Sigo Te Amando

Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's a definite spark between them but circumstances intervene and he leaves town without her. Later she learns he's married. Determined to make it as a fashion designer, Rae moves to New York and becomes a great success. One day she happens to meet Paul again and again there's that spark but he's still married so, as a form of escape, Rae moves to Rome to set up shop. Once again she meets Paul and finally they begin an actual affair since Paul's shrewish, drunken wife, Liz, won't give him a divorce. Time passes, the affair continues whenever time and place permit, but then, Paul's young son finds out about Rae and Rae's back-street world begins to crumble.

When the local mafia shows up to burn down her restaurant, Ana, a chef with a meticulous past, defends her turf and proves her knife skills both in and out of the kitchen.

Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.

On the surface, Kate and Jack, late 20's, are happy. But like everyone, they carry secrets that neither of them is prepared to reveal. After their wedding, they wake from a deep, dark sleep, each alone in a sealed room with no doors or windows, just a projection screen and a monitor with two buttons: one for “yes”, one for “no”. As the horror of their situation unfolds, surveillance films showing their life together, appear on the screen as the monitor asks questions, each more strange and terrifying that the last. It soon becomes apparent that a bizarre test of their relationship is underway, and the secrets revealed lead them deeper and deeper into what could not just destroy their love, but threaten their very lives…

A divorced father falls in love with a pregnant woman whose husband had abandoned her when he discovered she was expecting a child.

Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling the mysterious and often hilarious story of an aged street-person named Austin, a comically compulsive assassin, as he joins up with a young rock critic and philosophy student named Israel Williams. In the course of their adventures, Austin pursues his object of desire - a Mexican soap opera star - and along the way engages a host of TV characters and bit players, whose repartee range from gangsterish insults to the question of God's existence.

When shy, straitlaced George (Tunde Adebimpe) meets vivacious, adorable Alicia (Natalia Verbeke), he's instantly smitten -- which puts his imminent arranged marriage in jeopardy. He vows to do the right thing, but then he falls in with Gerard (Hippolyte Girardot), a lovesick, voluble Frenchman who overcomes George's sense of propriety and takes him on a meandering road trip to amour.

A man falls in love with a young woman, only to discover that she's the daughter of an ex-girlfriend who jilted him almost 20 years before.

While on leave in WW I France an English officer and French cabaret star fall in love with one another and plan to marry. However, he is recalled to the front, wounded and has memory loss.

Colonel Maurice Taylor of the Royal Flying Corps is hopelessly injured in an airplane crash immediately following his marriage to Stella. Maurice is non-functional in most of the physical areas of marriage that count, but Stella attends to his other needs faithfully for three years. Then his brother, Colin, shows up from South America, and he and Stella fall passionately in love and are making plans to run away together. Mother Taylor is aware of the romance, as is Nurse Weyland, who is secretly in love with Maurice, and now hates Stella for her careless attitude toward Maurice's patiently-borne sufferings. Maurice is also aware of the affair. He has a talk with his wife and brother. Complications arise.

Mildred Gower (Alma Rubens), in order to sane her extravagant mother, Mrs. Elton Gower (Eugenie Besserer), from bankruptcy, shame and scandal, the young society girl is forced to accept the proposal Lemuel Sidall (William Welsh), a wealthy man she loathes.

Ana Maria is having a bad day until she magically switches places with the main character of her favorite telenovela. As she struggles to escape from Novela Land, Ana Maria finally understands why her real life was such a mess.

Miguel is a prominent writer of soaps that gets rid of a policeman who stops him for driving intoxicated by telling him the end of the current remake of the hit soap opera "Destiny of Love". This time, as Michael tells the police officer, Gabriela won't die and will get married. When the officer tells everyone that he knows the end of the melodrama nobody believes him, so he will watch Miguel in order to ensure he fulfills his promise. The actress who plays Gabriela has problems with the production department, so they ask the writers to kill Gabriela in the following chapters. Miguel will be in a series of entanglements while he decides whether it is better to ignore or evade his bosses or the harassment of this crazy fanatic police officer.

