Movie Romance
![Silks and Satins (1916)](/media/img/movie/poster/m/37/6b551b2bac43ed3997222bba.jpg)
On the eve of her wedding to a man she does not love, young Felicite (Marguerite Clark) stumbles upon a diary written by one of her ancestors.
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Born and raised in poverty, Marguerite Clark has learned to expect very little out of life and thus is rather surprised to learn that she is the niece of a wealthy financier. Alas, this puts a crimp in her romance with a handsome young architect, who has long despised the financier for causing the downfall of the architect's father.
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When David is left by his fiancé just days before the wedding, his relentlessly upbeat best man, Flula, insists that the pair go on David's previously planned honeymoon: a seven-day backpacking trip through the breathtaking mountains of Oregon. Their adventures are bookended with passages from William Clark's diary describing his friendship with Meriwether Lewis and the terrain they crossed during their expedition.
Eve
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On the heels of booking a life-changing motion picture, a film director drives away his girlfriend and aggressively re-enters the LA dating scene.
Eternity
TV producer James has an extremely vivid dream, in which he is a prince struggling to keep the kingdom at peace against the wishes of his warfaring brother, while at the same time competing with his brother for a woman's love. The figures in his dream match those in his real life, with his brother being an aggressive business man trying to buy James out, the king being James' advisor, and the woman being an actress recently cast for a commercial at his studio. Seeing his dreams as a message about his life, James decides to act on their guidance, even though they lead him into the fight of his life.
The Daring Young Man
Jonathan Peckinpaw feels he's failed in his patriotic duty when he's rejected by the army, but he sees a chance to redeem himself by exposing a secret ring of Nazi spies.
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Known as "Wildflower," Letty Roberts meets Arnold Boyd, a wealthy man who is weary of life in the city.
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Andrea Chénier
Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk
Dead Again
Thomas stumbles upon an old diary in an antique district. As he begins to read the haunting tale of love and loss, Thomas realizes the diary carries a terrifying curse. Written many years ago by Jeong Hoon, an aspiring author, anyone merely exposed to the diary becomes a cunning facilitator of the curse.
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Bab comes home for the Christmas holidays. Given to fabrications, Bab has been keeping a diary in which she describes and imaginary boyfriend named Harold Valentine. Imagine what happens when a real Harold Valentine shows up as her parents' house guest.
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Fifi is an actress in Napoleon-era France. She wins a lottery and leaves Cartouche, the man she loves to go live with a rich family. The conniving Louis Bourcet tries to woo her because he wants her money. But Fifi wants nothing to do with him, and ultimately she gives up her money and returns to Cartouche. But Cartouche, believing he is too old, refuses to marry her until Napoleon himself orders him to do it.
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14: Diaries of the Great War
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