him unable to use his sword.

While international favorite David Chiang was best known for his roles as a grinning, streetwise, fighter in many Chang Cheh-directed classics, he rarely played a noble warrior monk. But here he portrays the great Chih Shim, the monk who saved the Southern Shaolin Temple. Making this production all the more notable is Lo Lieh, Shaws' first international star, who returns to a role he also made famous - that of Shaolin renegade Pai Mei. This, and even more, makes for a true martial arts epic of the first order.

Based on one of China's enduring epic novels, written in the 14th century, "All Men Are Brothers" continues the patriotic story of righteous warriors battling despotic leaders, featuring mythic characters familiar to every Chinese, and with a cast that has achieved an equally celebrated status among Shaw Brothers devotees.

Asian fans of Crouching Tiger Hidden Dragon recognized that its director Ang Lee was actually inspired by director Chu Yuan and novelist Ku Lung's wonderful tales of a "martial art world" where all wushu warriors try to attain the "Deer Sword" and escape from the insidious maze-like "Toy Land." Master kung-fu choreographer Tang Chia leads the king and queen of Shaw's swordplay, Ti Lung and Lily Li, in a fascinating and entertaining adventure of consummate swordmen and sorceresses.

Chang Yi plays Chan Chao, a knight of justice, who thwarts the plans of Minister Peng to assassinate the revered Judge Pao Cheng over and over again. Lo Lieh gives Chang a good run for his money as the evil and sinister henchman of Minister Peng.

Director Chu Yuan was one of the new breed of directors at Shaw who raised the bar of martial arts films, by adding compelling storylines and a good dose of drama. Despite being without his regular cohorts Ku Lung and Ti Lung here, Chu shows his master stroke as he delves into the dastardly ways of evil warlords in China back in the 1910’s. Drama and action both take centre-stage as Tsung Hua and Ching Li fall prey to a lecherous general (Stanley Feng Tsui-fan) who rapes and forces the latter to become his concubine. With the help of two street performers (the deft and agile Chen Kuan-tai and Shih Szu) he once helped, Tsung hatches a plot to save his beloved – with deadly consequences.

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

Director Chu Yuan's titanic teaming with respected, inspired author Chin Yung created this unforgettable saga. Set during the Yuan Dynasty, it tells the fascinating story of the "Sacred Fire" sect, the Wu Tang swordsmanship clan, the disciples of the O Mei group, The Book of Chu Yang, and the destruction of Shaolin - complete with a killer cliffhanger. And that's just the start of the fascinating intrigues and ingratiating characters found here.

Wong Hsia Yuan is an old-fashioned martial arts master who's so behind the times that he'd rather his school be destroyed than change its ways. He may get his wish, thanks to the young, beautiful, intelligent Chan Mei Ling, who arrives from the states to open a new branch of the school. Armed with an unfamiliar, modern way of thinking, Mei Ling goes about recruiting new students in strange, and sometimes questionably legal ways. Yuan is furious, but when the local triads enter the picture, the two put their differences aside to take back the neighborhood.

An expert swordsman is suspected of being the thief of a treasure sent to Emperor. The swordsman who has nothing to do with the theft investigates and is led on the trail of the supernatural "Bloody Parrot". This leads to the "Parrot Brothel" and the star prostitute who walks around half naked. Strange things happen including a demonic possession, witches casting poison spells, disgusting autopsies and numerous sword fights. Then a dead constable turns into a vampire! This is all in the first 30 minutes!

Veteran action actor and director Lu Chun-ku set his sights on a tale of Ching Dynasty royal intrigue as an excuse to hire his favorite action stars, gather three choreographers, and film one fight-filled conspiracy after another. Liu Hsueh-hua is the title character caught between battling princes. Then there's award-winning actor Ku Feng, "Bastard Swordsman" Hsu Shao-chiang, "King of Shaw Brothers' Screen Villains" Wang Lung-wei, "Venom" Sun Chien, and even the director shows up to get his kicks in this danger-fraught adventure.

Chuen Chan spares the life of the evil Miao Yi Tao (Chang Yi) in a duel, and Miao swears he'll regret it! Some years later, Chen Tai (Man Kong Lung) and Shuan Ching (Hsu Feng) leave home, with the task of escorting a special shipment to the capital. The cocky young Chen Tai disgraces a group of bandits, who happen to work for Miao. Miao investigates and suspects Miao's father has information about the whereabouts of Chuen Chan, also known as The Ghost Killer. This forces the father to disclose a terrible secret to his children.

