Movie Music
![Show of Shows (1929)](/media/img/movie/poster/m/94/f1554030b23c3c92129e1369.jpg)
Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!
Frank Fay Lloyd Hamilton Lupino Lane Ben Turpin Sally O'Neil Alice Day Patsy Ruth Miller Marian Nixon Lila Lee Myrna Loy Chester Morris Jack Mulhall Sôjin Kamiyama Ted Lewis Winnie Lightner Nick Lucas Dolores Costello Helene Costello Molly O'Day Marceline Day Sally Blane Loretta Young Armida Lolita Vendrell Marion Byron Ann Sothern Alberta Vaughn Ada Mae Vaughn Viola Dana Shirley Mason Irène Bordoni Rin-Tin-Tin Sid Silvers Harry Akst Johnny Arthur Mary Astor William Bakewell John Barrymore Richard Barthelmess Noah Beery Monte Blue Hobart Bosworth Jack Buchanan Joseph A. Burke Georges Carpentier Ethlyne Clair James Clemens Ruth Clifford William Collier Jr. Betty Compson Chester Conklin Heinie Conklin William Courtenay Jack Curtis Sally Eilers Douglas Fairbanks Jr. Louise Fazenda Frances Lee Beatrice Lillie Jacqueline Logan Tully Marshall Edna Murphy Carmel Myers Gertrude Olmstead H.B. Warner Dorothy Coonan Wellman Alice White Lois Wilson Grant Withers
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Mother's Boy
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This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner. Turner walks us through Loy's career as a dancer and an actress miscast as an exotic. She comes into her own as a grown-up women: shrewd, funny, decorous, and sexy - in "Manhattan Melodrama" and "The Thin Man." Her volunteer work during World War II, later stage work, and progressive politics come in for admiration as well. It's her style - seen best in her roles as a wife of charm and independence - that's captured and celebrated here.
King of Jazz
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Fox Movietone Follies of 1929
Lila Beaumont is an understudy in a Broadway musical. Her boyfriend, George Shelby, arrives in New York hoping to take Lila back home with him to marry.
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Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
The Broadway Hoofer
Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.
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