Best movies like Shadows on the Range

Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.

Johnny Mack Brown stars in this above-average B-Western from Monogram, penned under the pseudonym of Jess Bowers by veteran genre specialist Adele Buffington. Mack Brown plays Johnny Murdoch, a drifter arriving in Gold Flats in search of his prospector father. From old-timer Dusty Hanover (Raymond Hatton), Johnny learns that Old Man Murdoch was murdered for his claim by Rex Hillman (Holly Bane), a hireling of Carter Morgan (Bill Kennedy).

A group of frontier businessmen set up a protective organization for the purpose of extorting money from the local ranchers.

Back Trail is one of the livelier entries in Monogram's Johnny Mack Brown western series. Brown rides into a small town where he becomes embroiled in a blackmail scheme. The town's banker (Ted Adams), a pillar of respectability, once served a jail term. Outlaw leader Pierce Lyden threatens to reveal Adams' secret if the banker doesn't let him know in advance when the gold shipments are going through. Adams tearfully tells Brown the whole story, whereupon Johnny rides shotgun on the next shipment himself. Back Trail was one of the last films directed by workhorse Christy Cabanne, whose career stretched all the way back to the D.W. Griffith days.

In this remake of Gene Autry's 1942 "Call of the Canyon", Rex Allen, the newly-elected head of the cattleman's association, is driving the combined herds of the ranchers to the nearest railhead when he runs into trouble. Singing cowboy Rex Allen stars as a newly appointed leader of a cattleman's association who finds himself battling a greedy meat-packer (Robert Karnes) and his father (Robert Emmett Keane) for fair passage through the hills of Oklahoma.

To get the Delaney ranch Cole's henchman Anders has started a phony range war between the cattlemen and sheepmen. After killing Delaney, he tries to kill his daughter Jill and then Roy who was sent to investigate the war. But the failed attempts gives Roy the information he needs.

The beautiful owner of a silver mine in Mexico asks an employee for help when bandits keep robbing her shipments.

Tornado Range is one of five Eddie Dean westerns originally produced by PRC in 1947 but released the following year by Eagle-Lion. Cast as a troubleshooter for the U.S. Land Office, Dean is assigned to settle a deadly range war. Sure enough, the warring homesteaders and cattlemen are being whipped into a frenzy by a third party, who hopes to "divide and conquer," claiming the land for himself. Surprisingly, all-purpose PRC villain George Cheseboro isn't the culprit in this one; instead, he's cast as the father of heroine Jennifer Holt. Roscoe Ates is once more on hand for some questionable comedy relief.

Rancher Blaze Barker returns to Dead Falls after being framed by land-grabbers and spending two years in jail. Paroled, he can't wear a gun, but is aided by Marshal Fargo Steele. The gang is out to gain control of all of the valley land before a dam is constructed. When Blaze raises the money to pay off the taxes on his ranch, he finds it has been marked to incriminate him.

Sheep raisers, resentful of old injuries from the cattlemen, bar the way to water when dry ranges force the cattle ranchers to drive their herds into the lowlands.

It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.

A sheriff tries to prevent a range war between cattlemen and homesteaders.

Johnny Brownell, former Confederate officer turned Federal agent, is sent to Texas during the reconstruction years to obtain evidence against a gang of raiders who have been making life difficult for the local carpet-baggers. He saves the life of Shorty Kendall, an unreconstructed rebel about to be hanged, and this wins him the gratitude of Belle Chambers, a widow whose husband was killed in the Civil War who hates all Yankees with a fever.

A cowboy arrives in a town, and is immediately mistaken for his twin brother who is wanted for murder.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

Supernatural events on the range prompt an investigation by cowboy Brown in this western.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

Steve Llewellyn hung up his guns after killing a man in self-defense, left Willow Creek and went on the drift for five years. Now he’s back. And the bad blood stirred up by his return and the violence caused by a cattleman’s grab for all the good grasslands mean Steve must strap on his sidearms again. Rod Cameron -- who became a marquee draw with a pair of espionage serials in the 1940s and went on to establish himself as a popular cowboy star -- makes Steve a hero to reckon with in Short Grass, one of the actor’s 10 films with busy shoot-‘em-up director Lesley Selander. Johnny Mack Brown, a sagebrush stalwart in his own right, plays the marshal who allies with Steve. Adding to the Western pedigree is costar Cathy Downs, who plays the title role in the iconic My Darling Clementine. Buffs will note other familiar faces, including Alan Hale, Jr., well remembered as the skipper who takes a “three-hour tour” to Gilligan’s Island.