Respected veteran Yueh Feng made this “Martial Arts World” saga of a masked master of the “Black Sand Hand Technique,” while Lily Ho, the star of "Princess Iron Fan" and "Angel With The Iron Fists", excels in a delightful dual leading role. When she teams up with Shu Pei-pei as a fellow swordswoman to vanquish a murdering robber, the comparisons to "Crouching Tiger, Hidden Dragon" are obvious, even though it came three decades later.

The plot follows the titular gang of misfits, gathered together by Chen Kuan Tai (a real life martial arts champion who starred in many films for the studio) in order to protect a patriotic general from a scheming usurper. To this end, the unlikely heroes act as the general’s escorts on a dangerous journey to a distant British consulate, beset by enemies and sinister Japanese interference along the way.

The Silver Fox is a throwback, the last of its kind where the heroic swordsmen are women. Lily Ho (before she became one of Shaw Brothers' great erotica actresses) portrays the feared swordswoman Silver Fox, who as a child saw her father senselessly wounded and her mother raped. It's 18 years later and it's payback time.

Chiang plays a righteous character who helps an unjustly imprisoned swordsman accused of stealing. Together they break out of prison and serve notice to all the evil men in their lives that a new deadly duo is in town.

Chu Liu-hsiang, the charming, capable, and, yes, sentimental, swordsman is back in action for this extremely well-named third in the hit box-office series. The titanic team of director Chu Yuan and novelist Ku Lung wisely choose to give their hero a whole new, non-stop, cliffhanger-fraught adventure featuring a mystery swordsman, a sensual swordswoman, an imperial assassin, a Ghost Mansion, the Bat Island, a booby-trapped tunnel, double crosses, and secret missions. And there are no fewer than three martial arts choreographers on hand to guide the amazing mayhem.

Melinda Chen Man-Ling stars in another Cathay wuxia flick.

Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

A young couple desperately try to keep their love alive, while living in a haunted house.

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

Julie Yeh Feng stars as Hsiu Hsiu, a beautiful singing shepherdess who falls head over heels in love with a handsome boatman named Liu Ta Lung. Unfortunately, she can't afford to marry her new beau because her father has racked up numerous debts due to his uncontrollable gambling addiction. And to make matters even more complicated, there's a rival suitor who promises to pay off all of her no-good father's debts on the condition that he is given Hsiu Hsiu's hand in marriage. She initially declines his offer, but starts to get jealous when she sees Ta Lung getting a little too close for comfort with another woman. In retaliation, she starts flirting with her possible benefactor/husband-to-be. But what Hsiu Hsiu doesn't know is that her jealousy isn't based on any actual unfaithfulness, but on an unfortunate misunderstanding!

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

The contemporary issue of single mothers is sensitively handled in this melodrama as a young woman must decide whether she will tell the new man in her life the real truth or forever remain the child's auntie Lan? (Celestial Pictures sypnosis)

Taiwan's most glamorous screen couple, Ko Chun-Hsiung and Chang Mei-Yao, co-star in "Fallen Petals", a romance with the unique setting of Taiwan during World War II, when the island was a colony of Japan. Ko is drafted into the Japanese army and forced to leave his pregnant girlfriend behind. When he is presumably killed in action, Chang becomes a cabaret girl to support their baby. Thanks to director Pan Lei's sensitive scenario, the dramatic outcome is far from predictable.

The misadventures of a beautiful but bored housewife Wang Yui-chuan and her chauvinistic salary-man husband Chang Wei-min reaches madcap proportions upon his denying her the opportunity to work outside the home. With calculating smarts, Wang takes action with the help of her scheming neighbors Lily and her mother Mrs. Hsu to change her identity and land a situation in her husband's firm where she successfully advances within the ranks in direct competition with Chang for promotion. A madcap comedy of errors ensue.

The Feud 同 林 鳥 (1955) aka Tragedy of Vendetta is a Mandarin-language Hong Kong film of the drama genre, written by Wong Chik-Boh and directed by Doe Ching. It was filmed in Hong Kong at Shaw Brothers Studio. It is inspired by the story of Romeo and Juliet by William Shakespeare and starred Lucilla Yu Ming, Kenneth Tsang, Wang Lai, Yang Chi-Ching and Kam Ling.

Mandarin-era Hong Kong film adaptation of Louisa May Alcott's Little Women.