A recently outed soap opera actor crosses paths with a recently divorced gay marriage activist, forcing them to confront the price of fame and the fickle nature of celebrity within the gay community.

Cate has a small boutique where she sells vintage clothes. She is dating some snob whose mother thinks that Cate is a second-class citizen because of her line of work. Harry meets Cate and they fall in love instantly. Francesca is a doctor who finds out that he has cancer, and tells Cate so that she would break up with Harry...

Heridas de Amor is a Mexican telenovela from Televisa. It is a remake of the telenovela Valeria y Maximiliano.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers.

Un refugio para el amor is a Mexican Spanish-language telenovela produced by Ignacio Sada Madero for Televisa. It is a remake of the Venezuelan telenovela La Zulianita, written by Delia Fiallo and adapted by Nora Alemán and Georgina Tinoco. Zuria Vega and Gabriel Soto star as the main protagonists, while Jessica Coch, Humberto Elizondo, Laura Flores and Frances Ondiviela star as the main antagonists.

Piel de otoño is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas in Mexico from 9 May 2005 through 23 September 2005 in Mexico, and from October 10, 2005, through February 17, 2005, in the United States. Starring Laura Flores and René Strickler as the series' protagonists, the show tells the story of Lucía Villarreal de Mendoza, a woman who seeks refuge from her husband and children's abuses in the friendship of a stranger on the Internet, who signs his messages only as "wind". Piel de otoño is a remake of the 1986 Televisa telenovela Cicatrices del alma. The program aired weekdays at 5 pm for twenty weeks.

La Verdad Oculta is a Mexican telenovela, fusion and remake of two telenovelas, one of which is El Camino Secreto; the other is Al Final del Arco Iris, a novela produced by Ernesto Alonso in 1982, written by María Zarattini and José Rendón. Probably because the telenovela is a fusion, there are two sets of protagonists: The actors playing the protagonists of La Verdad Oculta are Galilea Montijo, Gabriel Soto, Alejandra Barros and Eduardo Yáñez, and one of the antagonists is played by Julio Alemán. The telenovela was under the production of Emilio Larrosa. Mexico's Canal de las Estrellas aired the telenovela from February 27, 2006 to August 11, 2006. Univision aired it from August 31, 2010 to March 7, 2011 at 12am central. The story is distinctive in that three artifacts are practically characters in their own right and have their own stories: 1 a piece of paper with writing on it, 2 diamonds, and 3 a pair of cuff links. The story of these artifacts gets quite complicated.

Abrázame muy fuerte is a Mexican telenovela that aired in 2000–2001, under the production of Salvador Mejia and with Aracely Arámbula and Fernando Colunga as the protagonists.

Destino is a Mexican telenovela produced by Maricarmen Marcos for Azteca. Paola Nuñez and Mauricio Islas star as the protagonists.

Mexican telenovela starring Erika Buenfil and Eduardo Santamarina with the antagonic role of the star actress Claudia Islas. It was produced by Televisa. This telenovela contained 145 episodes and is a remake of Marcha nupcial.

Laberintos de pasión is a Mexican telenovela produced by Televisa in 1999. Starring Leticia Calderon, Francisco Gattorno, César Évora, in addition to the participation of Manuel Ojeda, Monika Sanchez and Azela Robinson.

Yo Amo a Juan Querendón is a Mexican telenovela that aired on Univision at 7pm/6c for one year beginning in February 2007. The plot surrounded the story of Juan Dominguez and his interactions with the Cachon Family. The program was a remake of Pedro El Escamoso, a Colombian telenovela.

El Derecho de Nacer is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas from 5 February 2001 to 25 May 2001. A remake of the popular 1981 telenovela of the same name, it stars Kate del Castillo and Saúl Lisazo.

Palabra De Mujer is a telenovela remake of El Amor Tiene Cara De Mujer was made by Televisa, starring Edith González, Yadhira Carrillo, Ludwika Paleta, and Lidia Ávila. The telenovela, a production of José Alberto Castro, premiered October 22, 2007 and ended on May 9, 2008 in El Canal de las Estrellas.