As other "B"-western series kept dropping like flies in 1952, Johnny Mack Brown kept grinding 'em out for Monogram. In Man From Black Hills, Johnny tries to help locate his saddle pal Jim Fallan's (James Ellison) long-lost father. Arriving in a small mining town, Johnny and Jim discover that Jim's father has established a financial empire--and that a local opportunist (Randy Brooks) has capitalized on this by claiming to be the old man's son.

Veteran cowboy star Johnny Mack Brown plays a cattle buyer turned prairie sleuth in this low-budget oater from Monogram, which co-stars perennial old-timer Raymond Hatton as a retired U.S. Marshal assigned to investigate the mysterious disappearance of a rancher. As the two old friends soon learn, a gang of smugglers headed by the town's banker (Frank LaRue) needs the use of the Flying Arrow Ranch for their nefarious purposes.

Johnny Mack Brown's Universal western series was drawing to a close when Cheyenne Roundup was released in mid-1943. Brown is herein cast in a dual role, as honest Gils Brandon and his less-than-honest brother Buck. Pursued by lawman Steve Rawlins (Tex Ritter), Buck tries to pass himself off as the upright Gils.

Saved from a lynching party by a pair of young women, an itinerant cowpuncher signs on as a stagecoach guard to protect a shipment of gold.

Johnny Mack Brown was nearing the end of his starring career when he appeared in the Monogram oater Dead Man's Trail. Brown and his youthful sidekick Jimmy Ellison come to the aid of imperiled Barbara Allen. At this point, Johnny was too long in tooth and thick around the middle to qualify as a romantic lead, hence the presence of Ellison.

Having briefly abandoned his standard "Nevada Jack McKenzie" characterization in Flame of the West, cowboy star Johnny Mack Brown was back as Nevada Jack in Monogram's The Lost Trail. Vowing to bring in a gang of stagecoach outlaws, Nevada redoubles his efforts when he learns that the owner of the stagecoach line is pretty Jane Burns (Jennifer Holt).

Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office.

Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

After a brief mid-1940s burst of originality, Monogram's Johnny Mack Brown western series settled back into the commonplace with such entries as Flashing Guns. In this outing, Brown tries to save his pal Shelby (Raymond Hatton) from being thrown off his ranch by crooked banker Ainsworth (James E. Logan). To do this, our hero must prove that the banker is in cahoots with the local gambling boss (Douglas Evans).

Inasmuch as western star Charles Starrett gained screen fame as the Robin Hood-like "Durango Kid", it stands to reason that Starrett would head the cast of Robin Hood of the Range. The star plays Steve Marlowe, the foster son of railroad manager Henry Marlowe (Kenneth McDonald). When it becomes apparent that the railroad is using underhanded methods to drive local homesteaders off their land, Steve adopts the guise of "The Vulcan", a legendary champion of justice.

Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.

The Wolverine Kid kills a man and it looks like Steve Howard did it. But Steve's father recognizes the bullet as coming from the gun owned by the Kid.

Johnny Mack Brown comes to the aid of a beleaguered female freight line operator in this standard Monogram oater directed by veteran Lambert Hillyer. Having saved his old friend Faro Jenkins and young Dave Porter from marauding outlaws, Ranger Johnny Hudson learns that the attack may be part of a concerted effort by bandits to drive Dave's sister Peggy out of the freight business. Unbeknownst to Johnny and the Porters, the crimes are committed on behalf of local banker Gordon Gregg who wants to bankrupt the freight business in order to take over the valuable Porter ranch.

Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).

Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99

In one of his better Monogram Westerns, Johnny Mack Brown goes up against a crooked saloon owner with more than one murder on his conscience. Steve Corbin (Tristram Coffin) and his gang of cutthroats are terrorizing the townspeople of Rimrock, who in self-defense hire Johnny Macklin (Mack Brown) as new town marshal.